The Fox's Prophecy

The Fox's Prophecy was known to have been around in 1871 but there are pointers to it being older than this time. It is a startling prophecy since much of it has already come about, indeed it is true to say that nearly all of it seems to have come about. It is a stark prophecy about England and the English Nation, and although I have covered this in one of our magazines I feel that it is important enough to do a post on the subject.

 

The prophecy starts off with a look at the English countryside through the eyes of a lone huntsman, emphasising the beauty and quiet of the land, with mention of the small animals that abound. At this point we find that the huntsman has lost his companions and the hounds. It is whilst he begins seeking his lost companions that he sees an 'aged fox' sitting beneath a tree. The gaze of this old fox made his 'blood run cold'. Here we can see that the 'aged fox' is no ordinary fox, and this is borne out when he tries to blow his hunting-horn his lips refuse to blow, 'mastered by that fox's eye'. It seems, we are told, that the fox's eyes shone with 'an unearthly fire - fire that could never die'. We are then told that the fox addressed the huntsman who -

 

'Heard as they who in a dream

The fairies music hear.'

 

This makes it clear that this prophecy has come through the consciousness of an individual in a dream-like state or as a 'vision'. This proves the validity of the prophecy, which needs no real proving since what it says has already come true, for anyone but a fool to see clearly.

 

'Last of my race, to me 'tis given

The future to unfold,

To speak the words which never yet

Spake fox of mortal mould.

 

Then print my words upon your heart

And stamp them on your brain,

That you to others may impart

My prophecy again.'

 

The first part tells of the coming time when fox hunting would be banned, and that the hunt would run no more in England. Remember, this is 1871! The fox himself laments this since he feels that the fox and the hunt are bound together 'o'er wide England's green domain', and that it is -

 

Better by wily sleight and turn

The eager hound to foil,

Than slaughtered by each baser churl

Who yet shall till the soil.'

 

The fox then goes on to foresee even darker times -

 

'For not upon these hills alone

The doom of sport shall fall;

O'er the broad face of England creeps

The shadow on the wall.'

 

The old customs will pass and die away, new and ridiculous fashions will rule, the woods and forests would fall by the axe, and the hedgerows and copses would disappear - all of which have come about during the last 100 years, after the times when the prophecy was penned.

 

The manly sports of England

Shall vanish one by one;

The manly blood of England

In weaker veins shall run.'

 

It is not obvious to all that 'manly sports' have been slowly destroyed by what is usually termed the 'nanny state'. Whether we agree or disagree with such sports the point is that everything strong and manly is being taken away. Men have become softer, weaker and more effeminate, and will become more so as time goes on. Then a hint of the replacement of English Farming by agribusiness is given, when nothing shall escape the progression of rampant technology.

 

Degeneration would set in and the sports of our forefathers 'to baser tastes shall yield'; the 'vices of the town' would displace the 'pleasures of the field', i.e. the urban sprawl would take hold whilst Rural England would be left dying in its wake. This would be down to 'progress', when the ancient landmarks would one by one sink under the 'tide' of 'progress'. The great names 'writ on the roll of time' would be mocked by 'base churls', in other words everything that was held great, and all of the great English Heroes, would be mocked by the base masses. Religion would be 'held a jest' and 'loyalty a crime' - we are certainly in these times!

 

The education of the people would be in the hands of 'utilitarians', and religion would no longer be part of the school teaching or work. Here it has come about in our 'multi-cultural society' that religion is still taught in a sense, but it is done in a sinister and subtle way by using many different religions and teachings, but not actually teaching any form of religion at all, nor sticking to any particular religion either. The prophecy was penned in a time when Christianity was strong so it is bound to be tainted with this religion.

 

Hospitality will be lost, and slowly the old festivals will be lost; what will replace religion is science, and the 'only God is gold'. Whilst the 'manly sports' will be lost 'unsexed women strive to prove herself the courser sex' - it is a fact that some women, through the false ideology of equality, try to emulate men, but they take upon themselves the worst traits of men in the process. This would cause disruption in the home where 'love and peace should dwell', which, of course, it certainly does. Indeed, the basic family unit breaks down today due to such ideologies - which are certainly not promoted by accident.

 

'Mechanics in their workshops

Affairs of state decide;

Honour and truth - old fashioned words -

The noisy mob derides.'

 

We are in the Age of the People when everything is upturned and the lowest rule whilst the highest serve -

 

'The statesman that should rule the realm

Course demagogues displace;

The glory of a thousand years

Shall end in foul disgrace.

 

The honour of Old England

Cotton shall buy and sell,

And hardware manufacturers

Cry - "Peace- lo, all is well".

 

Trade shall be held the only good

And gain the sole device;

The statesman's maxim shall be peace,

And peace at any price.'

 

Today our land is ruled by gross materialists who care only for economics, profit and gain, and above all the greed for gold and power. The armed forces would be drastically cut, which has happened, and indeed we are near to having our armed forces integrated into a 'European Army' which will be used against any European country that goes against the will of the ruling powers - the Bankers and Socialists who control the money and the mob.

 

Then we come to one section of the prophecy that foretells of the times we have moved into today, times when a horde of alien invaders would set foot upon our lands -

 

'The footsteps of th' invader,

Then England's shores shall know,

While home-bred traitors give the hand

To England's every foe.

 

Disarmed before the foreigner,

The knee shall humbly bend,

And yield the treasures that she lacked

The wisdom to defend.'

 

Here we can see the prophecy really come true in its every form, for today it is these 'home-bred traitors' who have given a hand to everyone entering these lands, no matter who they are, without thought of the fact that some may be criminals, some may bring diseases, or even bring into this country epidemics - what sort of people are they who would do this - the White Traitors. And above all, within the 'Muslim Community' there are terrorists whose aim is to take away from us our lands, and to impose alien laws upon our Folk, laws of an alien 'Mono-God'. But we can see hope, but we can also see that the treason of these White Traitors and their hidden masters will also bring upon these lands civil war and bloodshed -

 

'But not for aye - yet once again,

When purged by Fire and Sword,

The land her freedom shall regain,

To manlier thoughts restored.

 

Taught wisdom by disaster,

England shall learn to know,

That trade is not the only gain

Heaven gives to man below.

 

The greed for gold departed

The golden calf cast down,

Old England's sons shall raise again

The Altar and the Crown....

 

The blood of the invader

Her pastures shall manure,

His bones unburied on her fields

For monuments to endure.'

 

After this land is purged by 'Fire and Sword' sanity will reign once more and the English customs and culture will be renewed, as will the land be renewed....

 

'The listener started from his trance -

He sat there all alone;

That well-known cry had burst the spell,

The aged fox was gone'.

 

Thus ends The Fox's Prophecy which foretold of things to come, things which have already come about, and a warning of the coming of a mighty civil war here in England, after which England will arise from the ashes of its destruction and once more the world will be right and just. The society of envy and greed, of the greed for gold and power, of the lust for profit, and the society ruled by the merchants and the mob, will be swept away in a tide of coming revolution - the English Revolution!

 

This is not restricted to England since the whole of Europe is being invaded by hordes of outlanders. But for all this we should remember always that these lands are our lands and when we fight it will be upon the lands we have known since birth, the lands which our ancestors fought and died to protect. It is not we who fight upon 'alien fields'. Yes, the Doom of the Gods has come, Ragnarok, the Fall of Troy, and the survival of the White Race is at stake, but such times should be times of joy to us, for we should be proud and honoured to live in these times of trials.

 

 

Valhalla & The Archetypal Myth

Valhalla is one of the most important concepts within Folkish Wodenism; the ideas came for this post after a long conversation with our Garman, Raven. There is a need to clarify our position on the idea of Valhalla, and thus open the way to further promoting our Religious Faith as a means to uniting our Folk against the forces that seek to destroy us.

 

Valhalla is a place where the Fallen Heroes go after death, either a glorious death in battle (as in past heroic eras) or after death following a glorious life of struggle against the enemies of Gods and Folk. This has to be made clear, for today's era is most certainly not one of Heroes, and battle is not against the enemies of Folk and Gods, more for money, wealth, power and world domination - led by the enemies of our Gods and Folk. The only way to gain a place in Valhalla in today's world is in the glorious struggle for the survival of our Folk.

 

Some years ago it became clear that on all levels the dominance of older people was becoming plain, and the young folk of England cared little for politics, nor for any form of rebellion either - unless that 'rebellion' was organised and manipulated by the State Power for their own ends. There was a distinct gap which was not being filled, and the very real danger for the future of anything Folkish or Nationalist. This was admitted even by some elements of the so-called 'far-left' one of whom I spoke to in East Sussex and who was fully aware of the same danger. It appeared that young people were just not interested - in either 'left' or 'right'. All that has now changed!

 

Today there are young people here in England fully prepared to go out and do something to challenge this corrupt and alien state. Young people fully prepared to lose their freedom in order to do something. These young people have had to organise themselves because there was no-one to guide or organise them, and the importance of the 'age-set' began to become clear - a Young Movement was needed, organised by Young Folk. We have to say that it was the older generations who failed these young people, because they gave up the very thing that such young folk need - action on the streets! Here I am talking about street-action on a physical level, which is not anything to do with a religion, but I do feel that this is relevant to what I have to say.

 

When we were younger we too revelled in the street-action and the rush it gave to us; young people need action and adventure! Where is the adventure in canvassing and leafleting? This can be done by older people, whilst the young take up the street-action. The Volkish Movement in Germany and other parts of Europe prior to World War II was made up of groups who hiked, camped, trained in physical exercise, trained in the warrior arts, and much more. Young people seek adventure - young people need adventure.

 

So why have these young people suddenly started to rise at this crucial time in the survival of our Folk? Have we not entered the time of Ragnarok, the 'Fall of Troy', when the enemy have gained entry to our lands, when the enemy rule over our lands, and when the very survival of our Folk is threatened through a deliberate act of genocide? And when was it prophesied that the Einheriar would awaken, arise once more, leave through the 540 doors of Valhalla to fight the Last Battle here on Middle-Earth? Ragnarok! We are seeing this not only here in England, but around the White World.

 

Ragnarok is not a 'paradise' where people go to rest after death, it is a training- ground for the Warriors of Woden. It is a training-ground where the Fallen Heroes go to prepare themselves for the Last Battle, and in between for their next incarnation or resurrection on Earth. When the Fallen Heroes return to Earth they continue the Eternal Struggle against the Dark Joten, time and time again throughout the Cycle of the Ages. Their preparatory work is done in Valhalla where they fight each day, die and rise again as the Everlasting Army in the Everlasting Battle, 'cursed' to die again and again, and to be resurrected again and again each time they die.

 

What is the strength of the Muslim Extremist? It is his firm knowledge that winning a glorious death gives him a place in Heaven. This is the strength that the Muslim Extremist has and which our own people lack. Even Christianity had this type of belief at the time of the Christian Crusades, but today Christianity has lost a hold upon our people. It was a Christian belief that God would grant them a place in Heaven after they died in battle upholding their faith. And this is the key to this knowledge, since this concept did not originate in Judaeo-Christianity, nor indeed within Islam, for it came through our own Heathen Faith, in some ways through ancient Iran/Persia; at least this was most likely so in regard to Islam. It was a Heathen concept that the Christian rulers used to motivate their people to fight and die in battle.

 

Neither the media nor the masses can understand why young Muslims who are over here, or who were born here, will give up everything to go to fight for their brothers and sisters (metaphorically) in lands invaded by the 'West' - i.e. the Brit-Am Alliance. They do so because they have a belief, they have a religion that binds them, and they have the firm knowledge that they will earn a place in Heaven when they die in battle or struggle. Their firm religious belief in an afterlife and in the glory attained in death in struggle motivates their actions.

 

Please don't get me wrong here, I am opposed to Islam as much as to Christianity and Judaism, because they are all 'arms' of the same oppressive forces that seek the destruction of our Folk. And I certainly see nothing honourable in the wanton slaying of innocent people in the name of 'God'; to give one's life in suicide just loses another warrior in the struggle, and this is especially stupid when the 'enemy' are not those targeted. The result of their actions is what it is meant to be - to produce fear and terror in the masses so that they are more easily controlled.

 

My point here is that it is the concept of gaining a place in Valhalla through a glorious life of struggle for our Folk that matters. To not only believe but also to know that there is an afterlife, and that this life is not the only life, is to put the fear of death behind and thus to fear nothing, nothing at all. This is where the Archetypal Myth comes into play.

 

From my experience of the spring of 1997 I came to realise that the True Initiation is life and the struggle in life, and not some one-off ceremony alone. I also came to understand that my life was being lived as an Archetypal Myth with a pattern where events repeated themselves at different levels, and where certain synchronicities played themselves out time and time again. And that time and time again certain people are reborn to come together again, age after age, come together to renew the Ancient Eternal Struggle against the Evil Forces. Believing in an Archetypal Myth means recognising that there are certain things that are bound to happen, certain people we are bound to meet and certain events in our lives that match with Ancient Myth. Recognising these things is the recognition that our life is lived as an Archetypal Myth. We can then see who we are and what our destiny is.

 

The victorious movement has to have 'martyrs', those prepared to give up their freedom for their cause, and more so those who are prepared to give up their lives if necessary. There can be no glory nor victory unless there are those prepared to give up their lives, and more so those prepared to give their lives in this struggle. The enemy knows this, which is why religion is today losing its power, and a false 'religion' is being prepared to take its place, a religion based upon nothing but the physical world - One Life - Live It! This ludicrous phrase has been carefully placed in the feeble minds of today in order that there is no belief in an afterlife, which naturally engenders the fear of death since this is an ending with nothing but oblivion to follow.

 

The so-called 'paganism' of today has a belief in reincarnation, but it has nothing in terms of a glorious death in struggle. It is so vague as to be hard to decide exactly what it really means - reincarnation. The basis of 'karma' comes from Hinduism, but again this concept is so vague as to be rather meaningless, since what one knows as 'sin' to another is strength. What is 'evil' to one is 'good' to another. Christianity is a negation of all Aryan values as Friedrich Nietzsche so rightly stated. Christian values are the exact opposite to Heathen values. But the concept of Valhalla is as clear as the brightest light - it is for the brave and courageous who take part in the struggle against the Evil Forces of Chaos and Darkness struggle to maintain or to regain the Divine Order of the Gods.

 

Those who struggle will die, today more likely in this glorious struggle, but they will go to Valhalla to be welcomed by Woden, and there feast with their Fallen Comrades, to be 'resurrected' again in order to carry on this glorious struggle in a new life and a new time. The Warrior leads his life like an arrow, since this is the movement through life towards a given target. That arrow does not stop until it reaches the target, unless it's flight is distorted or stopped by something else. We have to be like that arrow, the life being the movement through our life, and the target is the Final Victory. We have to avoid distortion of flight and we have to avoid being stopped in flight, by bursting through any blockage, time and time again.

 

It is important to understand what Initiation really is; the word itself means 'to begin'. An Initiation is thus not the ending of a phase but the beginning of a new phase. We could say that it is the beginning of a journey along a path, or the beginning of the flight of the 'arrow' as used of the warrior. But this lasts through the whole of one's life, which itself is an 'initiation', a beginning or new beginning at each level. I can recall to this day the very last words of my brother who died of a form of cancer, and who did not share my beliefs, nor any beliefs as far as I know - 'Death is not the end - it is just a new beginning!' You could not put it plainer than that, and that was from one who knew!

 

Today we have young people prepared to give up their freedom for their cause and for their Folk. Our Folkish Religion goes further in promoting the idea that a glorious death in this Eternal Struggle will earn a place with the Gods, a place with the Immortals, the gaining of immortality in the sense that we are reborn, again and again, age after age, in order to fight the Everlasting Battle. Only a Folkish Religion believing in a life after death, an afterlife of training in Valhalla for the next 'round', can instil into our Young Folk the fearless courage necessary to achieve victory against overwhelming odds.

 

Hail the Glorious Dead!

Hail the Victorious Dead!

The Myth of Hamlet - The Fool.

Hamlet was made famous by William Shakespeare, but few people realise that the tale was taken from Danish Mythology. In this he is named Amlethus which is a Latin version of Hamlet. His father is Orvendel which is a name that should be familiar to Folkish Wodenists since we know this figure as Or-Waendal. I will recount the tale as told by Saxo Grammaticus (c. 1150 CE to 1216 CE). 

Orvendel achieves a victory over King Koll of Norway which makes his brother Fengo rage with jealousy. Fengo's rage causes him to murder Orvendel, the murder being witnessed by Amlethus. Amlethus plotted revenge for his father's murder but he was shrewd enough to realise that if Fengo suspected this his life would be in danger. He chose to feign dullness, and to pretend that he was a witless fool. 

To do this he remained in his mother's house, listless, inactive and without cleaning himself. He threw himself into the mud and covered himself with foul and filthy dirt, feigning madness. He sat by the fire, raked up some of the embers, fashioned wooden stakes, hardening them in the fire and then shaping the tips into barbs. When asked what he was doing he replied that he was preparing sharp spears to avenge his father. This made people scoff even more, as he appeared quite mad.

But some began to see through this, since he took care to always guard the pile of sharpened stakes, and they muttered that he only played the simpleton. To test him they suggested getting a woman with him in a secluded place, and if he was feigning he would be tempted to take her. 

Some of the men drew him into a secluded place in a remote part of the forest, amongst them the foster-brother of Amlethus who had not ceased to see himself as his kin. He tipped Amlethus off about the plan. Amlethus sat on his horse facing the rear, looking quite ridiculous in the process. On his way a wolf crossed his path amid a thicket; when riding he used cunning to answer those present, and in the process give hints but not far enough to be seen through. As they passed along the beach his companions found the rudder from a ship-wreck, and said to him they had discovered a huge knife, to which he replied that it was the right thing to carve such a 'huge ham' - meaning, of course, the sea. When they passed some huge sandhills and made him look at the 'meal' - meaning the sand - he replied that it had been ground small by the 'hoary tempests of the ocean'. 

The woman sent by his uncle met him in a dark spot as if by chance; remembering his foster-brother's warnings he caught up the woman and dragged her off to a distant and impenetrable fen. After laying together he warned her not to disclose anything of the matter, which was not hard since he had known her well since childhood, both of them being fostered together. When he returned home he was asked if he had given way to love and he replied that he had ravished her. When asked where he did it and what was his pillow he replied that he had 'rested upon the hoof of a beast of burden, upon a cockscomb, and also upon a ceiling. The maiden was asked too and she said he had done no such thing. 

A friend of Fengo was not sure of this whole thing and suggested Fengo went away, and whilst away Amlethus would be left alone with his mother and they should hide someone in the room to listen to what was said. Amlethus was shut up in the room with his mother and he saw through the treachery, and thus used his feigning of madness. Then he mounted upon the straw in the room, jumped up and down upon it to see if anyone hid there, and feeling a lump beneath his feet drove his sword into the spot. He dragged the man out and slew him, cut his body into pieces, boiled the pieces in water, and then flung it through the mouth of an open sewer for the swine to eat. His mother scalded him but he got back by scolding her for wedding her husband's slayer.

When Fengo returned he could find no trace of the man, and when Amlethus was asked about him he replied that the man had gone to the sewer and fallen through its bottom, and had been eaten by the swine. Seeming senseless this was laughed at by those present, though it had been the truth. Fengo sensed that Amlethus was full of cunning but he could not slay him himself because of his own wife and also Amleth's grandsire, Rorik. He thought that the King of Britain should be employed to slay him, and he remain innocent of the dark deed. On leaving Amleth gave secret orders to his mother to hang the hall with knotted tapestry and to perform mourning for him one year hence.

Two of Fengo's retainers went with Amleth bearing a letter graven in wood; the letter asked the King of the Britons to put to death the youth. Whilst they rested Amleth searched their coffers, found the letter, erased the letters and put in fresh ones, shifting his doom to Fengo's retainers. He also put in that the King of Britain should grant his daughter in marriage to Amleth. 

Cutting a long story short, Amleth showed through his knowledge and wisdom how he understood many things not known to others, and the king gave his daughter to be his wife. He hanged the companions, to which Amleth feigned offence. so that the king paid him weregild of gold, which he melted and poured into hollowed sticks. After one year he got leave to return to Jutland, taking with him only the sticks holding the gold. Once more he dressed as the simpleton he entered the room where the mourners were he was asked where his comrades were, to which he replied - 'Here is both the one and the other' - pointing at the weregild. 

He got everyone drunk and when they were sleeping around the hall he brought down the hangings of the tapestry and thus applied the crooked stakes so that they could not move. Then he set fire to the place and they and the whole palace were burnt to the ground. Going to his uncle's room he switched a sword hanging by the bed, awakened his uncle telling him the hall was in flames and that his nobles were dying, and that he was now going to exact his revenge upon Fengo himself. Fengo could not draw the strange sword and Amleth slew his uncle. 

Hamlet here plays the fool, the simpleton, the madman, and yet he is the one who has the power to dispense good and evil, the avenging power that brings divine justice. He is the one who is inspired, has great knowledge, wisdom and above all, insight. The hidden meaning of the Myth of Hamlet is that evil is never attacked head-on, for it is made to defeat itself. Hamlet is never a misfit, though he plays the fool and simpleton, for he is the bringer of justice. This is made clear in the later Shakespearean version where we find the saga in the light of its higher clarity. 

The myth is plain to see, and Hamlet is the Archetypal Avenging Hero -

• The uncle slays his brother.
• The son of the brother plots his revenge but plays the fool or simpleton in order that his uncle does not suspect his plot.
• The son revenges his father by slaying the uncle.

Hamlet is connected to the North Sea, the stormy ocean of the North, and its breakers grind away the granite rocks, thus being called Hamlet's Mill. This is indeed an important concept since Or-Waendal is in fact the same as Mundilfore who is the Turner of the World Mill. Thus, Hamlet's father is the Cosmic Turner whilst Hamlet himself is the World Turner - the former turns the Cosmic Mill and the latter the World Mill. I have shown before how Or-Waendal is the Long Man of Wilmington. 

Hamlet's Meal is ground by the Nine Giant Maidens or Nine Maids of the Island Mill; here we find the Nine Wave-Maidens and mother of Hama (Heimdall). We can find this tale of Hamlet in various guises from different areas of the Indo-European world -

• Kullervo from Finland.
• Kai Khusrau of Persia.
• Horus slaying his father's brother Set.

This can, to a degree, be found in the figure of Wid-Ar whose father, Woden, is slain by Fenris (Loki's son), and thus he avenges the death of his father. We do not find the fool or simpleton in his tale but the theme is similar. We can also find hints of this in the Swiss tale of William Tell, since the name 'Tell' actually stems from 'Tol' which means 'fool' or 'simpleton'. This, of course, as familiar to Folkish Wodenists, is The Hooded Man. Indeed, in the Robin of Sherwood series Robin is linked to the Tarot Card named The Fool. 

We should note here that The Fool is numbered '0' which would hint at The Void, and thus that the figure of The Hooded Man appears when the worlds sink into chaos and into the Void. Note also the 'dog' in this card since we find a 'wolf' in the story of Hamlet - this can be no coincidence, and shows that the Tarot cards once held knowledge and wisdom, though much of it is no doubt distorted with time and those who passed this on. The figure above also wears the 'coat of many colours' which is that of the Harlequin; he also carries the White Rose of Albion. We should also note that the 'coat of many colours' was worn by Joseph, father of Jesus; this shows us how the Initiates worked, since they passed on the knowledge through symbols and those who followed would pick up on the symbolism to know what was being said. Thus various different traditions would hold the same secrets which were unlocked through a knowledge of the symbolism used. 

The dog is also an important part of mythology since it has connections with the dice and with dice-throwing, and thus with board-games such as taefl. Today the dice is not used, but it is most likely that in ancient times dice were cast to make each move. Hence, a game of chance, was altered into a game of intelligence, the 'chance' really being the key to understanding the game. Chess is a game of intelligence today, and is played out as a battle between Good (White) and Evil (Black); 'chance' does not come into this at all and it is only through clever thinking or making a mistake that causes the outcome and the winner. 

In the Rig Veda the gods are said to go around like ayas which means the cast of dice; indeed, the four ages - Krita, Treta, Dvapara and Kali - are casts of the dice, the last one, Kali. being the 'Dog Dice' and the worse cast. We cannot but feel that here we have a link to the 'Warg Age' of Norse Mythology. The divide in the Great Battle (symbolised in the board-games) is the Milky Way, and in the number of the Einheriar, 432,000, we find the reference to the Precession of the Equinoxes. This is part of the sequence -

• 432,000
• 216,000
• 108,000

The number of stanzas in the Rig Veda is 108,000, each stanza being made up of 40 syllables; there are 10,800 bricks of the Indian Fire-Alter, Agnicayana. The Babylonian Great Years was 432,000 years, and in certain Greek texts the duration of the Aeon was 10,800 years. As I stated before these are symbols used to understand that what is being spoken of is the Precession of the Equinoxes, and in this case the end of a cycle and beginning of another cycle. 

In many traditions we see the 'Churning of the Ocean' linked to the above numbers, and here again we must recall the idea of Hamlet's Mill in the North Sea, and to the Cosmic Ocean 'churned' (turned) by Or-Waendal. As I have mentioned before this 'churning' is a backwards and forwards motion, which suggests that the world may reverse its axial spin at certain times. The 'rope' that does the churning is the Serpent and in both the Vedic and the Mayan a tortoise is the base of the churning - no doubt symbolising a slow process.

We are talking here of the Ragnarok and the Fall of Troy in which time the world falls into chaos, but this chaos and disorder is the wreck and ruin of the world, out of which will arise a new world. This is the Time of the Wolf and it is also the Time of The Hooded Man. 

There are links to both Mars and Saturn in the tales connected to the Precession of the Equinoxes and to the Myth of Hamlet. We should note that Mars is associated with the colour Red and Saturn with the colour Black - both linked to the colours associated with anarchy. This is no coincidence, and thus we find the association with such times of Chaos. Everything we see has an inner meaning which relates to symbolism. In the above we see the 'Four Beasts of the Apocalypse' - Lion (Leo), Man (Aquarius), Bull (Taurus) and Eagle (Scorpio, originally Aquila the Eagle). We see Mars in Scorpio and Saturn in Taurus - Aquarius is ruled over by Uranus (Ur-An-Us). Mars is the Avenger, whilst Saturn is the Destroyer, which is why these two forces are paramount in the destruction of the old world-age and old cycle. 

Virgil describes Mars as 'caeco Marte' which means something like 'blind fury' and here we can see a hint of a god such as Woden, and maybe why Woden was seen as being Mars by some Roman scholars. Orion the Hunter is also associated with blindness, and we can see here a link once more to Waendal since the figure of the Herne Giant is an aspect of the Hunter-God. Saturn is, of course, Kronos who is the God of Time, Old Father Time, and thus also the Grim Reaper. Orion the Hunter is also Nimrod, the Great Hunter, and is the Blind Giant. We should also note how in one tale of Robin Hood at the end of his days he is blinded. 

In the above Daily Mail clipping of August 1999 we see not only the Divine Marriage of the Sun and the Moon, together with Venus the Virgin (in Leo the Lion) but the twin forces of chaos and destruction (Mars and Saturn) that rule over this particular period in between the cycles. We know from the various prophecies that I have mentioned in other posts and articles how the Solar Eclipse (Black Sun) resurrected the King of the English (Ingwe) and that at the time Nostradamus tells us that 'Mars reigns before and after'. The hope for our Folk here lies in the ruler-ship of the New Age - Uranus. The coming age will be the Age of Aryan Man.

In the figure of 'Saint Christopher' (Patron of Travels) wading across the fierce waters with the Krist-Child upon his shoulders we find that of the Blind Giant bearing Tom Thumb upon his shoulders, whose eyes guide the giant across the fierce Northern Waters. 'Saint Christopher' was said to be 'half-hundinga', i.e. 'half-hound' and thus (again) associated with the dog. Or-Waendal is also connected to such legends, and even the blinded Samson in the biblical account where he acts as the destroyer.

Most people are familiar with the Myth of Orvandil and 'Orvandil's Toe'; if we see Orvandil as being associated with Orion the Hunter (The Herne Giant) then we should note that the bright star in this constellation, Rigel, means 'foot' in Arabic. The Three Stars of Orion's Belt (Frigg's Distaff) look across at the Dog-Star, Sirius. In Persian Mythology Sirius is called Tishtriya and it is said -

'We worship the splendid, brilliant Tishtriya, which soars rapidly to Lake Vurukasha, like the arrow quick-as-lightning, which Urxsa the Archer, the best archer amongst the Aryans, shot from Mount Aryiosutha to Mount Huvanvant....(it causes) Lake Vurukashs to surge up, to flood asunder, to spread out; at all shores surges Lake Varakusha, the whole centre surges up.'

(Avesta: Eighth Yasht.)

Sirius has always been associated in Egypt with the flooding of the Nile, and here we see an ancient Aryan Myth where Sirius is seen as being associated with flooding. Sirius is also known as the 'Dog-Star' and here again we have the dog motif. Sirius has also been known as the 'Arrow-Star' and it is thus perhaps significant to note that the Persians also called this star - Tir. Or-Waendal is the Archer, as is Robin Hood, as is Aegl the Archer, etc. etc. We should here make clear that the idea of flooding and the waters refers to the dissolution of the worlds which plunge into the Waters of Chaos at the end of a Cosmic Cycle, and from this emerges a new world. 

Here we see the Red-Haired, Red-Bearded Aryan Thunder-God bearing his Twin-Hammers, sailing in the Dragon-Ship on the Waters of Chaos, standing beside the White Stone of Ingwe - the 'Gift of Ingwe' (as shown on the twin figures at the side X-XX). 

What we see here are subtle links with the Fall of Troy, with the destructive hordes of barbarians from the East, with Attila the Hun, driven by Nimrod the Great Archer - with the Ragnarok. Yet, from Troy a few remnants, guided by Wid-Ar (AEnius) left to found the mighty Empire of Rome, and so a New Era dawned from out of the chaos, disorder and destruction. What comes down to us through Christian eyes - Ragnarok - is the time of doom - the Doom of the Gods. Yet this wholesale destruction is not the whole story, for though only a short piece remains to us, the whole thing is not about death alone, but about a rebirth and renewal - about the hope of a better tomorrow. 

At this time we who have seen these things are ridiculed and even declared to be 'mad' or 'insane'; and yet, throughout this tale the 'madman' and the 'insane' are indeed the wise ones. They are the ones who wait, who are to bring justice to an unjust world, who await the time when the Evil Forces will indeed destroy themselves through their folly and madness. This Archetypal Myth will be played out on the Stage of Life, and there is nothing that can be done to stop what is coming. Their evil world shall burn and the Sword of Wid-Ar will bring justice for the slaying of Woden. This is the Time of The Hooded Man - 'And the guilty shall tremble!'

Rune-Stave of The Hooded Man

The Hooded Man

Both of the above rune-staves contain the secret of The Hooded Man and also of the Rising of At-al-land from out of the 'waters' - the 'Waters of Chaos'. The Hooded Man is The Fool and the April Fool is depicted by the Long Man of Wilmington - the Great Initiator. I have shown before how the name 'Robin' adds to the Number 58 and is thus the key to the 58 Words of The Hooded Man Prophecy. I have chosen to use the term Ingwe now rather than 'Ing', since this is the most ancient spelling - the name Ingwe, using English Gematria, adds to the Number 58! 

'Who is the more foolish, The Fool, or the fool who follows him?'

Obi Wan Kenobi - 'Star Wars'.

The Mysteries of Ingwe

I have several times mentioned that Ingwe/Ing could be connected to the name 'Ygg' or 'Igg' which is a by-name of Woden and the root of 'Yggdrasil' or 'Iggdrasil'. The Gothic rune for 'Ing' is Yggws which may have been pronounced 'Yngwas', and we have the Greek letters 'gg' being pronounced 'ng'. The name 'Ygg' is said to mean The Terrible One and 'Yggdrasil' is the Steed of The Terrible One. Since 'steed' infers a horse, it may be relevant to mention that the old children's word for horse is 'gee-gee' (g-g), and we may well ask where that term came from. 

We need to look at the underlying archetype of Ingwe if we are to gain further knowledge of this. I have suggested the following sequence -

Ingwe - Sceaf - Woden - Hama - 'Son of Man(nus)' - The White Krist

I would like to suggest that Ingwe is a very old name given to the same archetype as Woden. Indeed, since we find a close link between Krist (as the Hanged God) and Woden (as the Hanged God) this links both to the 'Cross' (the Sign of Ingwe is the Cross of Fro-Ing) or the Wolf-Tree. This would explain in part the obscure references to Ingwe in certain weapons -

Gungnir - 'Gift of Ing'

Mimming - 'Memory of Ing'

In some way these references to Ing/Ingwe suggest that this archetype is very ancient indeed, and his memory is all but veiled in an ancient mist. Since we can find this same archetype in the 'Celtic' names Aengus/Oengus/Angus then it is just a step further in seeing Ingwe as the God of At-al-land, the memory of which can be found within the Lore of the Frisians, and also we may surmise in the 'Celtic' Lore that has been recorded here in Britain. References to 'sunken lands' can be found this side of the North Sea too. It is also to be noted that a by-name of Rudra (Shiva) is Ugg - Rudra is a very ancient archetype that pre-dates Shiva, and this archetype is that of the Wild Hunter-God. 

When we look at the figure of Odin portrayed by many Odinists it seems to be totally different from the Wild Hunter-God or Wolf-God that has arisen as the new Woden Archetype within Folkish Wodenism. The Woden Archetype is far nearer to Rudra who is also a wild, chaotic figure, whose by-name 'Ugg' is very similar in sound and in meaning to 'Igg'. Woden rides an eight-legged steed (horse) whereas Rudra rides a Bull. What I am saying here is that this is a far more ancient concept of this archetype.

The incarnation of Ingwe as Wid-Ar - the Crowned and Conquering Son - is made clear through the events of August 1999, the Solar Eclipse, the Perseid Meteor Shower, and the Sign of Ingwe in the skies. We can see another side of this archetype when we consider the Greek Perseus to be the Archetypal Divine Hero (born of a God and a Human Woman) - he is the Archetypal Parsifal or The Divine Fool. We have now entered the Age of Ingwe or The Age of the Son, and the primary archetype of our Folk is the Warrior-Hero mounted upon a White Horse, carrying a shield bearing the White Dragon, and the Flaming Sword in his right hand. 

The White Stone of Ing is the 'Gift of Ing' which is - Fire! Fire is an element which is esoterically associated with movement and action, which (as Steed has also mentioned) is connected to the suffix -ing which is always used to denote 'movement' or 'action' and thus 'change'. As Steed suggests, this connects to Woden and the Woda-Force (which is 'movement'), but it also links to Irmin whose name may stem from ermin (at one level) meaning 'to put into motion'. We may also mention here that the name Iring, using the suffix ing suggests that Ir is 'put into motion'; when we find that Iring's Way is the Milky Way we can see that this is a coiling, swirling motion symbolised by the Swastika. Ir or Irmin is the God of the Arya. (Note that Arya stems from the Aryan Root *ar- which means 'movement' as well as 'to plough'.)

In one sense Ingwe is the Life-Force which is in constant motion and change; constantly moving, swirling and changing. This is the Virile Force (Vril) which is the Force of the Hero (Vira/Wera) connected to the Ur-Rune (note here that Rudra rides a 'bull' and this rune is that of the Ur-Ox or Primal Bull). [*] In this respect the Ing-Rune actually means 'hero'. Ingwe is the Archetypal Hero or Divine Hero. 

[*] A post on the Ar-Kan Rune-Lag Blog will be based upon Vril-Vira-Ur Rune ideas - coming soon.

The Symbol of Ingwe is the White Dragon or more precisely the White, Winged Coiled Serpent and this links to the name 'Iggdrasil' which can be said to mean -

Igg - Ing

Dra - Dragon

Sil - Sun

Which gives us - Sun Dragon of Ing. But, since the word 'sil' developed from 'sele' in the name 'Silbury Hill' then it is also possible to see 'sil' as selig meaning 'holy or 'blessed', thus - Holy Dragon of Ing. The Listian term sal suggests 'salvation' and again we can see here a link between Iggdrasil and 'salvation', through Lif and Lifthrasir that dwell within the trunk of the Holy Tree. Iggdrasil is the White Tree as well as the White Dragon.

The Inga-Fire is the 'Inner Fire' within all life, and it is also the Fire-Serpent or Kundalini (The Kan-Fire as on the White Stone of Ing). In Kundalini in the Physical World Mary Scott suggests that the Kundalini (which is a word connected to 'to turn' or 'to coil') is like a 'screw' (which 'coils' or 'twists') in space, which suggests the concept of the worm-holes (wyrm/worm = a dragon = 'to turn') postulated by Quantum Science. This idea also connects to the 'coils' found in dowsing ancient sites and 'ley-lines' (Heilig Lines). Since ratio was the basis of Ancient Mathematics we should note the following sequence, based upon the 3 1/2 coils of the Fire-Serpent -

3 1/2 : 7 : 14 : 28 : 56 : 112

In English Gematria the Number 112 means The Hooded Man - is this really a coincidence, or synchronicity? The Hooded Man holds within himself the 'Balance of Light and Darkness', which holds true for his Weapon of Power - the Sword Albion - and at one level the Archetypal Myth of Ragnarok is based upon the conflict and union of opposites, which forms the basis of the stage prior to the separation necessary to achieve the Resurrection of the Hero (Ingwe). 'Albion' is the ancient name for England. 

The Inga-Fire is symbolised by the Lightning-Bolt (Sig-Rune) which is the Fire of the Superman (The Coming Man). This, as we have stated, is the Vril-Force at one level.

The Lightning-Bolt is the Power of Thunor, just as the Swastika or Hammer of Thunor is the moving power of Mjollnir - 'The Crusher' or 'The Miller'. This is the power that 'grinds', the power of the World Mill, 'grinding' down in order to re-create - the Power of Destruction-to-Recreation. Thunor is the Archetypal Hero-God who the Warrior of Woden worships and emulates in order to become 'as the gods'. 

We have seen how (at one level) the prophecy in Voluspa of the coming of The Mighty One ('The Strong One From Above') relates to Hama (Heimdall) as found in the references in Voluspa which match exactly to Hama. The 'e'en Greater One', as I have stated, refers to Wid-Ar, and thus to Ingwe if what I say is correct. This archetype is that of The Terrible One and we can see this in the oft-quoted stanza attributed to Nostradamus -

"In the year 1999 and seven months, from the sky will come the great King of Terror (Solar Eclipse - Black Sun). He will bring back to life the great King of Angolmois (King of the Angles, i.e. Ingwe). Before and after Mars reigns supreme."

Ingwe will be 'brought back to life' through the King of Terror - the Black Sun or Solar Eclipse of August 11th 1999. The omen surrounding this will be the reign of the War-God (here named Mars). This has certainly shown to be true since the events afterwards have been a Reign of Terror going under the title 'War on Terror'. It was the Power of the Black Sun that brought this Ancient Archetype back to life or resurrected. This was also the conception of the Age of Ing - The Age of the Son.

As yet, the importance of Ingwe has not been recognised; he is the most ancient archetype of the English Folk, and it is the English Folk that bear the Inga-Fire and the innate Power of Ingwe. This is why the English have always been adventurers, conquerors, battle-hardy and victorious, bearing the Inner Fire (Inga-Fire) within them. What we call the 'English' of today are a pale relic of this once ancient people, but that Inga-Fire (Fire of the White Dragon) still burns within the Folk-Soul. Today it yet remains a smouldering 'ember', but an 'ember' that can be fanned into a flame through the application of the Power of Ingwe. To 'fan' an ember into a flame it is only necessary to apply wind or the movement of air - the Force of Woden. 

The Inga-Stone (White Horse Stone) has been seen as the 'Birthplace of England' and in a sense this is very true; it marks the place where Hengest and Horsa defeated the Britons and started the ascendency of the Germanic Folk here in England. Again, through Hengest and Horsa being the Divine Horse Twins we are back to the Horse Totem of Igg/Ingwe. Indeed, hidden within the name H-eng-est is the name 'Ing' or 'Eng' (Eng-lish). Hengest could be seen as the Geist of Ingwe - Spirit of Ingwe. This indicates that Hengest was the Incarnation of Ingwe which is why he is connected to the founding of the English Nation. As an ancient archetype he came as Sceaf to aid the English Tribes on the Holy Island (Scandi) at the end of the Golden Age, to bring agriculture (The Arya) and the Secret of Fire. Indeed, as well as the physical element of fire, Sceaf-Ing brought down the Inga-Fire which dwells in the Soul of the English Folk. He was resurrected as Hengest in order to counter the growing power of the Joten - Forces of Chaos - wielding the Sword of AEtla which was passed on by the Hun-Lord, Attila as the Wyrd of Attila. 

As we can see from the Symbol of Iggdrasil, the Horse ('Steed') and the Dragon are interchangeable symbols, so the White Horse and the White Dragon are also interchangeable. So the Symbol of Ingwe is the White Dragon or the White Horse, the latter featuring on the flag of the Old Saxons, as seen by the modern Flags of Saxony. (Here we should note that the Saxons and Engels were often seen as the same.) This is also proven by the famous Nursery Rhyme that concerns Banbury Cross -

Ride a cock-horse (coch-horse = red horse) to Banbury Cross,

To see a Fine Lady (*) upon a White Horse.

(*) The 'Fine Lady' is Lady Godiva or God-Gifa whose name contains the Gyfu-Rune which crops up throughout these ideas. She is the 'Gift-Goddess' Gefion or Freya.

When we consider that the White Stone of Ing(we) is not of the type of stone found anywhere in the area that it was found (Steyning), there could be a possibility that it has come from further north, maybe even from At-al-Land which is an interesting thought. This is perhaps made clearer by the use of the name Cuthman which stems from a very complex root -

Old English cyththu - 'knowledge'.

Old English cyth - 'known' (pp of kunnan - 'to know'.

Old English cythan - 'make known'.

Old English cyththe - 'native land', 'kindred'.

From these we get the English word 'kith' which forms the saying 'kith and kin'. We still use the term 'uncouth' which is 'un-couth' meaning originally 'one who is not known', a stranger. The letter 'y' in the above would be sounded as 'u' as in 'us'. The terms 'Kith' and 'Kin' derive from the same root, and originally in the Ken-Rune or Kin-Rune. (Note that this can be found on the White Stone of Ing, suggesting that the rune also represents the 'Known Man' - Ingwe.) The twin meanings of cyththe - 'native land' and 'kindred' must remind us of the concept of Blood (Kin) and Land (Kith). 'Kith and Kin' can thus mean 'Land and Blood' just as in German this is Blut und Boden. We see the very same mystical link between Man and his Land - this is the root-essence of the Arya. 

The idea that the White Stone of Ing may have originated in the sunken lands we know as At-al-land may well be hinted at in the use of the Ken-Rune on the White Stone of Ing. This is not the usual Ken-Rune of either the Common Germanic Futhark nor the Old English Futhork, but a variant which can be found in the English Runes and which seems to represent a Fire with smoke arising from it. 

It seems reasonable to assume that the English Tribes would have known full well who Ing/Ingwe was - their Divine Ancestor. The White Stone of Ing would have been left to us as a 'key' to discovering the Mystery of Ingwe when the time was right - i.e. at the End of Time. The Gift of Ing is the DNA Code which to us contains the Blood Memory. The blood, to us, is not just a physical element that courses around the body, it is the vehicle of the 'spirit' (just as oxygen is taken around the body through the blood). In this way we can see the Blood as the Igneous Blood (note the word igneous related to Agni) which is the Fire of the Black Sun. We have here a direct link between Ingwe and the Black Sun, as in the Prophesies of Nostradamus. The Black Sun is the power that awakens Ingwe and we can also find this once again in The Prophecy 88 where it is the power of the Black Sun of the Inner Earth that melts the ice that imprisons the Goddess of the New Dawn - Idunn. It is the Dawn-Goddess that brings into being the Divine Child - the Last Avatar. 

Is it any wonder then that our enemies fear the power of the Black Sun; but they also fear the power of Ingwe symbolised by the White Dragon. This explains, even if done unconsciously, the attacks upon the English Awakening which was symbolised by the growing use of the White Dragon. It also explains the return to a 'British Consciousness' that has followed - this symbolism being the Red Dragon. The symbol of the White Dragon was already being distorted at this time, but their actions have assured that it is now being taken up by the more Folkish elements, which means it is rising once more but this time in the right way. 

As found in Revelation the White Stone is symbolic of Ingwe (Ing) and tells us that Ingwe is the 'new name of God', i.e. the new archetype for this new world age. Since it seems likely that Wid-Ar is a god-force (archetype) that 'resurrects' every 26,000 years (a Great Year) then we can assume that this also applies to Ingwe. This cycle is made up of four periods of around 6,500 years which is a time not very far off that linked to the cycle of the Hale-Bopp Comet and the sinking of At-al-land around 7,000 years ago. Again, we are back to the idea that Ingwe was the God of At-al-land, and that there is no doubt that he led his people out of the sinking lands to safety - 'Eastwards across the waves' maybe. This would have led this remnant out of the area to Scandinavia and Northern Germany, the later 'homeland' of the English Tribes. Some of the peoples would have remained here, no doubt, and the later 'invasions' were merely a return to their original Homeland or 'Racial Lands'. 

If I am right here then the Legend of Ingwe is very ancient and has still been remembered in the English Rune-Row under the rune called 'Ing'. The English version of the Ing-Rune (shown below) is in fact the Germanic Ing-Rune with a downward-pointing arrow (Sinking of At-al-land/Ingwe) and an upward-pointing arrow (Rising of At-al-land/Ingwe) combined into one symbol -

The rune is also a glyph of the Edel-Rune shown downwards (Sinking of At-al-land) and upwards (Rising of At-al-land) which again combines the very same idea, but this time using the Rune of At-al-land itself. Combined in this one rune is the concept of Blood (Ing) and Land (Edel). Also, hidden within the Rune of Ing are the Twin Kan-Runes of the Inga-Fire (Kan-Fusion) and, when the rune is turned around, the Twin Ur-Runes of the Vril-Force (Ur-Fusion). In both cases we see a 'Union of Opposites', the Ken-Runes representing Male-Female (penetrating-receiving) and the Ur-Runes also representing Male-Female (the same but seen as upward-downward/heaven-earth). Ingwe thus represents the Union of Opposites (Ragnarok) which separate creating the God-Man or the Resurrection of the Hero. The separation is represented by the downward arrow and the upward arrow separated by the Sign of Ing (Germanic Ing-Rune which is here the 'Seed of Creation'). 

It is again relevant to note that in the twisted and distorted Merlin TV Series the sign attributed to the High Priestess of the Old Religion who dwelt upon the Isle of the Blest was the Old English Ing-Rune with a 'seed' (dot) in the centre, in this case using the Ur-Fusion version (the above rune turned around). The High Priestess was named Nimwe if I recall rightly. It is made clear here, taken from Celtic Lore that holds these mysteries, that the Isle of the Blest was the last stronghold of the 'Old Religion' which in the series was represented by the White Dragon. It may be, as I have said before, that the Isle of the Blest were the last to sink into the North Sea - and maybe the first to rise again from the Waters of Chaos. If Nimwe represents the White Dragon (seen with Morgana, another Priestess of the Old Religion) then the Isle of the Blest would be the last stronghold of the Cult of Ingwe. 

Here we should recall the alternative symbolism contained in the Edel-Rune - the Balance of the Power of Light and the Power of Darkness. This is twin Sig-Runes facing each other. This is the Rune of The Hooded Man as mentioned by Hamasson. We only need to 'crown' the above Edel-Rune to create the Ing-Rune and thus the Crowned and Conquering Son. The Edel-Rune represents the sunken lands of At-al-land but it also represents the 'key' to understanding the Mysteries of Ingwe, since adding the 'crown' represents Ingwe, which suggests the link between Sacral Kingship and the Land (Sovereignty). We can see this when we use the Ing-Rune as the Rune of Kingship and the Edel-Rune in its alternative version - Erda - as the Rune of the Earth Mother. This is the Sacred Marriage of the Sacral King to the Land (Sovereignty). 

This photo shows the Sun-Symbol at Banbury Cross, and in another post I saw this as maybe being the Black Sun as well as the White Sun (White Horse/White Dragon) and the idea that it is the Power of the Black Sun that awakens Ingwe suggests that this may be a valid idea. The idea that Banbury (Beran-byrig) links to the Sacred Centre of England, and that this is the centre of the House of the Wolsungas (Barnstock Oak/Branstock Oak) also links it to the World Tree - Iggdrasil - and thus to Ingwe. Indeed, Bran, Ban etc. are names of the Celtic figure who is beheaded and whose head then guards the Land of England. It was said to have been buried in the Tower of London. Bran is associated with the Raven, and the last ravens that are in the Tower of London are Huginn and Muninn - the Ravens of Woden. The solar-symbol here actually suggests the 'centre' since the Sun is the centre of our solar system. 

Ingwe is the Inner Fire that burns in the heart of the Inga-Folk, and in the core of every star - the Life-Force - everywhere the centre whose circumference is nowhere. Ingwe is the Fire-Snake, the Secret Serpent which is coiled, waiting to spring (spr-ing) into action. Ingwe is an Ancient God, a Primal Force, the 'Terrible One' later known as Woden, also known as Rudra, tamed to Shiva, but still the 'Wild One', the 'One-Eyed Hunter-God' whose symbolism is that of a Dark God standing upon his Left Leg, holding his Left Arm behind his back, and peering through his Left Eye in the Crane-Stance which is the Magical Gesture of the One-Eyed Hunter-God, the Wild Man of the Woods, the Lord of the Trees, the Lord of the Animals - the Wolf-God. His awakening is symbolised by the Wer-wolf (werewolf) which like the god Wid-Ar suggests the God of Resistance - the resistance to this vile regime that oppresses our Folk and seeks our final destruction. Ingwe, Wid-Ar, HelgiH, The Hooded Man - these are all forms of the same Archetypal Hero who appears in order to resist an oppressive regime and to lead the English Folk to the Final Victory.