Uralten, the First Time, and the Seven Sages.

Hinduism has a concept of 'God' as being both un-manifest and manifest, as the One God of which the gods are projections. Most sections of Odinism do not recognise this concept, but in ancient Germania it is likely that it did exist, as I am going to try to show now. Woden is polytheistic and believes in many gods and goddesses, each with their own attributes, each being an archetype with their own archetypal myth. But we do have Woden as the All-Father, something we now must consider.

 

Tolkien studied Germanic and Celtic Lore, as well as having researched in other Indo-European myth and legend. He based his works on this and his cosmology starts with the idea of the Illuvater also known as Eru, both seemingly meaning 'The One'. The name Illu-vater is obviously Illu-Father, a name which reminds me of 'All-Father'. I think what we need to remember here is that in Hinduism as well as Germanic Lore it is not unusual to find a god becoming the 'High God' at some stage. So Woden becomes the All-Father, achieved through his actions and his struggles.

 

We have the name Uralten used in Germany, which is a variation of the name Wr.alda, the latter coming from the Oera Linda Book. Both would mean The Primal Old One, or The Primal Ancient One. Using the Old English we would render this Urealdan perhaps - Ur-eald-an. The Frisian Wr,alda is merely Uur-Alda which is 'Primal Old'. Significantly, in the Oera Linda Book the symbol of Wr.alda is the Yule or Yule-Wheel, a six-spoked wheel within a circle, which (it was said) the runes can be found. This I feel we should not dismiss, even though the book is obviously not historical, since it infers that the runes emanate from The One.

 

In the Eddu Kvaedi or 'Saemund's Edda' we find Voluspa which starts it off, and whose third stanza starts with Ar var alda, a phrase repeated at the start of Helgakvida Hundingsbana ('Lay of Helgi Hundingsbane'). This phrase is usually translated as 'in olden times' or something like that. I have suggested before that I see this as a direct reference to The First Time or The Primal Time which is something like the Egyptian Zep Tepi which also means 'The First Time'.

 

The god associated with Zep Tepi is Osiris, husband of Isis and father of Horus. He is the bringer of culture & agriculture to Egypt, so we are told. The Germanic equivalent would be our own Sceaf who also came at The First Time to bring culture and civilisation to the northern Island of Scandi. They are thus the same archetype in different traditions. We need to go to the Egyptologist R.T. Rundle Clarke to explain this -

 

"The creation of the myths was founded on certain principles. These are strange and, as yet, only partially understood. The most important element seems to have been as follows:

 

(a) The basic principles of life, nature and society were determined by the gods long ago, before the establishment of kingship. This epoch - Zep Tepi - 'the First Time' - stretched from the first stirring of the High God in the Primeval Waters to the settling of Horus upon the throne and the redemption of Osiris. All proper myths relate events or manifestations of this epoch.

 

(b) Anything where existence or authority had to be justified or explained must be referred to the 'First Time'. This was true for natural phenomena, rituals, royal regalia, the plans of temples, magical or medical formulae, the hieroglyphic system of writing, the calendar - the whole paraphernalia of the civilisation."

 

He gives an example of this which was that of the closing of the daily temple ritual where the priests raised a small figure of Maat - the Goddess of Law and Order - in front of the divine image. This meant that rightness and order had been re-established, but it was also a repeat of the event that took place at the beginning of the world - of some mythical happening in the time of the gods, the First Time.

 

I have touched upon all this before, so it is not new, but it is of extreme importance in understanding ritual and why it is necessary to look more carefully into our use of it within Folkish Wodenism. What is said here is merely another way of saying that we have to reconnect to the Sacred Centre since the High God here rises with the Primeval Mound (Sacred Mountain) which arises out of the Primeval Waters. Again, this is where the Mandala of Thule comes into play, for this also is the layout of the 'First Time'.

 

This starts at the point of the appearance of the 'High God' who can now be equated with Ur-eald-en or Uralten. He appears from the Primeval Waters on the Primeval Mountain (Su-Me-Ru) in what we can now call Ar var alda - the Primal First Time. This was the Golden Age of Perfection which we dream of a return to in our times, indeed we not only dream but we struggle to attain. This Golden Age comes to a sudden end when Osiris is slain by his brother Set. 

 

I have mentioned Sceaf as being similar to Osiris, and I have in the past linked him with Ingwe (Frey). Since Horus is the son of Osiris, and takes on his role as the Divine King then it may also be right to link Horus with Ingwe, the latter being 'The Son' and also 'The Hero-God' (Horus = Heru = Hero). Thus, we have an interesting link with Scyld Scefing who is 'Shield, Son of Sheaf' (Beowulf); Scyld would thus be the 'Hero-God', and in Beowulf it is he who arrives in a boat as the Divine Child. The Father and the Son are one - this is a typical saying in esoteric lore.

 

There is also an interesting connection between the 'First Time' in Egyptian texts (the Edfu Texts) and what is known as the Seven Sages. The words of these Seven Sages were written down by Thoth, the God of Wisdom, and this work located certain 'sacred mounds' along the Nile. These Seven Sages appear in ancient Babylonian tradition and are said to have 'lived before the flood'; they also appear in Indian tradition as the Seven Rishis, and are said to have survived the flood. It would thus appear that these Seven Sages are enlightend beings who survive a great catastrophe (flood in this case) and start the process of rebuilding at the dawn of a new age, referred to as the 'First Time'.

 

This does fit with what has been already said, since the arising of the Primeval Mountain from the Waters of Chaos suggests the start of a new age after a catastrophic change. This was the New Creation after the destruction of the Old World. We have the same idea in the Eddas where the Earth arises once more from the Waters of Chaos, renewed and regenerated. The same thing actually happens (in symbolism) when Noah's Ark lands on Mount Ararat (The Primeval Mountain) and the waters recede, thus a new age begins.

 

We can also see this theme when we find the phrase Ar var alda at the beginning of the Lay of Helgi Hundingsbane since he comes at a time when one world age passes and another begins, at the time of the beginning of what is known as the Age of Iron, the Dark Age or Kali Yuga (Warg-Age). This confirms that this phrase - Ar var alda - equates with the 'First Time' or 'Primal Old Time'.

 

According to the Edfu Texts the Seven Sages came from an island - 'The Homeland of the Primeval Ones - and that this island was destroyed by a flood. We may here be seeing a reference to the sinking of At-al-land in the north-west of Europe, when a remnant of those in these lands fled to Egypt and started a new civilisation there. These were the Builder Gods, The Sages, Lords of Light who were very much like an older shadowy brotherhood called the Shemsu Heru/Shemsu Hor ('Followers of Horus'). (We should note that these were the 'architects' who rebuilt the fallen world, and these were a Secret Brotherhood who held and passed on their secrets. Indeed, in a later epoch we find hints that these secrets were stolen by a Dark Brotherhood who slew the Divine King to get them. This Dark Brotherhood were responsible for the creation of Masonry, whose great 'God' is 'The Architect'. It seems that they used these secrets to build their New World Order as a parody of what is natural right and good.)

 

In these same Edfu Texts the first manifestation of the new world took the form of a rod - 'The Perch' - on which the Divine Falcon rested. In Heliopolis there was much the same symbol, this time the Bennu (Phoenix) sat upon the pillar or column (rod). What is interesting to us is that the symbolism here is that of the Saxon Irminsul which is the Column of Irmin topped by the wings of a Swan (or other bird).

 

The Seven Sages are known for their knowledge, wisdom and understanding, as the name suggests. Do we have any reference to them in Norse Mythology, Well, no, not directly at least; but we do have reference to the Seven Sons of Mimir who we are told awake just before Ragnarok, i.e. just before a great catastrophe that destroys the old world. These, as the name suggests, were the Seven Sons of Memory. This itself is a significant title since it does suggest that we have a group of sages who retain the Blood Memory of the Ar var alda  and who arise anew before a great catastrophe and who survive in order to rebuild after the disasters.

 

Indeed, these are the Seven Sleepers who lie asleep until awakened by the Horn of Awakening, and who take up the Seven Swords (of Wayland?) to do battle at the Ragnarok. The Heathen Teutons believed that near the ocean maelstrom (whirlpool) caused by Hvergelmer ('The Roaring Kettle') seven men slept from time immemorial under a rock. These are the Seven Sons of Mimir, who are great craftsmen (smiths) who made the weapons of the Gods. Mimir was a smith-god and his sons were smiths. It is also interesting to note that Mimir was the Wise God and the Seven Sages were known for their knowledge and wisdom.

 

Mimir's death ensured that the World Tree, Iggdrasil, would wither and begin to die; at the same time his Seven Sons fell into a deep sleep, awaiting the time of Ragnarok when they would resurrect in order to renew the World Tree and begin a new Golden Age. The key to the awakening of the Seven Sleepers is Hama's blowing of the Giallarhorn - the Horn of Awakening. This awakens the Powers of Light to the Last Battle.

 

Notes -

 

* The phrase 'Ar var alda' contains 'Ar alda' which seems to be an alternative to Ur alda.

 

** In regard to Masonry their main symbol is the compass and square, tools of the 'builder'. This symbol is not far from our own Ing-Rune in its English version. Masonry appears, as stated, to have been a Secret Brotherhood holding the 'Secrets of Light' whose secrets were stolen by a Dark Brotherhood who slew the Divine Priest-King and stole these secrets. This seems to have been recorded in the legend of Hiram Abif.

 

 

More 'Celtic' Britain

 

 

Our 'British History' tells us that the early settlers in these islands were 'non-Indo-Europeans' without a jot of evidence to prove this. Then came the Celts and finally the Germanic Tribes. But evidence that Germanic Tribes were here in Britain in very ancient times is now coming to light, and gaining ground and credibility. In this post I am going to go into another piece of evidence for this theory, based upon a tribal name noticed by Hamasson.

 

Around 100 BCE a 'Celtic' tribe is said to have invaded an area of North Wales, this Iron Age tribe being known as the Deceangli or Deceangi, an alternative spelling being Decangli. This tribe occupied north-west and north-east Clwyd and northern Gwynedd. On a site called The History Files we find that they originally came from Ireland as part of a tribal alliance known as the Gangani or Concani who originated in the Leinster area of Northern Ireland. They appear to have moved across to the Lleyn Peninsular on the west coast of North Wales, the name possibly deriving from Laigin which is an older form of Leinster.

 

It would appear that this tribal alliance split and part of them moved eastwards, becoming what is known as the Deceangli. The same people occupied what is now known as Anglesey where their power was destroyed by the Romans. The Roman Paulinus attacked the Deceangli on Anglesey, slew the Druids and destroyed their sacred groves. Julius Agricola later attacked the Deceangli in Anglesey, defeated them and finally subjugated this tribe under Roman rule.

 

This post was inspired by a piece of information given to me first by my good friend Hamasson, a piece which gave a brand new meaning to this 'Celtic' tribe. I have since studied this further, and here I am going to add further proof to this theory through my own experience, living in Gwynedd for around four years, and working for a local newspaper there.

 

 

On The History Files site we find that the name Deceangli stems from the prefix de- meaning 'from' in the Celtic Tongue. There are two reasons to suspect that this is wrong -

 

1. The name Decangli itself is clearly Roman and not Celtic so using a Celtic prefix would not apply.

 

2. Even so the prefix of the name Dece-angli or Dec-angli is not de- but deci- or dec-.

 

Indeed, the prefix -angli is the Roman equivalent to -angle which they use of the Angles or English! When we consider the Welsh version of the name (and we are here concerned with Wales) it is Tegeingl. So the prefix Dece- is a Romanised version of Tege which in the Welsh Tongue means 'fair' or 'beautiful'. Thus we have the Fair Angles or the Beautiful Angles. Immediately I am reminded of the Christian Priest who when first seeing a group of Angles declared that they were Angels because of their fair appearance.

 

The original tribal name Gangani appears to have been derived from the Welsh 'cangan' meaning 'branch', and thus suggests that they were a 'branch' of some greater nation of peoples. Although the Tegeangli were a part of this 'branch' they too split off to form their own tribe, having moved further eastwards.

 

But what we have here seems to be a branch of the Saxon Nation or Angle Nation which moved in around 100 BCE. The Poems of Sidonius confirm that the Saxons were here in Britain around the time of Julius Caesar, so this seems to fit in with this. We here have a valid reason for the name 'Anglesey' which is Old English for Angle's Island. It is also important to note that Anglesey was the Druid stronghold, and the centre of resistance to the Romans, and it was here that this power was crushed - and this was against the Fair Angles. The term 'Druid' is used in Norse Mythology and not restricted to the 'Celts'; indeed, since again we are proving that these islands were far more Germanic than we have been told, then the Druids were part of our tradition too. These ideas seem to suggest this to be right.

 

Now I shall recall my own experiences in North Wales which definitely confirm this theory. Whilst living there I worked for the North Wales Weekly News which produced a free newspaper for the area. In one issue was a piece about the results of a DNA test which found that many people along the Conway Valley had the Blood Group A as opposed to the normal Blood Group O of North Wales. Blood Group A is a Scandinavian Blood Group - i.e. Germanic. This was seen as being 'Viking' by the newspaper. What I did was to write a letter that was published in the Letters to the Editor, a letter linking this Germanic Blood Group to the White Dragon and thus akin to the English. Not actually realising that I worked at the place someone tried to smear me through the newspaper in a very sinister way - the details will not concern us yet. With this new evidence coming to light when Hamasson mentioned this tribe it fits with the DNA testing of this whole area. These are some of the places known to have been used by the Deceangli -

 

• Prestatyn (Clwyd).
• Llandudno (Gwynedd).
• Pentre (Clwyd).
• Ruthin (Clwyd).
• Bryn y Gefeiliau (Gwynedd).
• Caerhun (Gwynned) - the principal centre.

It is also very strange to relate that it was whilst living in Gwynedd that The Hooded Man Mysteries were given to me, as well as the first steps towards the revival of the White Dragon as an English Symbol. These mysteries came to light whilst we lived on the Fairy Glen Road in Capelilo, Dwygyfylchi (pronounce that one!) which is near to Penmaenmawr between Llandudno and Bangor, with Llandudno Junction just over the Sychnant Pass.

 

The Romans conquered parts of Wales and thus, like the area we know as England, imposed their ways upon the inhabitants. Many of the names claimed to be Welsh are actually Greco-Roman, e.g. Tacitus becomes Tegid, and the famous Myrddin (Merlin) is actually Greek for 'myriad'. In such circumstances the Deceangli were absorbed into the Roman Empire.

 

Going back to the Welsh name Tegeingl we should break this down into Tege-Ingl and in doing so we clearly have the name Ing, as well as the title Engel used of the English Tribes or Angles. We have seen before how the Saxons honoured the god Irmin, the God of the Arya. The Saxons or Angles were of the great Aryan Race, descended from the most ancient 'Giants' (tall men) before the Great Flood - before the sinking of At-al-land.

 

There is no evidence of the Runes being used by any of the early peoples in these islands, but again no-one has ever really bothered to investigate if these symbols were used, maybe hidden within other symbolism. What we do know was used is the Ogham which is not a set of symbols, nor a script, but seems to have been some kind of code. An Odinist Rune-Magician once suggested that Ogham may have been a coded form to hide the Runes. Whatever the case Ogham is a very simple code using horizontal lines placed on the right and left of a vertical line, and horizontal and slanted lines placed across the vertical line, plus five other symbols.

 

Ogham is based upon a secret Tree Lore that was passed from Initiate to Initiate, thus keeping it alive through the ravages of time. There are different versions, and some seem be tainted with the Old Testament names, suggesting distortions through Middle-Eastern influence. However, this does not negate the fact that this is a valid system, and one first used by the Aryan Druids.

 

One of the areas where the Deceangli dwelt is Gwynedd, named after the Wild-Hunter God Gwyn or Wyn. Gwyn is Gwydion is Woden, so this area was dedicated to the god Woden (or rather his namesake used in the area). Gwyn actually means 'White' and thus the area honoured the 'White God' - the name 'wyn' is perhaps close to our 'wan' which means 'pale'. Here in England we find many names corrupted from Woden, these names using the prefix Wan-. Gwyn is the son of Nudd, and thus the 'Son of the Mist'.

 

The Decangli were thus Iron Age Germano-Celts who were said to have invaded around 100 BCE (if we are to believe the historians); they must first have been in Ireland, and a section moved across into mainland Britain, later again splitting into two. But it would seem that these people were originally akin to the English or Angles, being a part of the Germanic Nation of the Angles or Saxons.

 

It is also perhaps significant that when Merlin discovered the Island Dragons (White Dragon and Red Dragon) fighting at the centre of Britain he removed them to Dinas Emrys in Gwynedd. This itself suggests the movement of the White Dragon into this area. Dinas Emrys is named after Emrys, a Welsh rendering of Ambrosias, but the name was originally Dinas Ffaraon which means 'Hill of the Pharaohs'.

 

The main centre of the Deceangli was, as stated earlier, Caerhun, which was on the River Conway. The Conway Valley is the area where the DNA testing revealed the presence of a large percentage of Blood Group A. It is typical that when I pointed this out a smear-campaign was set up to stop the message hitting home. What was also significant was the cover-up which came after I made a complaint about the smear-tactics used in a front-page article; an apology was made in a couple of lines on one of the pages near the back of the paper - a typical ploy to ensure that their message got more attention, whilst the apology would not have been noticed by all but a few people. When I asked them to check who had placed the article in I was told they could not find that out, yet when asking someone who was in a position to know what goes on he told me they would have it all on the computer system. In my position it was impossible to find out who had done it.

 

The Tegeingl Flag still exists as the Arms of Flintshire, assigned to Edwin Tegeingl (Edwin ap Gronwy) (*), the eleventh century King of Tegeingl. This flag is shown below -

 

What is clearly noticeable is the colours - Black Red on White background, Black-White-Red being the ancient colours of Eternal Germania. This has a 'flory' cross in black with four black choughs (**) with red beaks and red feet, and also includes four fleur-de-lys on the ends of the cross, what could originally have symbolised the Irminsul.

 

(*) This may not be true since it was some centuries after when it was attributed to Edwin.

 

(**) Choughs are coastal jackdaws.

 

 

 

 

The above coat-of-arms clearly has the Fleur-de-Lys on the top (used in Wales) and has a more equal-armed cross. It seems clear that the Tegeangli have been remembered to this day in this area. In the first image the birds look somewhat like gulls, whilst in the above they look more like the jackdaw family; this is perhaps because they were later taken for gulls because they were the most numerous coastal birds in the area.

 

A plaque in Mold records a battle fought between the Saxons and Picts against the Britons (Welsh), this being around 430 CE. In 365 CE the Roman historian Ammanius Marcellinus clearly identifies Rome's enemies in Britain at the time -

 

• Dicalydones
• Verturiones
• Scots
• Attacotti
• Saxons 

The text of Marcellinus is not clear as to whether the Saxons were settled here or were sea-raiders since he actually mentions the Franks and Saxons attacking 'by land or by sea'. The Dicalydones or Dicaledones were perhaps the Caledonians, the Verturiones were Picts and the Attacotti were a tribe whose roots are obscure but from one legend we find that they were a Royal Clan descended through the male line from Atlas, the First King of Atlantis. We find also that a common Pictish name was Oengus or Angus which recalls Ingwe/Ingui/Ingus.

 

These ideas give further weight to the theory that the English Folk dwelt here in these islands in ancient times. What we say will no doubt fall on deaf ears in regard to the Establishment, but our main concern should be to revise English History in order to awaken the English Folk, so what the leaders of the Establishment think or say matters not one jot.

 

 Note (added August 2016) - The area of the Tegeingl was actually known in later times by the English as 'Englefield' which clearly shows that it was occupied by the Engle-Kin or Angle-Kin.





 

 

 

The Fox's Prophecy

The Fox's Prophecy was known to have been around in 1871 but there are pointers to it being older than this time. It is a startling prophecy since much of it has already come about, indeed it is true to say that nearly all of it seems to have come about. It is a stark prophecy about England and the English Nation, and although I have covered this in one of our magazines I feel that it is important enough to do a post on the subject.

 

The prophecy starts off with a look at the English countryside through the eyes of a lone huntsman, emphasising the beauty and quiet of the land, with mention of the small animals that abound. At this point we find that the huntsman has lost his companions and the hounds. It is whilst he begins seeking his lost companions that he sees an 'aged fox' sitting beneath a tree. The gaze of this old fox made his 'blood run cold'. Here we can see that the 'aged fox' is no ordinary fox, and this is borne out when he tries to blow his hunting-horn his lips refuse to blow, 'mastered by that fox's eye'. It seems, we are told, that the fox's eyes shone with 'an unearthly fire - fire that could never die'. We are then told that the fox addressed the huntsman who -

 

'Heard as they who in a dream

The fairies music hear.'

 

This makes it clear that this prophecy has come through the consciousness of an individual in a dream-like state or as a 'vision'. This proves the validity of the prophecy, which needs no real proving since what it says has already come true, for anyone but a fool to see clearly.

 

'Last of my race, to me 'tis given

The future to unfold,

To speak the words which never yet

Spake fox of mortal mould.

 

Then print my words upon your heart

And stamp them on your brain,

That you to others may impart

My prophecy again.'

 

The first part tells of the coming time when fox hunting would be banned, and that the hunt would run no more in England. Remember, this is 1871! The fox himself laments this since he feels that the fox and the hunt are bound together 'o'er wide England's green domain', and that it is -

 

Better by wily sleight and turn

The eager hound to foil,

Than slaughtered by each baser churl

Who yet shall till the soil.'

 

The fox then goes on to foresee even darker times -

 

'For not upon these hills alone

The doom of sport shall fall;

O'er the broad face of England creeps

The shadow on the wall.'

 

The old customs will pass and die away, new and ridiculous fashions will rule, the woods and forests would fall by the axe, and the hedgerows and copses would disappear - all of which have come about during the last 100 years, after the times when the prophecy was penned.

 

The manly sports of England

Shall vanish one by one;

The manly blood of England

In weaker veins shall run.'

 

It is not obvious to all that 'manly sports' have been slowly destroyed by what is usually termed the 'nanny state'. Whether we agree or disagree with such sports the point is that everything strong and manly is being taken away. Men have become softer, weaker and more effeminate, and will become more so as time goes on. Then a hint of the replacement of English Farming by agribusiness is given, when nothing shall escape the progression of rampant technology.

 

Degeneration would set in and the sports of our forefathers 'to baser tastes shall yield'; the 'vices of the town' would displace the 'pleasures of the field', i.e. the urban sprawl would take hold whilst Rural England would be left dying in its wake. This would be down to 'progress', when the ancient landmarks would one by one sink under the 'tide' of 'progress'. The great names 'writ on the roll of time' would be mocked by 'base churls', in other words everything that was held great, and all of the great English Heroes, would be mocked by the base masses. Religion would be 'held a jest' and 'loyalty a crime' - we are certainly in these times!

 

The education of the people would be in the hands of 'utilitarians', and religion would no longer be part of the school teaching or work. Here it has come about in our 'multi-cultural society' that religion is still taught in a sense, but it is done in a sinister and subtle way by using many different religions and teachings, but not actually teaching any form of religion at all, nor sticking to any particular religion either. The prophecy was penned in a time when Christianity was strong so it is bound to be tainted with this religion.

 

Hospitality will be lost, and slowly the old festivals will be lost; what will replace religion is science, and the 'only God is gold'. Whilst the 'manly sports' will be lost 'unsexed women strive to prove herself the courser sex' - it is a fact that some women, through the false ideology of equality, try to emulate men, but they take upon themselves the worst traits of men in the process. This would cause disruption in the home where 'love and peace should dwell', which, of course, it certainly does. Indeed, the basic family unit breaks down today due to such ideologies - which are certainly not promoted by accident.

 

'Mechanics in their workshops

Affairs of state decide;

Honour and truth - old fashioned words -

The noisy mob derides.'

 

We are in the Age of the People when everything is upturned and the lowest rule whilst the highest serve -

 

'The statesman that should rule the realm

Course demagogues displace;

The glory of a thousand years

Shall end in foul disgrace.

 

The honour of Old England

Cotton shall buy and sell,

And hardware manufacturers

Cry - "Peace- lo, all is well".

 

Trade shall be held the only good

And gain the sole device;

The statesman's maxim shall be peace,

And peace at any price.'

 

Today our land is ruled by gross materialists who care only for economics, profit and gain, and above all the greed for gold and power. The armed forces would be drastically cut, which has happened, and indeed we are near to having our armed forces integrated into a 'European Army' which will be used against any European country that goes against the will of the ruling powers - the Bankers and Socialists who control the money and the mob.

 

Then we come to one section of the prophecy that foretells of the times we have moved into today, times when a horde of alien invaders would set foot upon our lands -

 

'The footsteps of th' invader,

Then England's shores shall know,

While home-bred traitors give the hand

To England's every foe.

 

Disarmed before the foreigner,

The knee shall humbly bend,

And yield the treasures that she lacked

The wisdom to defend.'

 

Here we can see the prophecy really come true in its every form, for today it is these 'home-bred traitors' who have given a hand to everyone entering these lands, no matter who they are, without thought of the fact that some may be criminals, some may bring diseases, or even bring into this country epidemics - what sort of people are they who would do this - the White Traitors. And above all, within the 'Muslim Community' there are terrorists whose aim is to take away from us our lands, and to impose alien laws upon our Folk, laws of an alien 'Mono-God'. But we can see hope, but we can also see that the treason of these White Traitors and their hidden masters will also bring upon these lands civil war and bloodshed -

 

'But not for aye - yet once again,

When purged by Fire and Sword,

The land her freedom shall regain,

To manlier thoughts restored.

 

Taught wisdom by disaster,

England shall learn to know,

That trade is not the only gain

Heaven gives to man below.

 

The greed for gold departed

The golden calf cast down,

Old England's sons shall raise again

The Altar and the Crown....

 

The blood of the invader

Her pastures shall manure,

His bones unburied on her fields

For monuments to endure.'

 

After this land is purged by 'Fire and Sword' sanity will reign once more and the English customs and culture will be renewed, as will the land be renewed....

 

'The listener started from his trance -

He sat there all alone;

That well-known cry had burst the spell,

The aged fox was gone'.

 

Thus ends The Fox's Prophecy which foretold of things to come, things which have already come about, and a warning of the coming of a mighty civil war here in England, after which England will arise from the ashes of its destruction and once more the world will be right and just. The society of envy and greed, of the greed for gold and power, of the lust for profit, and the society ruled by the merchants and the mob, will be swept away in a tide of coming revolution - the English Revolution!

 

This is not restricted to England since the whole of Europe is being invaded by hordes of outlanders. But for all this we should remember always that these lands are our lands and when we fight it will be upon the lands we have known since birth, the lands which our ancestors fought and died to protect. It is not we who fight upon 'alien fields'. Yes, the Doom of the Gods has come, Ragnarok, the Fall of Troy, and the survival of the White Race is at stake, but such times should be times of joy to us, for we should be proud and honoured to live in these times of trials.

 

 

Valhalla & The Archetypal Myth

Valhalla is one of the most important concepts within Folkish Wodenism; the ideas came for this post after a long conversation with our Garman, Raven. There is a need to clarify our position on the idea of Valhalla, and thus open the way to further promoting our Religious Faith as a means to uniting our Folk against the forces that seek to destroy us.

 

Valhalla is a place where the Fallen Heroes go after death, either a glorious death in battle (as in past heroic eras) or after death following a glorious life of struggle against the enemies of Gods and Folk. This has to be made clear, for today's era is most certainly not one of Heroes, and battle is not against the enemies of Folk and Gods, more for money, wealth, power and world domination - led by the enemies of our Gods and Folk. The only way to gain a place in Valhalla in today's world is in the glorious struggle for the survival of our Folk.

 

Some years ago it became clear that on all levels the dominance of older people was becoming plain, and the young folk of England cared little for politics, nor for any form of rebellion either - unless that 'rebellion' was organised and manipulated by the State Power for their own ends. There was a distinct gap which was not being filled, and the very real danger for the future of anything Folkish or Nationalist. This was admitted even by some elements of the so-called 'far-left' one of whom I spoke to in East Sussex and who was fully aware of the same danger. It appeared that young people were just not interested - in either 'left' or 'right'. All that has now changed!

 

Today there are young people here in England fully prepared to go out and do something to challenge this corrupt and alien state. Young people fully prepared to lose their freedom in order to do something. These young people have had to organise themselves because there was no-one to guide or organise them, and the importance of the 'age-set' began to become clear - a Young Movement was needed, organised by Young Folk. We have to say that it was the older generations who failed these young people, because they gave up the very thing that such young folk need - action on the streets! Here I am talking about street-action on a physical level, which is not anything to do with a religion, but I do feel that this is relevant to what I have to say.

 

When we were younger we too revelled in the street-action and the rush it gave to us; young people need action and adventure! Where is the adventure in canvassing and leafleting? This can be done by older people, whilst the young take up the street-action. The Volkish Movement in Germany and other parts of Europe prior to World War II was made up of groups who hiked, camped, trained in physical exercise, trained in the warrior arts, and much more. Young people seek adventure - young people need adventure.

 

So why have these young people suddenly started to rise at this crucial time in the survival of our Folk? Have we not entered the time of Ragnarok, the 'Fall of Troy', when the enemy have gained entry to our lands, when the enemy rule over our lands, and when the very survival of our Folk is threatened through a deliberate act of genocide? And when was it prophesied that the Einheriar would awaken, arise once more, leave through the 540 doors of Valhalla to fight the Last Battle here on Middle-Earth? Ragnarok! We are seeing this not only here in England, but around the White World.

 

Ragnarok is not a 'paradise' where people go to rest after death, it is a training- ground for the Warriors of Woden. It is a training-ground where the Fallen Heroes go to prepare themselves for the Last Battle, and in between for their next incarnation or resurrection on Earth. When the Fallen Heroes return to Earth they continue the Eternal Struggle against the Dark Joten, time and time again throughout the Cycle of the Ages. Their preparatory work is done in Valhalla where they fight each day, die and rise again as the Everlasting Army in the Everlasting Battle, 'cursed' to die again and again, and to be resurrected again and again each time they die.

 

What is the strength of the Muslim Extremist? It is his firm knowledge that winning a glorious death gives him a place in Heaven. This is the strength that the Muslim Extremist has and which our own people lack. Even Christianity had this type of belief at the time of the Christian Crusades, but today Christianity has lost a hold upon our people. It was a Christian belief that God would grant them a place in Heaven after they died in battle upholding their faith. And this is the key to this knowledge, since this concept did not originate in Judaeo-Christianity, nor indeed within Islam, for it came through our own Heathen Faith, in some ways through ancient Iran/Persia; at least this was most likely so in regard to Islam. It was a Heathen concept that the Christian rulers used to motivate their people to fight and die in battle.

 

Neither the media nor the masses can understand why young Muslims who are over here, or who were born here, will give up everything to go to fight for their brothers and sisters (metaphorically) in lands invaded by the 'West' - i.e. the Brit-Am Alliance. They do so because they have a belief, they have a religion that binds them, and they have the firm knowledge that they will earn a place in Heaven when they die in battle or struggle. Their firm religious belief in an afterlife and in the glory attained in death in struggle motivates their actions.

 

Please don't get me wrong here, I am opposed to Islam as much as to Christianity and Judaism, because they are all 'arms' of the same oppressive forces that seek the destruction of our Folk. And I certainly see nothing honourable in the wanton slaying of innocent people in the name of 'God'; to give one's life in suicide just loses another warrior in the struggle, and this is especially stupid when the 'enemy' are not those targeted. The result of their actions is what it is meant to be - to produce fear and terror in the masses so that they are more easily controlled.

 

My point here is that it is the concept of gaining a place in Valhalla through a glorious life of struggle for our Folk that matters. To not only believe but also to know that there is an afterlife, and that this life is not the only life, is to put the fear of death behind and thus to fear nothing, nothing at all. This is where the Archetypal Myth comes into play.

 

From my experience of the spring of 1997 I came to realise that the True Initiation is life and the struggle in life, and not some one-off ceremony alone. I also came to understand that my life was being lived as an Archetypal Myth with a pattern where events repeated themselves at different levels, and where certain synchronicities played themselves out time and time again. And that time and time again certain people are reborn to come together again, age after age, come together to renew the Ancient Eternal Struggle against the Evil Forces. Believing in an Archetypal Myth means recognising that there are certain things that are bound to happen, certain people we are bound to meet and certain events in our lives that match with Ancient Myth. Recognising these things is the recognition that our life is lived as an Archetypal Myth. We can then see who we are and what our destiny is.

 

The victorious movement has to have 'martyrs', those prepared to give up their freedom for their cause, and more so those who are prepared to give up their lives if necessary. There can be no glory nor victory unless there are those prepared to give up their lives, and more so those prepared to give their lives in this struggle. The enemy knows this, which is why religion is today losing its power, and a false 'religion' is being prepared to take its place, a religion based upon nothing but the physical world - One Life - Live It! This ludicrous phrase has been carefully placed in the feeble minds of today in order that there is no belief in an afterlife, which naturally engenders the fear of death since this is an ending with nothing but oblivion to follow.

 

The so-called 'paganism' of today has a belief in reincarnation, but it has nothing in terms of a glorious death in struggle. It is so vague as to be hard to decide exactly what it really means - reincarnation. The basis of 'karma' comes from Hinduism, but again this concept is so vague as to be rather meaningless, since what one knows as 'sin' to another is strength. What is 'evil' to one is 'good' to another. Christianity is a negation of all Aryan values as Friedrich Nietzsche so rightly stated. Christian values are the exact opposite to Heathen values. But the concept of Valhalla is as clear as the brightest light - it is for the brave and courageous who take part in the struggle against the Evil Forces of Chaos and Darkness struggle to maintain or to regain the Divine Order of the Gods.

 

Those who struggle will die, today more likely in this glorious struggle, but they will go to Valhalla to be welcomed by Woden, and there feast with their Fallen Comrades, to be 'resurrected' again in order to carry on this glorious struggle in a new life and a new time. The Warrior leads his life like an arrow, since this is the movement through life towards a given target. That arrow does not stop until it reaches the target, unless it's flight is distorted or stopped by something else. We have to be like that arrow, the life being the movement through our life, and the target is the Final Victory. We have to avoid distortion of flight and we have to avoid being stopped in flight, by bursting through any blockage, time and time again.

 

It is important to understand what Initiation really is; the word itself means 'to begin'. An Initiation is thus not the ending of a phase but the beginning of a new phase. We could say that it is the beginning of a journey along a path, or the beginning of the flight of the 'arrow' as used of the warrior. But this lasts through the whole of one's life, which itself is an 'initiation', a beginning or new beginning at each level. I can recall to this day the very last words of my brother who died of a form of cancer, and who did not share my beliefs, nor any beliefs as far as I know - 'Death is not the end - it is just a new beginning!' You could not put it plainer than that, and that was from one who knew!

 

Today we have young people prepared to give up their freedom for their cause and for their Folk. Our Folkish Religion goes further in promoting the idea that a glorious death in this Eternal Struggle will earn a place with the Gods, a place with the Immortals, the gaining of immortality in the sense that we are reborn, again and again, age after age, in order to fight the Everlasting Battle. Only a Folkish Religion believing in a life after death, an afterlife of training in Valhalla for the next 'round', can instil into our Young Folk the fearless courage necessary to achieve victory against overwhelming odds.

 

Hail the Glorious Dead!

Hail the Victorious Dead!

The Myth of Hamlet - The Fool.

Hamlet was made famous by William Shakespeare, but few people realise that the tale was taken from Danish Mythology. In this he is named Amlethus which is a Latin version of Hamlet. His father is Orvendel which is a name that should be familiar to Folkish Wodenists since we know this figure as Or-Waendal. I will recount the tale as told by Saxo Grammaticus (c. 1150 CE to 1216 CE). 

Orvendel achieves a victory over King Koll of Norway which makes his brother Fengo rage with jealousy. Fengo's rage causes him to murder Orvendel, the murder being witnessed by Amlethus. Amlethus plotted revenge for his father's murder but he was shrewd enough to realise that if Fengo suspected this his life would be in danger. He chose to feign dullness, and to pretend that he was a witless fool. 

To do this he remained in his mother's house, listless, inactive and without cleaning himself. He threw himself into the mud and covered himself with foul and filthy dirt, feigning madness. He sat by the fire, raked up some of the embers, fashioned wooden stakes, hardening them in the fire and then shaping the tips into barbs. When asked what he was doing he replied that he was preparing sharp spears to avenge his father. This made people scoff even more, as he appeared quite mad.

But some began to see through this, since he took care to always guard the pile of sharpened stakes, and they muttered that he only played the simpleton. To test him they suggested getting a woman with him in a secluded place, and if he was feigning he would be tempted to take her. 

Some of the men drew him into a secluded place in a remote part of the forest, amongst them the foster-brother of Amlethus who had not ceased to see himself as his kin. He tipped Amlethus off about the plan. Amlethus sat on his horse facing the rear, looking quite ridiculous in the process. On his way a wolf crossed his path amid a thicket; when riding he used cunning to answer those present, and in the process give hints but not far enough to be seen through. As they passed along the beach his companions found the rudder from a ship-wreck, and said to him they had discovered a huge knife, to which he replied that it was the right thing to carve such a 'huge ham' - meaning, of course, the sea. When they passed some huge sandhills and made him look at the 'meal' - meaning the sand - he replied that it had been ground small by the 'hoary tempests of the ocean'. 

The woman sent by his uncle met him in a dark spot as if by chance; remembering his foster-brother's warnings he caught up the woman and dragged her off to a distant and impenetrable fen. After laying together he warned her not to disclose anything of the matter, which was not hard since he had known her well since childhood, both of them being fostered together. When he returned home he was asked if he had given way to love and he replied that he had ravished her. When asked where he did it and what was his pillow he replied that he had 'rested upon the hoof of a beast of burden, upon a cockscomb, and also upon a ceiling. The maiden was asked too and she said he had done no such thing. 

A friend of Fengo was not sure of this whole thing and suggested Fengo went away, and whilst away Amlethus would be left alone with his mother and they should hide someone in the room to listen to what was said. Amlethus was shut up in the room with his mother and he saw through the treachery, and thus used his feigning of madness. Then he mounted upon the straw in the room, jumped up and down upon it to see if anyone hid there, and feeling a lump beneath his feet drove his sword into the spot. He dragged the man out and slew him, cut his body into pieces, boiled the pieces in water, and then flung it through the mouth of an open sewer for the swine to eat. His mother scalded him but he got back by scolding her for wedding her husband's slayer.

When Fengo returned he could find no trace of the man, and when Amlethus was asked about him he replied that the man had gone to the sewer and fallen through its bottom, and had been eaten by the swine. Seeming senseless this was laughed at by those present, though it had been the truth. Fengo sensed that Amlethus was full of cunning but he could not slay him himself because of his own wife and also Amleth's grandsire, Rorik. He thought that the King of Britain should be employed to slay him, and he remain innocent of the dark deed. On leaving Amleth gave secret orders to his mother to hang the hall with knotted tapestry and to perform mourning for him one year hence.

Two of Fengo's retainers went with Amleth bearing a letter graven in wood; the letter asked the King of the Britons to put to death the youth. Whilst they rested Amleth searched their coffers, found the letter, erased the letters and put in fresh ones, shifting his doom to Fengo's retainers. He also put in that the King of Britain should grant his daughter in marriage to Amleth. 

Cutting a long story short, Amleth showed through his knowledge and wisdom how he understood many things not known to others, and the king gave his daughter to be his wife. He hanged the companions, to which Amleth feigned offence. so that the king paid him weregild of gold, which he melted and poured into hollowed sticks. After one year he got leave to return to Jutland, taking with him only the sticks holding the gold. Once more he dressed as the simpleton he entered the room where the mourners were he was asked where his comrades were, to which he replied - 'Here is both the one and the other' - pointing at the weregild. 

He got everyone drunk and when they were sleeping around the hall he brought down the hangings of the tapestry and thus applied the crooked stakes so that they could not move. Then he set fire to the place and they and the whole palace were burnt to the ground. Going to his uncle's room he switched a sword hanging by the bed, awakened his uncle telling him the hall was in flames and that his nobles were dying, and that he was now going to exact his revenge upon Fengo himself. Fengo could not draw the strange sword and Amleth slew his uncle. 

Hamlet here plays the fool, the simpleton, the madman, and yet he is the one who has the power to dispense good and evil, the avenging power that brings divine justice. He is the one who is inspired, has great knowledge, wisdom and above all, insight. The hidden meaning of the Myth of Hamlet is that evil is never attacked head-on, for it is made to defeat itself. Hamlet is never a misfit, though he plays the fool and simpleton, for he is the bringer of justice. This is made clear in the later Shakespearean version where we find the saga in the light of its higher clarity. 

The myth is plain to see, and Hamlet is the Archetypal Avenging Hero -

• The uncle slays his brother.
• The son of the brother plots his revenge but plays the fool or simpleton in order that his uncle does not suspect his plot.
• The son revenges his father by slaying the uncle.

Hamlet is connected to the North Sea, the stormy ocean of the North, and its breakers grind away the granite rocks, thus being called Hamlet's Mill. This is indeed an important concept since Or-Waendal is in fact the same as Mundilfore who is the Turner of the World Mill. Thus, Hamlet's father is the Cosmic Turner whilst Hamlet himself is the World Turner - the former turns the Cosmic Mill and the latter the World Mill. I have shown before how Or-Waendal is the Long Man of Wilmington. 

Hamlet's Meal is ground by the Nine Giant Maidens or Nine Maids of the Island Mill; here we find the Nine Wave-Maidens and mother of Hama (Heimdall). We can find this tale of Hamlet in various guises from different areas of the Indo-European world -

• Kullervo from Finland.
• Kai Khusrau of Persia.
• Horus slaying his father's brother Set.

This can, to a degree, be found in the figure of Wid-Ar whose father, Woden, is slain by Fenris (Loki's son), and thus he avenges the death of his father. We do not find the fool or simpleton in his tale but the theme is similar. We can also find hints of this in the Swiss tale of William Tell, since the name 'Tell' actually stems from 'Tol' which means 'fool' or 'simpleton'. This, of course, as familiar to Folkish Wodenists, is The Hooded Man. Indeed, in the Robin of Sherwood series Robin is linked to the Tarot Card named The Fool. 

We should note here that The Fool is numbered '0' which would hint at The Void, and thus that the figure of The Hooded Man appears when the worlds sink into chaos and into the Void. Note also the 'dog' in this card since we find a 'wolf' in the story of Hamlet - this can be no coincidence, and shows that the Tarot cards once held knowledge and wisdom, though much of it is no doubt distorted with time and those who passed this on. The figure above also wears the 'coat of many colours' which is that of the Harlequin; he also carries the White Rose of Albion. We should also note that the 'coat of many colours' was worn by Joseph, father of Jesus; this shows us how the Initiates worked, since they passed on the knowledge through symbols and those who followed would pick up on the symbolism to know what was being said. Thus various different traditions would hold the same secrets which were unlocked through a knowledge of the symbolism used. 

The dog is also an important part of mythology since it has connections with the dice and with dice-throwing, and thus with board-games such as taefl. Today the dice is not used, but it is most likely that in ancient times dice were cast to make each move. Hence, a game of chance, was altered into a game of intelligence, the 'chance' really being the key to understanding the game. Chess is a game of intelligence today, and is played out as a battle between Good (White) and Evil (Black); 'chance' does not come into this at all and it is only through clever thinking or making a mistake that causes the outcome and the winner. 

In the Rig Veda the gods are said to go around like ayas which means the cast of dice; indeed, the four ages - Krita, Treta, Dvapara and Kali - are casts of the dice, the last one, Kali. being the 'Dog Dice' and the worse cast. We cannot but feel that here we have a link to the 'Warg Age' of Norse Mythology. The divide in the Great Battle (symbolised in the board-games) is the Milky Way, and in the number of the Einheriar, 432,000, we find the reference to the Precession of the Equinoxes. This is part of the sequence -

• 432,000
• 216,000
• 108,000

The number of stanzas in the Rig Veda is 108,000, each stanza being made up of 40 syllables; there are 10,800 bricks of the Indian Fire-Alter, Agnicayana. The Babylonian Great Years was 432,000 years, and in certain Greek texts the duration of the Aeon was 10,800 years. As I stated before these are symbols used to understand that what is being spoken of is the Precession of the Equinoxes, and in this case the end of a cycle and beginning of another cycle. 

In many traditions we see the 'Churning of the Ocean' linked to the above numbers, and here again we must recall the idea of Hamlet's Mill in the North Sea, and to the Cosmic Ocean 'churned' (turned) by Or-Waendal. As I have mentioned before this 'churning' is a backwards and forwards motion, which suggests that the world may reverse its axial spin at certain times. The 'rope' that does the churning is the Serpent and in both the Vedic and the Mayan a tortoise is the base of the churning - no doubt symbolising a slow process.

We are talking here of the Ragnarok and the Fall of Troy in which time the world falls into chaos, but this chaos and disorder is the wreck and ruin of the world, out of which will arise a new world. This is the Time of the Wolf and it is also the Time of The Hooded Man. 

There are links to both Mars and Saturn in the tales connected to the Precession of the Equinoxes and to the Myth of Hamlet. We should note that Mars is associated with the colour Red and Saturn with the colour Black - both linked to the colours associated with anarchy. This is no coincidence, and thus we find the association with such times of Chaos. Everything we see has an inner meaning which relates to symbolism. In the above we see the 'Four Beasts of the Apocalypse' - Lion (Leo), Man (Aquarius), Bull (Taurus) and Eagle (Scorpio, originally Aquila the Eagle). We see Mars in Scorpio and Saturn in Taurus - Aquarius is ruled over by Uranus (Ur-An-Us). Mars is the Avenger, whilst Saturn is the Destroyer, which is why these two forces are paramount in the destruction of the old world-age and old cycle. 

Virgil describes Mars as 'caeco Marte' which means something like 'blind fury' and here we can see a hint of a god such as Woden, and maybe why Woden was seen as being Mars by some Roman scholars. Orion the Hunter is also associated with blindness, and we can see here a link once more to Waendal since the figure of the Herne Giant is an aspect of the Hunter-God. Saturn is, of course, Kronos who is the God of Time, Old Father Time, and thus also the Grim Reaper. Orion the Hunter is also Nimrod, the Great Hunter, and is the Blind Giant. We should also note how in one tale of Robin Hood at the end of his days he is blinded. 

In the above Daily Mail clipping of August 1999 we see not only the Divine Marriage of the Sun and the Moon, together with Venus the Virgin (in Leo the Lion) but the twin forces of chaos and destruction (Mars and Saturn) that rule over this particular period in between the cycles. We know from the various prophecies that I have mentioned in other posts and articles how the Solar Eclipse (Black Sun) resurrected the King of the English (Ingwe) and that at the time Nostradamus tells us that 'Mars reigns before and after'. The hope for our Folk here lies in the ruler-ship of the New Age - Uranus. The coming age will be the Age of Aryan Man.

In the figure of 'Saint Christopher' (Patron of Travels) wading across the fierce waters with the Krist-Child upon his shoulders we find that of the Blind Giant bearing Tom Thumb upon his shoulders, whose eyes guide the giant across the fierce Northern Waters. 'Saint Christopher' was said to be 'half-hundinga', i.e. 'half-hound' and thus (again) associated with the dog. Or-Waendal is also connected to such legends, and even the blinded Samson in the biblical account where he acts as the destroyer.

Most people are familiar with the Myth of Orvandil and 'Orvandil's Toe'; if we see Orvandil as being associated with Orion the Hunter (The Herne Giant) then we should note that the bright star in this constellation, Rigel, means 'foot' in Arabic. The Three Stars of Orion's Belt (Frigg's Distaff) look across at the Dog-Star, Sirius. In Persian Mythology Sirius is called Tishtriya and it is said -

'We worship the splendid, brilliant Tishtriya, which soars rapidly to Lake Vurukasha, like the arrow quick-as-lightning, which Urxsa the Archer, the best archer amongst the Aryans, shot from Mount Aryiosutha to Mount Huvanvant....(it causes) Lake Vurukashs to surge up, to flood asunder, to spread out; at all shores surges Lake Varakusha, the whole centre surges up.'

(Avesta: Eighth Yasht.)

Sirius has always been associated in Egypt with the flooding of the Nile, and here we see an ancient Aryan Myth where Sirius is seen as being associated with flooding. Sirius is also known as the 'Dog-Star' and here again we have the dog motif. Sirius has also been known as the 'Arrow-Star' and it is thus perhaps significant to note that the Persians also called this star - Tir. Or-Waendal is the Archer, as is Robin Hood, as is Aegl the Archer, etc. etc. We should here make clear that the idea of flooding and the waters refers to the dissolution of the worlds which plunge into the Waters of Chaos at the end of a Cosmic Cycle, and from this emerges a new world. 

Here we see the Red-Haired, Red-Bearded Aryan Thunder-God bearing his Twin-Hammers, sailing in the Dragon-Ship on the Waters of Chaos, standing beside the White Stone of Ingwe - the 'Gift of Ingwe' (as shown on the twin figures at the side X-XX). 

What we see here are subtle links with the Fall of Troy, with the destructive hordes of barbarians from the East, with Attila the Hun, driven by Nimrod the Great Archer - with the Ragnarok. Yet, from Troy a few remnants, guided by Wid-Ar (AEnius) left to found the mighty Empire of Rome, and so a New Era dawned from out of the chaos, disorder and destruction. What comes down to us through Christian eyes - Ragnarok - is the time of doom - the Doom of the Gods. Yet this wholesale destruction is not the whole story, for though only a short piece remains to us, the whole thing is not about death alone, but about a rebirth and renewal - about the hope of a better tomorrow. 

At this time we who have seen these things are ridiculed and even declared to be 'mad' or 'insane'; and yet, throughout this tale the 'madman' and the 'insane' are indeed the wise ones. They are the ones who wait, who are to bring justice to an unjust world, who await the time when the Evil Forces will indeed destroy themselves through their folly and madness. This Archetypal Myth will be played out on the Stage of Life, and there is nothing that can be done to stop what is coming. Their evil world shall burn and the Sword of Wid-Ar will bring justice for the slaying of Woden. This is the Time of The Hooded Man - 'And the guilty shall tremble!'

Rune-Stave of The Hooded Man

The Hooded Man

Both of the above rune-staves contain the secret of The Hooded Man and also of the Rising of At-al-land from out of the 'waters' - the 'Waters of Chaos'. The Hooded Man is The Fool and the April Fool is depicted by the Long Man of Wilmington - the Great Initiator. I have shown before how the name 'Robin' adds to the Number 58 and is thus the key to the 58 Words of The Hooded Man Prophecy. I have chosen to use the term Ingwe now rather than 'Ing', since this is the most ancient spelling - the name Ingwe, using English Gematria, adds to the Number 58! 

'Who is the more foolish, The Fool, or the fool who follows him?'

Obi Wan Kenobi - 'Star Wars'.