Ingui - The Sacral King (Part One)

The so-called 'Tripartite System' of the Aryans is made up of three distinct Castes, each one having a relationship with a part of the human body (and thus with the Cosmos). This is clear from the Aryan Myths and Aryan Legends and we can also add that each part of the system has a 'wound' of some kind which marks that particular Caste with an 'identity' -

Woden - Wounded in the eye which represents the head, the Priest-King Caste.

Tiw - Wounded in the hand which represents the arms, the Warrior-AEthlinga Caste. 

Wayland - Wounded in the knees which represents the legs, the Craftsman-Artisan Caste.

If we study this we can also find the secret of what is known as the Crane Stance where the person stands on one leg, holds one arm behind the back and closes one eye. This stance holds within itself the whole of the human-earthly-cosmic make-up since it unifies all three Castes into the whole. We usually see the Third Caste as the 'Farmer-Provider' Caste, but this is really the Caste that is based upon virility and fertility - the role of Ingui-Frey. Thus, we have four distinct Castes, the latter being left out of the Crane Stance. I would suggest that Tiw/Tir and Thor/Tor may well have been once almost interchangeable or even stem from one figure who represented the Warrior-AEthinga. If we do not accept this then Thunor, one of the most important Gods, does not fit anywhere into this Caste System - which he should do, of course.

Thunor or Thor seems to have developed from the earlier Axe-God who the Frisians named Forseti, a name which may have been directly linked to 'Thor' in sound 'For' - 'Thor'. Wotan's Kreiger covered this on one of his blogs, so I need not develop this too far. Suffice it to say that Forseti was an ancient Law-Maker, God of the Axe (Justice) and God of Springs (The Source). He ruled over twelve Asegir (AEsir) and was associated with the sea, as Jorgen Spanuth suggests thus being the Greek Poseidon ('Spouse of Don' which is interesting since Don-Danu-Idunn are likely the same). 

Tiw is the 'God of Balance' whose symbol is the Tiw-Rune which shows the balance in having both arms. When he loses his 'right hand' his symbol becomes the Lagu-Rune which has lost this balance. This is perhaps clearer when we look at the Celtic equivalent Nuada or Nudd who also loses his right hand, but who has a silver hand to replace it - silver always represents a Lunar Symbol. Nuada is no longer a 'Solar-God' but now uses the more lunar and instinctive-intuitive side, hence why Woden 'replaces' him as the High God. (Lagu is the Rune of Sorcery and Magic at one level.)

Why has Ingui-Frey been left out of this system, since his name is associated with the 'groin' - the IE Root *ingwe means 'groin'? This is the region of fertility and also virility, both of which are extremely important to a people, and which, when this fails, makes for the destruction of that people. When this figure 'disappears' (as we shall see) the people no longer produce strong and healthy offspring, and that people (as history proves) is destroyed and disappears from history. Not only that, when this god-form 'disappears' the land becomes a Wasteland. 

Let us first look at the idea of 'The Wasteland' since in the Graal Mythos (which is the key to these ideas) this is called Logres, a name obviously linked to the Lagu-Rune. Logres is always taken to be England and today's events seem to verify this as being true - true of today's England anyway, as well as other European Nations. The land becomes a 'wasteland' due to the wounding of the Sacral King - the 'Fisher-King'. This, again, is the key to the Mysteries of Ingui, as I hope to show here. Ingui is linked in some strange way to the Lagu-Rune, a theme that I will take up here to prove my point. 

We should here once more take up the idea or 'seed' that Wotan's Krieger mentioned about Ingui and Krist, since this is of extreme importance to my arguments here. Krist is the 'Son of Man(nus)' which is clear in Germanic Lore, and he is also the Celtic Mabon whose name means the same 'son of', from which developed the Welsh 'mab' which then developed into 'ap'; it is also the Scottish-Irish 'mac' or 'mc'. Wherever the suffix -ing is used it refers to the 'offspring' or 'sons of' when referring to an Germanic Tribe. It would seem that in English the suffix -son was used like 'Mac', 'Mc' or 'ap' such as in 'Robertson' ('Son of Robert'), 'Richardson' ('Son of Richard') etc. Names such as 'Golding' may perhaps retain the suffix -ing. 

The key to this is that Mabon is 'kidnapped' and hidden away, and he has to be rescued in order that he takes up his true role as the 'Saviour'. Now, we do not seem to find this in the figure of Ingui, but I have shown before how Ingui is linked to Agni of the Vedas. In fact Agni seems to have been 'lost' (a variation of being kidnapped) -

'Agni is living in the subterranean waters...the blessed oblation bearer is asleep in the waters...' 

Here we have direct links between Agni and 'The Deep'; and Agni is Ingui and also linked to Hama-Heimdall (as I have shown before). Hama-Heimdall, interestingly, is Rig-Hama who brings the Caste-System down to mankind. In the system of Rig-Earl-Ceorl-Thrall we find a four-tier Caste System that fits with what I have said above. The key to this is the 'Quest' that is necessary to find the 'lost' Sacral King', a 'Quest' that we may now link to the 'Quest for the Holy Grail'. 

Let us first go on to the 'Quest for the Holy Grail' since this is where the key lies to what I am going to explore. There are two distinct meanings to the roots of the expression 'Holy Grail' which stems from the French 'Sangreal' -

San Greal - 'Holy Grail'

Sang Real - 'Holy Blood'

This is a clever play-on-words used by Sun-Initiates who hid these secrets in mediaeval times, but we should not overlook the much earlier roots of this, whose secrets lie in our own English Rune Row in the three Grail-Runes - Calc, Stan and Gar. The term 'Holy Blood' is represented by the Ing-Rune, since this is the Rune of the Blood, and also the Rune of the DNA Code (as the shape of the English version shows us). But... the Germanic Ing-Rune is shaped as the 'Diamond-Ing' which actually represents England - the 'Land of Ing' - which becomes 'The Wasteland'. 

I have a feeling that Ingui is the 'Fisher-King' who has a 'wasting-wound' in the thigh (symbolic of the 'groin') and thus is the cause of the loss of virility-fertility of the land, but also of the Folk. He is thus Amfortas who is wounded in the thigh and who has to be healed before the Land and Folk can become whole again, and to do this the 'knights' ('Ridder') must seek the Grail, and 'ask the question'. This is down to Parsifal (The Pure Fool and the 'Son of the Widow') and Gawain who both have a strong part in this quest. It is very important to note that the wound of Amfortas can only be healed through the quest being fulfilled by Parsifal (The Pure Fool) who is The Hooded Man. The 'wound' is aggravated when it comes under the Sign of Saturn! This is extremely important since Saturn here represents the 'Satanic-Force' which is the evil force that controls the planet today. It is this force which has caused 'The Wasteland' in the first place.

Before I go further it must now be underlined that the 'Holy Blood' and 'Ingui' are thus one and the same, and they are represented by the Ing-Rune which is the 'Rune of the Blood'. Hence the importance of the Gift of Ing which is a theme that recurs over and over again within Germanic Lore.

As I have said before, the 'Gift of Ing' occurs over and over again, in the Ing-Rune, the Edel-Rune and the Gar-Rune, all of which are linked together within these Mysteries of Ing. It also crops up in the Holy White Stone of Ing which can be found in the Sussex Church as Steyning ('Stone-Ing'). Here the 'Gift of Ing' can be seen as the Inga-Fire (Agni-Fire) which is proven by the runes - Gyfu ('gift') - Ken (Inga-Fire) - and Ing. The pattern of the Holy White Stone could be seen as a 'Man' and thus the 'Gift of Ing' (Holy Blood) can be found within the genetic make-up of Man (not the 'human race' or 'mankind' in general but the descendants of Ingui). There are distinct moves to destroy the 'Sons of Ingui' wherever they are around the world, and this can be no coincidence.

There are distinct parallels in various myths around the world with a divine figure who is 'wounded' or 'cut up' and who is associated with the totem of the Boar. We have Osiris (Egypt), Shiva (Aryan India), Pryderi (Welsh), Bran (*) (Welsh), Diarmund (Irish) and in 'Grimm's Fairy Tales' where we find that a youngest brother is slain by his elder brother who claims a boar. The body of the younger brother is buried but a shepherd comes across a bone from which he creates a pipe. On blowing the pipe he hears the words -

Ah friend, thou blowest upon my bone!

Long have I lain beside the water: 

My brother slew me for the boar,

And took for his wife the King's young daughter.

(*) Bran is the 'Bron' of the Grail Mythos who is the 'Fisher-King'. The 'Head of Bran' was supposed to be buried under the White Tower to guard Albion, and even today the Ravens of Woden (Huginn and Munin) are the two ravens who are present at the Tower of London. 

The Solar-Boar of Ingui

This is the Tale of Hamlet and thus the secret again lies in 'The Pure Fool' who is The Hooded Man. The 'Son of the Widow' is Horus or Hamlet, but it is also the Krist (who is known as the 'Son of the Widow' in masonic lore, which holds certain secrets though distorted by the 'Counter-Initiation'). Ingui, it really needs no saying, is connected to the Boar. 

This is all associated with a 'Ritual Death' based upon being strangled (or head cut off), pierced with a spear/slain by arrows, and drowned (and/or sometimes burned by fire). This type of 'Ritual Death' is associated with Ingeld (Scylding Saga) and Ingcel (Irish Saga). Since this takes place at the Winter Sunwend (Midwinter) the death of Robert Mathews may be linked to this Archetypal Myth, his burning within the hall taking place on December 8th which is in the Wolfmoon (December) close to Midwinter, and near 'Woden's Day' on December 6th each year (dedicated to 'St. Nicholas' who is Nicor/Nikuda, a title of Woden). (**)

(**) We should note that the same happens to the figure of Bran who is killed (wounded in the thigh) and then beheaded, but his hall is also destroyed by fire when Irish forces attack it. 

We have all the associations here with Ingui -

• Wounded in the thigh (IE Root *ingwe means 'thigh'.
• Fire Ingui is a Fire-God.

What we do not have is the beheading and the Severed Head being associated with Ingui, but we do have a legend (originating in Ireland as far as we can go as yet) of Cu Chullain (***) who becomes the 'Green Knight' (a Middle English tale) and who is beheaded in the 'Beheading Game' which seems to be associated with a figure very much like Bran - Mimir. Mimir is also connected to 'memory' and thus to 'Blood Memory' - and thus to Ingui. So we can find a distant link with Ingui, although this is not clear by any means. But Mimir is a very old figure and so important as to be the one who is the basis of the wisdom of Woden, and whose head Woden consults in order to become a 'seer'. There is also a parallel in the Norse Sagas in Hrolf Kraki in Saxo Grammaticus's Danish History; the name 'Kraki' is said to mean 'crow', which is the same a Bran which means 'raven' or 'crow'. These are connected with the Midwinter Festival and, since we have no trace of this festival in the Celtic world the roots seem to be more Germanic than Celtic. The Celts used Samhain (October 31st) for the same festival since this was the first day of their new year, which we can see this as originally a Midwinter Festival. 

(***) I have shown in an earlier post how Cu Chulainn is  one-eyed in some parts of the legend. 

There is also a tale of Macc Oc (or Mac Og) associated with New Grange in Leinster, Ireland. Mac Og 'usurps' the position of the 'Old King' through a conflict between him and Elcmar; in this conflict the foster-father of Mac Og loses an eye. The name 'Macc Og' or 'Mac Og' means 'Young Son' and this happened during a time of peace, a theme associated with Ingui-Frey and Frodi. Newgrange, as I have shown before is associated with Venus, and thus to the Waene-Gods which include Freyr. We should also note that Njord, father of Frey-Freya, is associated with the sea and thus with water. It is also important to note that in the Rites of Nerthus the Goddess (Freya-Nerthus) rides in a wagon and is associated with a sacred pool where those present are drowned after the rites. (There are certain hints that the island could have been Anglesey (Angle's Island) as I have mentioned before.)

There are certain common themes that we should note here concerning 'god-slayers' -

• Beli ('Brightness') slays Bran.
• Goronw Pebr ('The Fiery') slays Lleu.
• Fergus Mac Roich is killed by the blind Lugaid ('Light').
• Conaire Mor is slain by Ingcel, the one-eyed raider from the sea.
• Baeldaeg (Fire-Day) is slain by the blind Hodr.
• Surt (Fire-Giant) slays Ingui-Frey.

In Norse Mythology Odin is often referred to as being 'blind' or even 'double-blind' so these 'blind' figures may refer to being 'one-eyed' rather than totally blind. The underlying theme seems to be that a one-eyed figure slays the 'God of Light'. One other connection seems to be water and we can see here the link between these ideas an the Lagu-Rune. On the Gundestrup Cauldron we find the symbol of a figure being drowned in a vat, and a row of horsemen riding away, suggesting a ritual death-to-rebirth involved here. 

I am here going to relate an astounding 'synchronicity' which happened as I was thinking about this post yesterday. Hamasson sent me a link to a piece by Renegade Tribune about J.R.R Tolkien and his use of the name Rohan and Rohirrim in the Lord of the Rings. As this piece states, the Rohirrim were the Horse-Riders of Rohan, also called the Eorlingas (Earlingas) whom he based around the Anglo-Saxons. One of the very interesting comments was that he used the Anglo-Saxons as 'horse-riders' because he may have thought that the reason why they lost at the Battle of Hastings was due to their lack of cavalry, which was the superior power used by the Normans. Now, we do know that the Anglo-Saxons used horses much earlier since we find in one of the Sutton Hoo graves an aethlinga buried with his steed, and also we find mention in the Old English Rune-Poem of the bow being the weapon of the horsemen. Since there is obviously a connection between the Saka (Scythians) and the Sac-Sons (Saxons) this connection with the horse may go back into the far distant past. The use of the White Horse Banner by the Rohirrim and that it was the symbol used in Kent and parts of Germany where the Saxons dwelt is thus important to this argument. 

We have to consider something here because the Norman invasion, financed by the money-lenders of that time and backed by the Pope (Catholic Church) may have led to the English Aristocracy being usurped in favour of Norman and Breton overlords, but this obviously resulted in the English Royal Blood being retained within the Common Folk of England, thus perhaps saving it (partly) from the ravages of the Church and State at a later time. The article sees Tolkien's use of the Anglo-Saxons as horsemen as being a kind of 'resurrection' of the English at a later time. Indeed, this fits exactly with the Gundestrup Cauldron where the footman is being fed into the Vat of Water (****), out of which the horsemen are seen galloping away - 'resurrected'. Not only that but the figure of the Horned God (Woden - Herne the Hunter) presides over the ritual. The Gundestrup Cauldron has been seen as 'Celtic' but some scholars now see a Scythian link - a link to the Saca-Sons. The Gundestrup Cauldron also shows a Wolf beside a female figure (Nerthus); the 'vat' or the 'lake' is symbolic of the ancient Cauldron of Regeneration. 

(****) This 'Vat of Water' theme can also be found in the Ynglingatal where Fyolnir - Son of Ingui-frey - the King of Uppsala ('Upp' = upward [towards the Gods] and -sala = hall or originally as 'sael' being a Holy Temple of wood maybe) is drowned in a Vat of Mead - perhaps a far better end than being drowned in water, at least one would be 'merry' on the mead. 

One point on this 'drowning' is that it is quite possible that the 'vat' actually represents the earlier idea of the Sacral King being drowned in the Sacred Lake of the Goddess Nerthus (this legend was attributed to tribes of the Angles). 

One further point on the Lord of the Rings is that the Rohirrim are the heroes together with the King of Gondor (Aragorn) and the Shire-Folk who include Frodo (Frodi - Ingui). Also, not stated in the film, the Rohirrim are the descendants of the ancient Numenoreans as were the Dunedain from which Aragorn came. Aragorn is the son of Ara-Thorn of the Dunedain - the 'Men of the West'. These all came from Atalante (At-al-land) whence the Numenorians ruled as a High Race but fell from grace when some of their rulers embraced Dark Magic and the rule of Sauron and the Dark Forces. Aragorn, it must also be said, was Half-Elven, as was Gandalf the Wizard, and there are many cases of men being half-man and half-elven. Ingui is, it must be remembered, Lord of the Elves. 

We can see in the figure of 'The Son' as being 'asleep in the waters' as the Kundalini-Force which is dormant at the base of the spine. This is the Inga-Fire or Agni-Fire which has to be 'awakened' in order to rise upwards into the spiritual realms (Asgard). This then takes another turn when the Fire-Serpent moves downwards along the spine to spiritualise the Earth and Matter - the Spirit (Son) descending into Matter (Mater = The Mother Earth). Another 'synchronicity' was that yesterday I very kindly received an ALU Pendant from Steed who said he had also given Hamasson one in exchange for his gift of a Thunor's Hammer to his baby daughter Ingrid who was named at the last Folk-Moot we held in Nottinghamshire. The ALU-Formula is our own spiritual exercise designed around the Inga-Fire or 'Fire-Serpent'. The Ur-Centre is around the area where our 'ur-ine' is stored, and thus to 'water' in one sense - it seems to be an area of 'Fire-in-Water' when looked at this way. We shall consider this later (if I remember, age being a criteria here). 

The central Energy-Centre of the ALU Formula is Lagu which represents the Solar-Plexus/Heart Centre and the Sacred Blood, as well as the Blood-Memory. This is connected to 'The Wasteland' named as 'Logres' through the similarity between Lagu and Logres. In Wolfram von Eschenbach's version of the Grail Mythos the Broken Sword is reforged under the 'Grey Rock' in the Waters of Lac (Lagu-Rune); the area concerned is guarded by a 'Dragon' whose symbol is the Fylfot-Swastika. This German version is far more mystical and magical than most of the others, and von Eschenbach seems to have been an Initiate of a high degree. The Celtic versions of this have two swords, one being Excalibur which is taken from a Stone (based upon the Legend of Sigmund whose sword is taken from the Barnstock Oak) and the other being taken from a lake, given by the 'Lady of the Lake'. We can see in this that one sword (which was broken) was seen as two swords, the latter being reforged under a Grey Rock in a Lake. The 'Broken Sword' is the Broken S-Word ('Sun-Word') and is connected to the theme where the original letter ng (Ing) has been 'broken' into two letters - 'n' and 'g' ('Need' - 'Gift'). 

Here, again, I see that there is some kind of hidden working within these ideas, since Troy Southgate once posited that the Holy White Stone of Ing could contain not only the 'Gift of Ing' through the Gyfu-Ken-Ing runes, but the 'cross' (added) may have been a Nyd-Rune, and thus we also have the 'Need of Ing' (Wagner's Nothung) which is the Sword of Sigmund in the Ring Cycle. 

The three Grail Runes originate in the Four Hallows or the four objects of the Irish Tuatha de Danaan who, we are told in Irish Legend, came 'from the North' i.e. Northern Europe or Scandinavia as we know it - the 'Shining Land' ('Scandi' means 'shining', and was the island on which Sheaf landed to become the Sacral King of the Inglingas.) These objects are symbolised in the last four runes of the Old English Rune-Poem - Sword (Sweorth), Cauldron (Calc), Stone (Stan) and Spear (Gar). The connection that stands clear here is between the ancient Germanic Tribes (Tegeinlg and Gangani) who occupied the area of Leinster in Ireland. The 'feasting-halls' such as Emhain Macha and Dun Ailinne can be found in Leinster and connected to Ulster and the Ulster Cycle. There are names such as 'Dunn' which is found in Irish, Scottish and the name of an Anglo-Saxon monk from the Eighth Century (Anglo-Saxon Chronicles), seemingly a connection between these three areas (the Scots came from Ireland). 

The Ritual Death of the Sacral King (Ingui) shows King Frodi who rides on a 'wagon' (mentioned in the Old English Rune-Poem) which tours the land awaiting his rebirth. This archetypal myth seems to have been tagged onto the death of Rufus the Red who is slain by an arrow and whose body is taken around the land in a wagon, He may have been a Norman King but his legend may hide much deeper and ancient roots. 

Who killed Cock Robin?
I, said the sparrow,
With my bow and arrow, 
I killed Cock Robin.


This 'nursery rhyme' is an English Myth recalling the death of 'Cock Robin' who, like the 'Cock-Horse' of the tale of Banbury Cross, could be a play-on-words for 'coch' which is Welsh for 'red' - Rufus means 'red'. (*****) This is also connected to the hardy English bird, the Robin, whose 'red-breast' symbolises the 'blood-wound' of the Sacral King. Somehow, hidden within the death of a Norman King is the Legend of Robin Hood - The Hooded Man. He is the Sacral King who is slain by arrows and then driven around the land in a Wagon; the king slain with arrows is Baeldaeg, Herebald and King Edmund, the Last of the Wuffinga Kings. The 'wagon' is that of Ingui-Frey and the Goddess Freya (Nerthus) and the Ritual Slaying of the Sacral King is the core of the Waen-Cults. The planet of the Waene - Venus - is the Star of Resurrection.

(*****) The 'Rufus Stone' lies in the area of the New Forest and is where this 'Sacral King' is supposed to have been slain (by accident). The arrow that slew him deflected (the legend goes) from an Oak Tree nearby - the Oak being symbolic of the English Folk-Hero, Robin Hood. It should be noted here that in the Battle of Hastings the last English King, Harold, is slain by an arrow piercing his eye. I have noted a connection with the French through the Angevins, whose name could be rendered 'Ang-Wines' or 'Friends of Ing'.

Sacral Kingship appears to have the following features -

• The king is of divine descent.
• An element of the divine is believed to be vitally present in the king.
• The king is believed to be the representative of the deity on earth (an avatar).
• The king's 'luck' (Konigsheil) forms the basis of his power. His is a mana-like quality of 'luck' (known as heil) and he has supernatural powers.
• The society ruled by the king is religious in form.
• The king is married to a bride that represents the land (Sovereign) who personifies the well-being of the realm.
• The slaying of the Sacral King is done to bring fertility to the land and the people. 
• Often the Sacral King is the offspring of a God and 'Giant' and we do find many Gods as having Joten-Roots. 
• The Sacral King was a Priest-King, a role later split into two distinct parts - King and Priest, but which were once one and the same.
• He is subject to 'fate' and thus his death is not heroic but an accident or an act of treachery (as in the case of Baeldaeg), and sometimes rather comic in nature. Very often he has a geis that he must not break, but which he cannot avoid breaking due to the circumstances of the time. 

In a work by Walter Baetke based around 'Yngvi and the Ynglinga' which equates Ingui with Sacral Kingship he traces this back to the ancient Kings of Uppsala. Ingui is the Inguna-Freyr of the Lokasenna. Thus Ingui is directly seen as the Archetypal Sacral King.

The Sacral King seems to form the more recent German 'Fuhrer and the Folk' which sees the Germanic Leader (Fuhrer) (******) as the 'Soul of the Folk' or the Tulka as Miguel Serrano sees this concept. He does not merely represent the Folk - he is 'The Folk'. This can actually be seen in Tolkien's Lord of the Rings where Theoden King (said this way to mimic the Old English tongue) has a name related to theod meaning 'people' or 'folk'. Theoden King is the Sacral King who is the Folk; in the saga he does not want to go to the aid of Gondor, but he does so because - knowing it will be the death of him - he feels duty-bound to do so (a concept missing in modern society). 

(******) The term 'Fuhrer' suggests 'Fury' and a connection to Woden but I have shown that a connection between Woden and Ingui can be seen in the name 'Ygg' which is a by-name of Woden. 

It should be noted that the Wolsungas, and thus their offshoot, the Wulfingas, were associated with the Waene through the 'Apple of Frigga' which rejuvenated the Wolsunga Royal Line which was threatened. It is also clear that a connection between the Waene-Cult based around a husband-wife/brother-sister (Frey and Freya) can be found when a brother-sister relationship bears fruit in the continuation of the Wolsunga Line. 

The Quest for the Holy Grail seems to be a quest for the Mystery of Ingui, a quest to revive the most ancient Sacral Kingship once again. Sacral Kingship can be seen in a comic light but also in a very tragic light too, the Sacral King seems to be a fusion of 'God' and 'Giant' and thus is neither/both and is in reality a new being made from the fusion of opposites - an important point. We can see in the figure of Ingui-Freyr (whose symbol is the Solar Boar) the Sacral King who is wed to the land (Gerda - Sovereign). To find Gerda, Ingui-Frey sits in the High Seat of Woden, he takes the seat of the High God (becoming the High God). He gives up his sword and thus has to fight with a Stag's Horn (The Horned God Symbol) at Ragnarok where he falls to the Fires of Surt. 

We are going back to a time when the roles of Woden and Tiw were the same, that of a Priest-King. In some ways this is actually seen in the figure of Woden who is a Priest-Magician and a Leader-Fuhrer. Thus Woden seems to unite the two in what was once an original form or Ur-Form. In this we can begin to see the figures of Woden (Head-Leader) and Ingui (Groin-Fertility) as being linked together within the role of the Sacral King. The 'wound' linked to Ingui has to be healed (through the Grail Quest) before the Land and Folk can become whole (heil) once more. Now it should become clearer as to why our struggle is not only for our freedom from oppression, but also a struggle to regain the fertility of Folk and Land. 

Ingui & The Aryan Krist

Ingui - 

I am writing this post after reading the article by Wotan's Krieger on his Aryan Myth and Metahistory Blog on August 28th 2018 - 'The Relationship Between the Gothic Iggws, Yngvi-Frey and Kristos'. I would urge all of you to read this blog post since it is very important. I am not going to go over it because you can see for yourself, but will look at the important points it sheds light on.

Basically, the Royal Line of the Swedes was once named the Ynglingas to which Snorri Sturlasson refers to in his Ynglingatal. This work form the first part of the Heimskringla which has been translated into English, leaving out the Ynglingatal which I too find rather strange. Luckily it was translated into German, a language that Wotan's Krieger understands, so he has translated an important part about the 'death' of Ingvi-Frey. 

Snorri, of course, turned our Gods into humans, but even so (as Wotan's Krieger states) we can see in the figure of Ingwe that of a Divine Ancestor or an Avatar of the God named Ingwe. One important and interesting point is the translation of a section about the time of 'Freyr" -

'During this time began the 'Peace of Frodi', and at that time there was also fruitful years throughout all the country...The Swedes ascribed that to Freyr...So it happened that peace and fruitfulness still continued at last.'

It is important to understand that Ingwe was thus a God of 'Peace and Plenty' who was worshipped at a time that this held sway in the North. In times of violence and war the god Woden and the other War-Gods would have been given a higher place since they would be needed for such time. Many scholars do not understand this point and in doing so see one set of gods 'usurping' another set of gods, when the case is probably far more simple - the gods that rule a certain period are linked to the happenings of that time. 

Wotan's Krieger mentions Thorssons 'The Mysteries of the Goths' where Freyr is said to be the Iggws of the Goths. Somewhere I have seen images of a bracteate engraved with 'Iggws of the Goths' (or something like that). Again, the Goths or Geats were very closely associated with the English Tribes of the North. 

The most important point that Wotan's Krieger makes is that we can perhaps use the fact that even early Christians associated Ingwe with the new Krist (my spelling since it differentiates between the Judaeo-Christian distortion) to bring 'Folkish English people' who cling to the Christian religion to follow Wodenism. This is one reason why I have used the idea of 'Krist' many times before, and no doubt why German Mystics used this in the decades prior to World War II. Despite the attacks upon those Folkish Heathens who do use this we should certainly carry on and try to do this, since one of the few stumbling-blocks we do have is that more people adhere to this alien-religion rather than seeing anything in Folkish Wodenism.  But these people are staunchly English and support the English cause, even though they are still Christians or nominally Christian (many would never even go to church today). To get people to believe in a religion that has been 'demonised', even though it is their true religion, is very hard to do, and as stated by W-K this could be used as a 'bridge' to get over this problem. 

The fact that the Ynglingatal has not been translated into English is strange, but it is also strange that there is very little mention of links between the Swedes and the Anglo-Saxons. East Anglia was ruled by the Wuffingas who were obviously a Swedish Tribe at the time, or at least dwelt in Sweden. There is also the 'Uffington White Horse' far away in Oxfordshire, named after the 'Uffingas' which is a variation of 'Wuffingas'. And in East Sussex we have the Long Man of Wilmington who was a god named 'Waendal' whose name can be found around Sweden. The Swedish presence here in England has been almost completely discarded!

The Aryan Krist -

In the Norwegian Rune-Poem we find the following under the Hagall-Rune -

Hail is the coldest of grains:

Kristr created the world of old.

There are certain points I would like to raise here -

• The rune-name 'Hagall' is obviously the root of the German Mystic's use of the 'Hag-All'. This was obviously an important point for these German Mystics who were well ahead in the sphere of heathenism and the runes than anyone else at the time. 
• I know of nowhere else where Christ is credited with 'creating' the ancient world. Indeed, since the word skop is used I assume this means 'shaped' in regard to the ancient world. 
• The spelling Kristr is used, hence this alternative spelling; interestingly, using English Gematria the alternative spellings 'ch' (3 + 8) and 'k' (11) would both be 11. They are thus interchangeable without altering the meanings. 
• The three runes, Hagall, Naudr, and Is,  are all concerned with the cold - 'coldest of grains' (Hagall), 'chilly in the frost' (Nautr) and Is means 'Ice'. This has to be important in some way. The next rune - 'Ar' - mentions the generous Frodi (Ingwe). 

I have covered the Old English work Dream of the Rood on this blog before; in this a far different 'Christ' is the subject, one referred to as a 'Hero'. It is thus interesting to note that the Ing-Rune is often given the meaning 'God' or 'Hero'. Of course, Ingwe, as leader of the Ingwaeones, would have been a Divine Hero, and (as Wotan's Krieger mentions) an Avatar or 'archetype'. Since Ingwe and Krist are so similar then it is easy to understand how the English accepted this as their new 'God'. Unfortunately, this would have been a deliberate ploy by the Roman Church to slowly wean the English into worshipping their own alien god-form from the Middle-East. 

Wotan's Krieger also mentions that the Gothic Ulfila actually used the name Iggws for the Greek letter X (Chi) which 'was used almost exclusively in Gothic for writing the name Christ'. Now, the letter 'X' was actually pronounced as a gutteral sound like the Scottish 'loch'. The above image is that of the 'ChiRho' which was the prime symbol used of the Krist. This image is extremely interesting and has several important symbols within it -

• It is made up of two runes - Gyfu & Wyn - which are the two runes we could link to 'Gawain' of the Graal Mythos. 
• Madame Blavatsky, in The Secret Doctrine, says that the ChiRho symbol is that of the 'Skull & Crossbones' which itself is symbolic of the Wild Hunter-God. One of the titles of the Wild Hunter is the Wunsc-Frea or 'Wish-Lord' and this symbol is probably linked to this figure. 
• Again, if we look carefully we find that this contains not only the Gyfu-Rune and Wyn-Rune, but also the Hagall-Rune, better seen in images that have this placed in a circle. Is it thus a coincidence that the Hagall-Rune actually mentions The Krist? 

Here, again, we see the ChiRho with the phrase I am Alpha and Omega - The Beginning and the End. I have noted many, many times how this phrase relates to Ingwe and to the 'Age of Ing' which obviously forms the 'beginning and the end' of the Cycle of the Ages. David Lane noted that the first and last sentences in the New Testament, when using English Gematria, add to 88, a significant number as we all know. Indeed, if my memory is right, using Greek Gematria the name of Christ adds to 888. Most depictions of the ChiRho symbol have also the Greek letters Alpha and Omega - the First and the Last or the Beginning and the End.

The Hagall-Rune is not only a rune of disruption but the Rune of Heil - of healing and wholeness. The term Haeland is an Old English term for 'saviour' and thus linked straight to Krist. In regard to the Old English Rune-Poem using the term 'Hero' it must thus be of importance to note that there are two Old English words that link directly to this -

Hael - 'omen'

Haele - 'hero'

The word haegl in Old English means 'hail' and is thus a play-on-words for the hidden meanings shown above, and the meanings related to its equal and opposite - hael = 'whole', 'wholeness', 'health' and 'The Sun' (Welsh). Putting these together we have the Aryan Krist as the Sun-Hero, the Saviour (who appears at the time of direst need as an 'Avatar'. He is the Heilbringer - the 'Bringer of Hael', thus the links to Frodi, Freyr, Ingwe as the God of Peace and Plenty. Yet, it would be totally impossible for such a figure to appear as a peaceful, meek and week 'saviour' at a time like this, at the End-Time when the Dark Forces are in complete control. This is no doubt why he is 'The Beginning and the End' since in the Dawn Time he would appear as a bringer of peace and plenty but at the End-Time he would appear as a Warrior-Hero to destroy the old and usher in a new Cycle of Ages. Thus the double-meaning of the Haegl-Rune - destruction and recreation. This saviour-figure destroys to recreate or to 're-shape' the world. Thus the 'Krist' of the Norwegian Rune-Poem.

It would seem obvious from this that the Hag-All relates to the Aryan Krist and that this figure was formally known as Ingwe - the 'Son of Man(nus)'. This term, 'Son of Man' is very ancient and predates Christianity. Indeed, in Hinduism we find a figure called Vishvakarma who is 'crucified in space', and this is no different than Woden hung upon the World Tree, or Balder-Krist who is also seen hung upon a Tree, pierced with arrows (as is the Krist of the Dream of the Rood), and we find that King Edmund - Last of the Wuffingas - is bound and slain with arrows. In Beowulf we find Herebald (Balder) being 'pierced with arrows' by Heathcyn (Blind Hod). In the Dream of the Rood the Krist is thus likened to Baldaeg the Sun-God, who himself is thus linked to Ingwe. 

The name 'Vishvakarma', as I have shown before, can be seen as 'vishva-karma' with 'vishva' being very similar to 'Yeheshua' which is the Hebrew name for 'Jesus' ('uishua' would be the pronunciation for this). It seems rather obvious that the name 'Yeheshua' comes originally from Aryan India and was used in the distortion of the Aryan Krist. 

"The Second Sun appeared as put on his trial, Vishvakarma, the Hierophant, cutting off seven of his beams, and replacing them with a crown of brambles, when the 'Sun' became Vikarttana, shorn of his beams or rays...."

The Secret Doctrine III - Madame Blavatsky.

Vishvakarma is, according to Blavatsky's interpretation of the ancient Aryan Texts, the 'Supreme God', the 'Logos' (a word actually used of Krist), and a 'Mystery God' who sacrifices himself for the world, just as Woden sacrifices himself for knowledge to save his Folk and also the world. He is "...the Avatar crucified in space..." (Blavatsky). 

Wotan's Krieger has stumbled upon something extremely important to us in our struggle for English Freedom. We have already seen the links between -

Haegl-Hagall-Krist-Ingwe-Freyr-Frodi-Baldaeg

David Lane suffered as a 'Suffering God' at the end of a world-age and Cycle of the Ages, and here we have a 'Suffering God' in Vishvakarma, a 'Krist', just as David Lane declared himself to be 'Christ'. Because of his Christian stance he is now rejected by many Northern Heathens, and yet there is much to be said of his works, much that has now been put aside and rejected. Miguel Serrano also took a stance on the Aryan Krist as being 'Wotan', 'Balder' and 'Lucifer' (the 'Christ' of the New Testament is the 'offspring of the Morning Star' which is Venus or Lucifer, the 'Light-Bringer'. Miguel Serrano's work is also perhaps underrated and is one of the most important work of our times. The '55-Club'  and Joe Sevnson also carries on the theme of Heathen-Kristian ideas.

The 'Suffering God' gives way to the "Crowned and Conquering Son of the Sun" - Wid-Ar the Avenger. This is the theme that sets Folkish Wodenism apart from the other Northern Heathen movements, for we see the dire need for the image of a New Aryan Archetype which has to be firmly engrained in the psyche of our Folk. This is the Warrior-God known as Wid-Ar who is said to appear every 26,000 years, another coincidence? We are at the end of a 26,000 year Cycle of the Ages or 'Great Year'. Wid-Ar is Ingwe is Krist! He is the Haeland, the 'saviour', the 'redeemer' of our Folk. 

Much of the work of Woden's Folk has been based around the New Testament and its reinterpretation; I can quote a few examples -

• The 'White Stone of Ing' and its meaning of the New Age of Ing, and the New God of the Age of Ing.
• The Black Sun of August 11th 1999 which is related to texts in the Norse Eddas.
• The Flood of Noah and its connection to the Hale-Bopp Comet, the comet linked to the sinking and arising again of At-al-land. 
• The coming of the 'Son of Man' which is Ingwe who is also linked to the Constellation of Bootes, a constellation linked to the idea of 'The Coming One'.

Many modern Northern Heathens are locked into the Eddas as the be-all and end-all of Northern Lore; some add the Vedas which is a good start to seeking knowledge outside the Eddas and Norse Sagas. These, of course, are a mine of knowledge and hidden knowledge that has as yet not been fully discovered. But they are not the sole source of our knowledge, and the New Testament has many hidden meanings, some of which have come to light through Wotansvolk  (US) and Woden's Folk (England). 

Jesus Christ is said to be the 'offspring of David and the bright and Morning Star' and it struck me long ago that the name 'Day-Vid' seems to be similar to 'Vid-ar' (Day-Wid-Ar) (*) which may or may not be important. Since the Waene-Gods are related to Venus (The Morning Star) and Ingwe is of the Waene-Gods, then terming these as 'Earth-Gods' perhaps throws one off the scent somewhat. The Morning Star is of extreme importance to Miguel Serrano, and linked (as I have shown before) to resurrection and rebirth. Venus is the 'beginning and the end' since it appears before the Sun at dawn and is the first star (planet) to appear when the Sun moves below the horizon at dusk. The Ing-Rune can be related either to Bootes following the Waen (Great Bear) or Venus following the Waen (Sun-Wagon). Ing or Ingwe can be linked to both the early Stellar Cults and the later Sun-Cults through this vital rune-poem. 

(*) The term 'Day-Vid(-ar)' suggests a link to the Dawn Star rather than the Evening Star (both of which can be Venus) which is further proven by the 'Morning Star' mentioned in the text. Here again we have links to the Divine Twins, for the Morning Star is the 'Day' and the Evening Star is the 'Night'. Both Ingwe-Frey and Freya are associated with the star Venus, hence why they are both Man-Wife and Brother-Sister. (It is interesting to note that the Wolsunga Royal Line is saved through a brother-sister relationship.) 

The 'Son of Man' -

In Miguel Serrano's work he stresses the importance of creating the 'Astral Body' which he also sees as the 'Son of Man'. This may not be very clear to some so I am going to try to give my own ideas on this which, I hope, will make things clearer. I stumbled upon an idea in The Secret Doctrine Part III which seems to shed light on this, and that Madame Blavatsky was well aware of this theme. 

"Consider the first stages of the development of a germ-cell. Its nucleus grows, changes, and forms a double cone or spindle, thus, within the cell. This spindle approaches the surface of the cell, and one half of it is extruded in the form of what we call the "polar cells". These polar cells now die, and the embryo develops from the growth and segmentation of the remaining part of the nucleus which is nourished by the substance of the cell...."

Very scientific, and Blavatsky goes on to mention the aura as being 'egg-shaped' which reminds me of the Hagall-Rune which is a 'grain' suggesting the same as an 'egg'. I am also reminded of the HE/SHE of Miguel Serrano which developed from the 'Primal Egg'. This is obviously the importance of the Hagall-Rune which is the 'All-Rune' and which (as we have seen before) is the 'Seed of Life' from which grows the 'Tree of Life'. This is exactly how Madame Blavatsky describes the appearance of a new Race of Man, through a 'miniature of itself' being 'extruded' from the 'egg of surrounding aura', whence the new growth separates from the parent to form a new species of Man. This has the same meaning (I believe) as the 'Son of Man' in Miguel Serrano's work - the creation of a New Man and a New Race of Man. This is the work of the Aryan Manu who appears to recreate mankind at various intervals of a Cosmic Cycle. 

The Hagall-Rune is the very central form within the Armanen Runes and also the 33 English Runes, where it forms the 'Seed of Life'. Carl Jung was The Krist as being the 'Soul of European Man' and thus again we see the importance of Ingwe. I have noted before how the IE Root *ingwe refers to the 'groin' and thus to reproduction which itself is related to regeneration and to fertility and virility. (**) It is thus connected to the Vril-Force in some subtle way. Ingwe is the 'God of Spring' when all new life 'springs' out of the cold Earth as the Sun warms it up. Ingwe is the 'Fire of the Sun' which quickens and awakens the Earth at this time. 

(**) A strange 'synchronicity' happened since I have been working on this article. Some years ago I lost the sight in my right eye which, as a Woden Initiate, I saw as an omen sent from the Gods. I took on the name 'Wulf Ingessunu' (Wulf - Son of Ing) many years ago and have dedicated myself to this god we well as to Woden. Just the other day I went to the doctor's because a swelling developed in my groin area. It turned out to be a hernia, not the type that needs immediate surgery but an Ingui-nal Hernia. 

I could not reproduce the symbol that Madame Blavatsky used for the 'double-cone' or 'spindle' but it was the Dagaz-Rune shown above but as the 'hour-glass' version turned on its side. We may now be able to see why the Daeg-Rune and the Ethel-Rune can be interchanged, since the Daeg-Rune forms the nucleus of a cell and is the agent of change which feeds the embryo. The Dagaz-Rune represents the 'Dawn' or a 'new beginning' and the Ethel-Rune represents the 'New Man' and the new 'Race-Lands' on which this 'New Man' will appear. Some occultists have postulated that when a new race appears it does so on lands sunken in ancient times. The Legend of Atlantis, in the occult world, has always been the main theme of sinking and arising anew. The Daeg-Rune/Edel-Rune combination seems to show this process in their meaning. 

Ingwe is Lord of the Elves who are the Shining Ones and who are also immortal, a Divine Race. Now this is very, very important as I am going to show. Pollux is the Immortal Twin in Greek Mythology, and Romulus is the Immortal Twin in Roman Mythology. Pollux is of a 'Divine Race' according to Zeus (The High God) and Zeus gives him a choice of either remaining an Immortal, or sharing his immortality with his mortal brother, Castor, so that both of them can achieve a semi-immortality. They live alternatively, one during the night and one during the day. Is this not the Daeg-Rune in its hidden meaning? 

The meaning of the name 'Tuisto' (father of Mannus, father of Ingwe) is 'twin' and here we see another link between the Divine Twins, one mortal and one immortal. Even within the Legend of Hengest and Horsa we see one twin that dies and the other lives on and conquers. And is not Hengest the 'Ghost of Ing'? Hengest is yet another Avatar of Ingwe who founded the English Nation here in these islands - again! I have shown long ago how the Divine Twins are associated with the Day and Night and also the Dawn-Time. 

Castor and Pollux are born of the union of Zeus and Leda, the latter assuming the shape of a White Swan, uniting herself with the Divine Swan. The sister of Hengest and Horsa has a name meaning 'Swan' - is this again a coincidence? The Swan, in many Aryan Legends, is the Divine Bird that lays the 'Golden Egg' and in the Primal Rune - Feoh - we find the secret of 'Jack and the Beanstalk' where Jack 'steals' the 'Golden Egg' of the Ogre (Og). This 'Golden Egg' is connected to the 'egg' mentioned by Madame Blavatsky and it is also connected to the Hagall-Rune and thus to Ingwe-Krist. 

The one thing that is glaringly obvious is the connection between Krist and the English Folk, and the appearance of the Last Avatar here in England is underlined through the obvious connection between Bootes (Ingwe) and the 'The Coming One'. Bootes, and its 'diamond-shape', which two Roman historians described as the shape of England in ancient times, is thus symbolic of England, out of which will arise the 'Coming One' or Haeland. This, of course, is the 'Second Coming' known to the Christian Church, but distorted into the coming of a 'Messiah' of the Middle-East. The truth can always be found within the lies propagated by the Counter-Initiation, as I have stated before. 

And, finally, there is something that clearly now demonstrates the importance of the English Folk and of England as the place where the Last Avatar will appear, and seems now proof that what I have said all along is right. The Dark Forces have obviously set out to destroy the English Folk through the policies it has fed through the 'Servants of Darkness' who hold power, and the 'White Traitors' who have betrayed their Folk to them. We are not the only ones, and the nation they have since begun to destroy is SWEDEN - is it thus a coincidence that in the Ynglingatal (translated by Wotan's Krieger) Freyr (Ingwe) was the builder of the Temple of Uppsala, and that when he died he was buried in a mound, presumably at Uppsala. I have heard that the area of Uppsala is now a target for being ruined, or at least the magico-mystical air is being destroyed. Uppsala is the centre of Heathen Worship in SWEDEN. 

We must give our full support to the struggle that the Swedes are undertaking in their land, a land which has seen forced change imposed upon it far quicker than we have had here in England. England was obviously an 'experiment' to see what happens with mass immigration and how it could be used for the agenda of the Dark Forces. The destruction of the Swedes and Sweden has come far quicker and seems to indicate that a swift destruction is needed in order to destroy the Inglinga - 'Sons of Ingwe'. It reminds me of the 'Massacre of the Innocents' that preceded the appearance of the Krist! we can perhaps see why the Ynglingatal has never been translated into English, to hide the connection between the English and the Swedes. 

Uppsala - Sweden

Kingsley Vale - West Sussex

Silbury Hill - Old English 'Seleburgh'

The Inglingas -

The Ynglings were the 'Fairhair Dynasty' descended from the Scylfings of Uppland, Sweden. We have a couple of interesting pieces from the Lay of Hyndla from the Poetic Edda -

"A Skjoldung who, a Skilfing who,

(an Othling who), and Ylfing who."

and later, 

"Thence the Skjoldungs, thence the Skilfings,

Thence the Othlings, thence the Ynglings."

Here we can surmise from the texts that the 'Ynglings' and the 'Ylfings' are in fact interchangeable - the Inglingas and the Wulfingas. 

In the same Lay of Hyndla we find that Ottar (the subject of this text) is the son of Innstein and Hledis, the latter being the daughter of Frodi. Thus Ottar is descended from Ingwe on his mother's side. Going back to what I have written before, that the Divine Twins (in this case Castor and Pollox) were the offspring of Zeus (The High God) and Leto (a Goddess) we find that in Atlantis of the North Jorgen Spanuth equates Leto with Hledis, the name having the same root and origin. In fact the name 'Hledis' would be '(H)led-dis' the word 'dis' referring to a Divine Being. We are back to the link between Ingwe and the Divine Twins. 

In much earlier works within WF I outlined an idea about the 'Seven Tribes of Ingwe' related to the 'Seven Swords of Wayland' where the tribes described by Snorri in the Prose Edda made up six tribes united into the Seventh Tribe - Albion or England - the Nation of Ingwe. It is now certain that Wyrd set in motion a great destiny in which these Seven Tribes -

Veggdegg - Vitrgils - Vitta, father of Hengest/Sigar, father of Svebdegg (Svipdag) - East Saxony.

Beldegg (Baldr) - Brand - Frodigar (Frodi) - Freowin, Wigg, Gewis (Gavir) - Westphalia.

Siggi (Sigi, son of Rerir) - Francland (Wolsungas).

Skiold - Fridleif - Skioldungs - Kings of Denmark and ruler of Reidgotaland (Jutland).

Sweden - Odin set up a system based upon that of Troy. He set over this land a son named Yngvi.

Saeming - Norway.

Thus we have six 'Sons of Odin' who ruled over the areas known as Saxony, Francland, Denmark, Sweden and Norway, and all of these areas were linked through these High Dynasties. Note that here Beldegg (Baeldaeg) is shown as the grandfather of Frodi, and yet in Sweden Yngvi (seen as a different person) is the son of Odin. It is also interesting, in view of my earlier post on the archetype of the Fall of Troy connected to Ragnarok, that the early Swedish system, under Yngvi, was based upon the ancient system of Troy. 

We can see that Snorri has turned our Gods into humans, yet some part of all this must hold a little of the truth, and when we look at the English Nation it really does seem to be made up of these particular tribes (and others) -

Angles,

Saxons, 

Jutes,

Swedes (very early and also in the later Viking Invasions),

Wolsungas (many Old English names have 'Waels' in them, e.g. Walsingham in Norfolk),

Danes (Viking Invasions),

Norwegians (Viking Invasions).

It is also interesting to note that Reidgotaland became 'Jutland' thus suggesting that the 'Jutes' and the 'Goths' were one and the same people. We should also note that many Germanic Mystics equate the word 'Got' or 'Goth' both with 'God' and with 'Good'. These were obviously a Divine Race. The name Gewis gives us the Gewissae who, as I have shown in another earlier post, were the Wise Ones. 

That there was a very early presence of the Inglingas here in England is shown by the name Tegeingl (***) of the tribe first seen in Ireland and then moving over to North Wales (Gwynedd) and Anglesey (Angle's Island). That these were led by the 'Druids' who were ruthlessly oppressed and slaughtered by the Romans underlines the importance of these peoples here in ancient times, and that the 'Sons of Ing' were originally a Divine Race descended from the 'Shining Ones' (Elves). 

(***) The word uses the root 'Ingl' rather than 'Engl' which was a later rendering of this, developing into 'Englefield' where these peoples finally settled. 

Recent archaeological work at Stonehenge has discovered that a second phase  of the building was the work of 'Frisians', even though not too much fuss was made of this in case anyone noticed that this totally contradicts the 'Celtic' origins of everything here in Britain. However, Robert Strobel in his book 'England and the Continent in Prehistory and Early Historical Times' (1940) put together a good deal of proof that 'colonists from Jutland' inhabited a large part of England. (Mentioned in Spanuth's Atlantis of the North.) Since this does further enforce the idea that much of England was populated by Germanic Tribes we should see some changes in our history - but we do not. Spanuth mentions Strobel's proof that -

'The types of battleaxe, the lancet-shaped flint daggers, the pottery forms, the method of burying the dead, and the grave deposits rich in amber, all come from Jutland.'

Spanuth also points out that the "third phase of the building of Stonehenge also owes its origins to 'colonists from Jutland' or to their descendants." So why are so many books still declaring that Stonehenge was built by the 'Celtic' Druids? Even though it is known that the 'Celts' arrived later. The second phase was the work of the 'Beaker Folk' from Jutland who had Stonehenge II rebuilt. The 'bluestones' were moved away in order to change the structure which was rebuilt, after which they were re-erected where they remain today. It is interesting to note what Spanuth says about this re-erection of Stonehenge -

"The five trilithons are the twin symbol which also appears on Scandinavian rock scribings and which was used in Greece as a symbol of the Dioscuri. Most probably these five trilithons represented five pairs of twins."

• Here we have yet another connection to the Divine Twins.
• We also have the connection between the 'Five Twins' and the Legend of the 'Ten Kings of Atlantis' (At-al-land).

We also have the clear indication from Diodorus Siculus describing an account by Hecataeus (around 500BCE) that 'beyond the land of the Celts (most likely Gaul) 'there lies in the ocean an island....inhabited by the Hyoerboreans...' This legend has it that 'Leto was born on this island' which is why 'Apollo is honoured among them above all gods...' Now, Apollo is the Germanic Pol which is another name for Baeldaeg, and he is honoured in many names throughout England, a fact that suggests these may date from a very early time. The 'sacred precinct of Apollo' would be Stonehenge, since this is aligned with both the Summer Sunwend and Winter Sunwend. Why is it that these things have been completely ignored by establishment scholars?

Leto is the Cleito of Atlantis and the Hledis of Norse Mythology; Hledis means 'Glory-Dis' which is obviously a title and not a name. Thus, the Goddess Hledis (Leto/Cleito) is connected to At-al-land. Spanuth mentions that the 'northlands are called 'Atalland' and the sea 'Atle's Path', and variations to this name are 'Atland' (Oera Linda Book), 'Adalland' and 'Oatland'. Cleito was the child of Evenor and his wife Leucippe and from these sprang five pairs of male twins. The sea-god Poseidon is associated with Atlantis, and according to Spanuth Poseidon is Forseti of the Frisians. Forseti has the same characteristics as that of Poseidon - axe-god (an early Thunor), Law-Master, High Judge, saviour from dangers at sea (these of course were 'Sea-Peoples'), and Waker of Springs. To him the Pillar and the Axe were sacred symbols. 

Spanuth mentions the Glasberg which is the 'Shining Mountain' akin to Mount Meru of the Hindus. This Sacred Mountain lies under the Pole Star. We have our very own 'Glasberg' here in England - Glastonbury  ('Glas-ton-burg'). Although Spanuth claims Atlantis to have been situated around the area of Heligoland, there is no reason to doubt this and also believe that these islands also formed part of the lost land of At-al-land. These areas were populated, or at least ruled by, the Royal Lines of the Inglinga. 

Conclusion -

The road to immortality and to the creation of the 'Son of Man' lies within the power of Ingwe as the Fire-God and Divine Ancestor of the English Folk - the Inglingas. The Dark Forces are today hell-bent upon the destruction of the English Folk and of the Swedes which can be no coincidence (although all nations are affected by this). This is why the Ing-Rune is shaped as the DNA Spiral, for 'Ingwe' (The Inga-Fire) dwells within the DNA ready to be awoken by spiritual training and warrior-hood. 

Ing-Rune (Kan-Fusion)

Ing-Rune (Ur-Fusion)

The above is from the Volkische-Runes blog of Runebinder, showing 'The Hooded Man' (Edel-Rune) with the 'Crown' (as the 'Crowned and Conquering Son of the Sun'). All of these concepts are contained in the Ing-Rune whose secrets are coming to light. This is made up of two Gyfu-Runes which is interesting in view of everything that has been said in this post. 

War between a people, a nation, destroys that people, that nation; peace has to be created in order that a nation become whole again, becomes heil, becomes healed and a healthy people and land. This is the 'Peace of Ing' who can unite our Nation and Folk. The star-positions of August 11th 1999 showed the gestation of the New Age - the Age of Ing (they made the Germanic Ing-Rune in the skies). Ing is the God of this New Age, the new Aryan Archetype who is Wid-Ar the Avenger. Wid-Ar is the Son of Woden and Grid - the son of God and Earth. More so, Grid is linked to the 'National Grid' which is symbolic of the powerful Holy Lines that criss-cross this ancient land, once known as 'Elan' which is the Power of the Land itself - Sovereign in certain Celtic Texts. Woden (God) is wed to Grid (Sovereign) and their 'son' is Mabus ('son of') whom we call Ing ('son of'). Both the Germanic and Celtic Texts are the same, for they were the same people, despite the historians distortions. Ing or Mabus is the Divine Hero who brings into being a New Order. He is the God of the New Age of Ing. 

The 'Gift of Ing' - a concept found in the Ing-Rune, the Edel-Rune and the Gar-Rune, as well as the Holy White Stone of Ing, is thus this secret of the Path to Immortality found in the figure of Ingwe. This is the Age of Ing and we are being guided in this Aryan Destiny by Ingwe who awakens the Fire-Serpent which moves upwards to the Realm of the Gods, creating the Man-God ('Son of Man') in the process. The movement (as Serrano tells us) is upwards through the Black Sun (The Void - Sunya) and the Green Ray of Venus. Prior to this stage the symbolism is of the White Swan of Thule which we have seen produces the 'Golden Egg'. As Madame Blavatsky pointed out, this 'egg' is the 'aura' (Astral Body) which is the key to the creation of the New Man.