Inglinga

Inglinga

Wednesday, 14 October 2015

The Cosmic War

This post has again been taken from a chapter in 'Wulf - The Collected Writings of an English Wodenist' and is relevant to the times that we are entering now. Again, some of it repeats what has already been said in other posts, but I see no point in leaving them out since it would alter the understanding of the work.






We need to understand the concept of ‘Cosmic Order’ and what this has meant to our Folk from the most ancient times. The word ‘Rita or R.ta stems from an IE Root *h2r-to which means ‘properly joined’, ‘true’ or ‘right’, which gives rise to another IE Root *h2ar-yo- from which the word ‘Arya’ derives. The Sanskrit r- means ‘to go’, ‘to rise’ and ‘to tend upwards’, and the Sanskrit rtam means ‘rule’, ‘divine law’, ‘fixed order’ and ‘truth’. The word Rita is linked to the Rit-Rune as we shall see. We can see from the above roots that the term Rita is directly linked to Arya which is a very important point.

Turning now to Iran or Persia, they have a term asa or asha which is linked to another form arta, these meaning ‘truth’ and ‘righteousness’. These terms have the same meaning as that of the Rita which originated in Aryania (India). The Norse term Orlög has the same meaning, being ‘Primal Laws’ or ‘Primal Layers’. The Greeks called this by the name ratio, the Egyptians Ma’at and these all refer to the concept of Cosmic Order.

As opposed to this idea of Cosmic Order we can find various traditions of an ‘anti-force’ or ‘anti-god’ that seeks always to bring down this Cosmic Order and create chaos and disorder. This is related to an Iranian word druj and an Indian word druh both of which mean ‘to lie’ and which stem from a PIE Root * dreugh which means ‘lie’, falsehood’, ‘fraud’ and ‘deception’. This gives rise to the German trug which means ‘fraud’ or ‘deception’; it also gives rise to the English ‘trick’ as well as the Norse draug meaning ‘sprite’ or ‘spook’ and the Sanskrit druh which can also mean ‘afflicting demon’.

In the Iranian Yasht (19:41) we find this statement – “The ‘yellow-heeled’ dragon of the druj emerges from the deep to destroy the ‘living world (creation) of Asa’.” This statement is important in that it symbolizes this Force of Chaos by a dragon or serpent. We are also faced with the possibility that the term ‘Druid’ (as later used) does not stem from dru-wid (Oak-Knowledge) but from the word druh or druj which means ‘lie’ or ‘falsehood’. Indeed, this is exactly how the Oera Linda Book describes the Druids – ‘truth-benders’. This refers to the very late 'Celtic' Druids and not the original Hyperborean Druids. This is a complex subject that I have touched upon before and I will not go into it here, but there does seem to be some questions that need asking about the 'Druids'. 

In a later ninth century Iranian text called Pahlavi it tells us that towards the End of Time Asa and Aryaman will together come upon the Earth to do battle with Az – the ‘Demon of Greed’. The term Az, if I remember rightly, means ‘serpent’. Aryaman is here seen as an epithet of the savior-figure of Iran – Saoshyans. The term Asa derives from the same IE Root as Aryaman. Asa is equivalent to the Gods and thus Aryaman to the remnant of the Arya in mankind. 

From these root-words we can deduce that the Weltanshauung of the Arya was based upon the eternal Cosmic War between the Gods (Forces of Order who upheld the Rita) and the Giants/Jotun (Forces of Chaos that sought eternally to disrupt that order and undo the creativeness of the Gods). Another way to put this is that of a belief in a Creative God who upholds Cosmic Order and Rita who is opposed by an Anti-God that seeks to bring down that Cosmic Order and Rita. The Germanic Folk saw this as a struggle between the Gods and the Joten (Giants), the Arya of Aryania (India) saw this as a struggle between the Devas (Gods) and the Asuras (anti-Gods), and the Iranians (Airyania) saw it as a struggle between Ahura Mazda (God of Light) and Ahriman (God of Darkness and Chaos).



In our own Saxon Lore we can see the god Irmin as the High God of the Arya who was responsible for upholding Cosmic Order and World Order, and his symbol was the Irminsul which stood for Cosmic Order. Irmin is often shown holding a pair of scales which represents justice and balance (order), and his weapons are the sword and spear; he also holds a White Rose (White Rose of Albion). Irmin is the equivalent to Aryaman (India) or Airyaman (Iran) and he is the High God of the Arya.

In Vedic India it was Mitra who was the ‘preserver of Rita’, and this role was undertaken by his namesake Mithra in Iran, where he was seen as the ‘preserver of asa/arta’. Both Mitra and Varuna were seen as the protectors of Rita. In Persia the Cult of Mithras was instituted in order to combat the ‘Religion of Evil’ which the prophets foretold would be established on Earth after the Forces of Light had been vanquished. We can see this as the Established Christian Church which eclipsed the Cult of Mithras and became established in Europe. In Vedic India Aryaman is spoken of jointly with Mitra and Varuna. Mitra and Varuna are brothers, the sons of Aditi, the ‘Mother of the Gods’. The term ‘aditi’ means ‘not bound’, ‘not limited’ i.e. ‘the infinite’.

One of the most important points we need here to note is the reference to the IE Root *dreugh giving rise to the English word ‘trick’ for this can explain the concept of the Trickster and in particular the figure of Loki the Trickster. It is usual to see this figure as a playful ‘trickster’ but when we look at what Loki does we can see that he is an Agent of Chaos who brings problems to the Gods, caused the first war in the worlds, the war between the Elves, cut of the Golden Hair of Sif (the corn) and fathered/mothered the Fenris Wolf, Midgard Serpent, and the Dark Goddess of Sorcery, Hel. He was also the figure that at the End of Time leads the Forces of Chaos against the Gods. Looked at in this light we can see that the more likely meaning of the term ‘Trickster’ would be the ‘Father of Lies’!

‘Loki’s Day’ has always been a Saturday, the day of Saturn, called Satæra by the English, and the day of Jehovah (El Shaddai) – the ‘Sabbath’. Whilst the Christian Church promoted a Judaic form of Christianity they could never impose the Day of Saturn (Loki) on our people, who maintained their worship on the Sunday – the Day of the Sun. It is usual to symbolize Saturn by a cube which is symbolic of ‘matter’ and the ‘material world’ and this tells us how devious the creators of the Judaeo-Christian Church really were – for they imposed the sign of the unequal-armed cross, which is in reality a cube which is unfolded! The cube has six sides which, when opened out, makes six sections of the cross. The number six is also the basis of the sequence 666 which is the ‘Mark of the Beast’ or ‘Electronic Chip’ that is already being tested in different parts of the world – mainly on animals, but also on humans at this time. The cube is also symbolised by the Hagal-Star or six-pointed star, which was transformed into the six-pointed 'Star of David'.

Loki is the son of Farbauti the Giant, and is not one of the Gods; he is always with the Gods since he is the blood-brother of Woden. We find that evil enters the world at the end of the Golden Age with the appearance of Gullveig (‘Gold-Way’), also known as Heid; this figure is a Dark Sorceress who introduces dark sorcery into the worlds, thus ending the Golden Age of Perfection. It has been said that she is also known as Angrboda whose heart was eaten by Loki after the Gods thrice-burned her. This seems logical since Loki takes into himself the most evil traits of the female polarity, whilst already having the most evil traits of the male polarity. This very much explains the world today which is ruled by a form of evil Dark Sorceress of Lunar Magic. This certainly explains the ‘witchcraft’ of today which is a female-dominated movement, indeed, dominated by militant feminists.

We can see here where the various accounts of an underground movement based upon a ‘Black Virgin’ or ‘Dark Mother’ was hidden below the surface of the ‘male’ Judaeo-Christianity’ (not truly male, for it was far more Lunar orientated, run by ‘men-without-chests’). Various books have sprung up on the subject of the darker type of goddess associated with Mary Magdalene as the ‘wife’ of ‘Jesus’. Since there is doubt as to the authenticity of the historical ‘Jesus’ this casts doubt on a ‘wife’ that he is said to have had. We have been plagued with the notion that everything we have sprung from the Middle-East, forced upon us by the Judaeo-Christian Church, and even when this declined we now have the same old trash promoted via a different method – this time promoting a ‘feminine’ version of the same Dark Lord, disguised as a ‘Black Virgin’, a sick parody of the true idea of a ‘Virgin Birth’.

We should also be aware how the Judaeo-Christian Church devised a way of usurping the ancient rule of Aryan Kingship through replacing it with its own papal authority. This was done through the forging of a document known as the Donation of Constantine which is supposed to date from 312 CE when Constantine was alleged to have been miraculously converted to Christianity. In this document – an obvious forgery – the Bishop of Rome was given his imperial symbols and regalia. Constantine had declared the Bishop of Rome to be the ‘Vicar of Christ’ with the status of emperor. This gave the ‘Vicar of Christ’ the authority to create or depose kings. A ceremony was devised where the blood of usurpers could be made sacred. Thus the ritual of anointment took precedence over the ancient Blood-Right.

Due to the forgery of this document and the whiles of the Judaeo-Christian Church the ancient Blood-Right of Sacral Kingship was replaced by Papal Authority and a sham anointment ceremony that ‘magically’ made the blood sacred. We have a clear account of how this practice was done in the ‘long-haired’ Merovingian Kings whose symbol was the Tribal Spear – the Spear of Woden, since they were most likely of the Divine Race of the Wolsungas. This ancient Germanic Heerkönig had their long hair shorn in a ceremony in which they were deposed and usurped by the Carolingians who were ‘anointed’ as vassals of the Pope.

In this way the Pope became the supreme mediator between God and Kings. Through the ritual of ‘anointment’ the Church had the right to make kings, and the Sacred Blood was subordinate to oil. Although the Merovingians were deposed of their right to kingship their descendants were said to have moved into the duchies of Brittany and Aquitaine, and the family was also said to have sought refuse here in England, establishing a branch called ‘Planta’ which was thus linked to the Plantagenets. There is a legend that tells of Bera VI who was nicknamed ‘The Architect’ who, under King Athelstan, was said to have practiced the ‘art of building’. It would seem that the establishment of masonry dates back to the time of Athelstan.

The usurpation of the power of kings was just the first stage in the downward fall into chaos and disorder. The next stage in the process was the complete destruction of the monarchy in various different countries of Europe, starting with the French Revolution which brought into being the power of the ‘Third Estate’ which was the rule of the merchant class which replaced that of the monarchs of Europe. Even though the monarchs existed in certain places, such as Britain, they had no real power and were merely there for show. The next phase was the disruption of the ‘Third Estate’ in order to bring the world under the control of ‘The People’ under what is called the ‘Fourth Estate’. When the ‘Twin Towers’ of Capitalism fell this finally heralded the ‘Age of the People’. Inevitably, ‘democracy’ gives way to a totalitarian state, and in this case a totalitarian world-state, which was known and warned of by many Greek philosophers. ‘Democracy’ is the rule of the ‘demos’ who are the lowest caste and whose rule is really an illusion since there are certain hidden forces that rule behind the scenes. Even in our times the rule of money holds power over the masses.




We can gleam some hints of the cosmic struggle that has always been undertaken by the Aryan Race in the story of Kai Khusrau in Iran; he is the Haosravah of the Zend Avesta and the Sushravah of the Rig Veda. This is the same story as Hamlet, for Kai Khusrau plays the part of ‘The Fool’ in this tale. In this the Turanian ruler, Afrasiyad, kills his nephew who is also his son-in-law. He then hides in the waters of a lake, assuming different shapes to avoid capture. From the Avesta we gleam that Kai Khusrau (Arya) and Afrasiyad (Turanian) contend for the Hvareno (the ‘Glory’ of ‘Charisma of Fortune’) which is held by the goddess Ardvi Sura Anahita. This is the ‘Glory that belongs to the Aryan Nations, born and unborn, and to the Holy Zarathustra’. Afrasiyad tries three times to steal the ‘Glory’ plunging into the lake Vurukasha but ‘the Glory escaped, the Glory fled away, the Glory changed its seat’ because it rightfully belonged to Kai Khusrau, for it stood for legitimacy and heavenly mandate.

The same type of tale is told of the Brisingamen Necklace which belonged to the goddess Freya, and which was stolen by Loki the Trickster. Loki too plunged into a lake of water to escape, but the necklace was retrieved by Hama-Heimdall. Since the term ‘Brising’ means ‘fire’ and thus ‘light’ this is the same concept as the Hvarena of Iran. Freya is thus the equivalent of Ardvi Sura Anahita and she is the Guardian of the Glory. This is why Loki could be seen as an (unwitting at first) enemy of the Gods, for he undoes everything that the Gods create.

The wars fought between the Arya and the Turanians seems to go back into the mists of time to the Gobi civilization that grew up in that area after Manu led the Arya out of Atlantis. Some accounts of the fall of Atlantis tell us that it was the usurpation of the Hvarena by the Turanians that led them to misuse the powers they stole and to use these powers for destructive purposes that caused the great cataclysm which sank the continent under the mighty waves. We should take note of these events which occurred many thousands of years ago, especially in view of the rise of China in the modern world. We have accounts of the Hvarena being stolen by the Turanians, but similar accounts of how the Arya gave certain knowledge to the Turanians which were used for evil and destructive purposes. We should be aware today how the ‘West’ has built up the Chinese economy through our own technology taken over there. The Chinese people are still no more than worker-slaves for an industry that mass-produces for the world consumers. This, of course, is just one way that the world could go, another East-West conflict that could parallel the ancient past.

Occult legend tells us quite a different story about the wars between the Arya and the Turanians. We are told that the Arya dwelt in the lands where now lies the Gobi Desert, and their lands extended further still. Wars broke out between the Arya and the Turanians, and the Arya were driven out of many parts of their lands. The Iranian prophet, Zarathustra, was summoned to the Holy Aryan Mountain (Mount Elbruz) where Ahura Mazda (‘God of Light’) appeared to him and told him that he must wage war against the Turanians and regain the Holy Land of the Arya. This he did and the Aryans regained their lands and peace reigned for a while.

Then Zarathustra was again summoned to the Holy Mountain of the Arya where Ahura Mazda appeared to him once more, telling him that the wars against the Turanians would break out again, and that the Arya would lose these wars and their lands. Zarathustra was livid and declared that he would wage a Holy War against the Turanians and annihilate them completely, thus staving off a defeat and loss of their lands. Ahura Mazda then showed him a vision in which he saw the Arya defeated in a great battle and forced to migrate westwards and northwards moving back to their Ur-Lands in the North. Leading the Aryan Tribes was the goddess Ardvi Sura Anahita who was the Soul of the Aryan Race. Zarathustra understood that what would happen was inevitable and was the destiny of the Arya.



It is also necessary to understand the two world wars that have been fought during the twentieth century, for these are not unique in the history of the world. To do so we need to go back in time to the great war outlined in the Mahabharata which was recorded in India. This was fought between the Pandavas and the Kauravas during the interval between the Dvapara and the Kali Yuga. It should be noted that this was fought at a time of transition between one world-age and the next world-age. This can be likened to the two world wars, and especially World War II which coincided with the ‘Yule’ period of the cycle, where the National Socialists ruled for 12 years over the ‘Twelve Nights (Years) of Yule’ (six years of peace and six of war).

The god-force Krishna – an avatar of Vishnu – was on the side of the Pandavas, and he was the force guiding the Pandava ruler Arjuna (a name which is similar to Aryan). We need to go into the story of the incarnation of Krishna if we are to understand the nature of this war. Krishna was the persecuted nephew of a cruel uncle named Kansa (or Kamsa) who was an Asura – ‘anti-god’). Kansa is warned through prophecies about the danger coming from an eighth son of Devaki and Vasudeva, so he kills six children of the couple, but the seventh, Balarama, and eighth, Krishna, are saved and go to live with herdsmen. There Krishna performs deeds of the ‘strong boy’, and then turns the hairs of his body into hundreds of wolves which harass and alarm the shepherds. Kansa hears the deeds of Krishna and Rama and attempts to slay them, but Krishna slays his uncle Kansa.

This story shows many familiarities with the tale of ‘Christ’, but it also shows similarities with the tales worked around The Fool, for this is just how Krishna acts to fool his uncle in order to slay him in revenge for his cruelty. The war is fought between brothers and kinsmen, just as the two world wars of this century were fought between Germanic kinsmen. It is thus now understandable that these world wars had to be fought because they were part of a myth that had to be lived. At the end of the war Krishna is taken up to the gods to become once more Vishnu – the ‘Blond God’. With the departure of Krishna the Kali Yuga begins; the Divine Hero closes the old era which then becomes Time Zero.

Another account of such a great war is to be found in the Ramayana in which Rama leads the war against the Lankas of Ceylon. During this war a series of battles are fought until eventually Rama slays Ravan and ends the war. From the accounts of the war in the Ramayana there was vast slaughter during these wars. Like the Trojan War recorded in Greek Mythology, these wars were fought over a queen – Sita the wife of Rama. This, once more, shows the power of myth and the archetypes involved, which arise again and again, age after age at a particular point in the cycle.

During these battles we find references to a ‘heavenly car’ which is sent to Rama by the god Indra. Rama was also given ‘shining arms and heavenly weapons’ as well as Indra’s chariot. At the end of the last battle Rama is said to have wielded ‘Brahma’s wrathful weapon flaming with celestial fire’ which is said to be a ‘weapon which Agasta had unto the hero given, winged as lightning dart of Indra, fatal as the bolt of heaven’ and was ‘wrapped in smoke and flaming flashes, speeding from the circled bow’. We are told that Rama was no mortal but the ‘messenger of fate’. We are also told that Ravan had won an ‘aerial car’ from the gods which was later given to Rama. It is interesting to note that this ‘aerial car’ was called the ‘flying Pushpa car, borne by swans’, the swan being a Hyperborean symbol.

Rama is the son of Dasa-ratha who ruled like the ancient Manu, father of mankind; we are told that ‘twice-born men (Arya) were free from passion, lust of gold, and impure greed’ and all was ordered through the Caste System. To win the hand of the princess Sita, Rama had to draw the Bow of Rudra which no mortal man had done. Rama drew the bow which snapped as he did so. For this he won Sita as his wife. Rama was said to be a descendant of the ‘ancient Solar Race (Aryan), and described as the warlike ‘Raghus’s Race’.

We can perhaps see certain resemblances to the Wolsunga Myth in the two world wars, where World War I represents Sigmund, whose sword is broken in defeat, World War II represents Siegfried who re-forges the sword but is slain through intrigue, and the final renewal of Nature is achieved by Parsifal bearing the Spear of Woden. Parsifal is the Divine Fool who is ‘resurrected’ at the turn of a new cycle – this is the Last Avatar.



We noted previously how an old Persian text tells us that at the ‘End of Time’ Asa and Aryaman will together come back upon the Earth to do battle with Az – the ‘Demon of Greed’. The world today is ruled by greed and envy, and this should tell us that the time is near for the appearance of the Last Avatar. The term Az can also be seen as The Serpent which at one level is the Midgard Serpent that encircles and enslaves the world. This is the ‘offspring of Loki’. Moving to Egyptian Myth we find that the Sun-God, Ra, does daily battle with the serpent-demon known as Set or Typhon, but also known as Apophis the Destroyer. It is important to recognize the symbolism of the Serpent.

In the Primal Aryan Myth of the Cattle-Raid we find that the cattle (wealth, but also knowledge, since this symbolism was replaced by gold) are stolen by the Serpent and that it is the role of Trita (‘Third’) to do blot to the war-god and to take back the stolen cattle. We have also seen how this relates to the tale of Jack and the Beanstalk where gold replaces the cattle which is symbolic of the Solar Knowledge. On one of the Horns of Gallehus we find a triple-headed figure carrying an axe, which seems to represent Thunor, and a triple-tailed serpent which would seem to be his enemy. It should also be noted that in the Nine Herbs Charm we find that Woden uses the Nine Glory-Twigs (Runes) in order to counter and slay the ‘adder’ (Serpent). It would thus seem obvious why Woden took up the Ancient Runes through his own self-sacrifice.






Woden, as the Horned One, is the Mystical Initiator into the Light of Higher Consciousness, who wields the Lightning-Bolt of Spiritual Illumination. He is the leader of the Divine Revolt against the tyranny of the Dark Lord (Demiurge), descending into matter in order to free the Divine Soul imprisoned in the darkness and ignorance of this world ruled by the Dark Lord (Demiurge). Woden is the God of Light who descends into the darkness and ignorance of matter in order to redeem his Folk and thus save the world. This is why Parsifal - The Third Wave - wields the Spear of Woden and defeats the Forces of Evil. 



The Resurrection of The Fool

This post is from the 'Wulf - Collected Writings of an English Wodenist', adapted to this site; it was originally published in one of Wodenist magazines some years ago. It contains some material which has been covered before but it is necessary to enclose it to allow the post to make sense. Some of the original ideas I have altered my mind on slightly but I have not changed it but merely made comments where necessary. 


‘In the days of the Lion, spawned of the Evil Brood, The Hooded Man shall come to the forest. There he will meet with Herne the Hunter – Lord of the Trees – to be his Son and do his bidding. The Power of Light and the Power of Darkness shall be strong within him. And the guilty shall tremble.’

Now we move on to look at the archetype of The Fool, covering many different aspects that – we hope – will bring together the scattered aspects of this work. In order to understand this archetype we shall look, not to the English ‘Hamlet’, but to far-off Persia (Iran) and to a hero named Kai Khusrau, known as Haosravah in the Zend Avesta and echoed in another Land of the Arya, Sushravah of the Rig Veda. This is the basic tale –

Afrasiyab, Shah of the Turanians, kills his nephew Siyawush, who is also his son-in-law. Kai Khusrau grows up among shepherds, becomes a great hunter using a bow and arrows, plays the ‘village idiot’ by using senseless riddles so that Afrasiyab deems him a fool and incapable of the revenge he is bound to take. Afrasiyab hides in the waters of a lake, assuming new shapes to avoid capture.

From the Avesta we can gleam that Kai Khusrau (Aryan) and Afrasihab (Turanian) control for the ‘Glory’ which is the Hvarna/Hvareno or ‘Charisma of Fortune’ which is held by the goddess Ardvi Sura Anahita. The ‘Glory that belongs to the Aryan Nations, born and unborn, and to the holy Zarathustra’ was in Lake Vurukasha. Afrasiyab tries three times to capture the Hvarna, plunging into the lake, but ‘…the Glory escaped, the Glory fled away, the Glory changed its seat…’ It was allotted, by Divine Right, to Kai Khusrau of the Arya, since it stood for Legitimacy, or Divine Mandate.

It should be noted that Kai Khusrau is described as ‘Monarch of the World’ and at his joint enthronement he said –

‘The whole world is my kingdom, all is mine
From Pisces downwards to the Bull’s Head…’

This refers to Aries the Ram, which I must add is a spring constellation that marks the Summer Evennight (Spring Equinox) around March 21st. I must add that when first confronted with this tale it dawned on me that it was one that was familiar in some way. Indeed, the tale is very like that of the Norse saga in which Loki steals the Brisingamen Necklace and plunges into a lake, followed by Heimdall who retrieves the necklace. This is the same story. In fact, the ‘Glory’ is symbolic of Divine Fire, and the word Brisingamen refers to ‘Fire’. Heimdall is associated with the Ram, and he is also associated with March 24rd, around the Spring Equinox. We shall return to this later, but for now we need to look further into the legend of The Fool.

The names Amleth, Amlodhi, Amlagh, and Amlaidhe all mean ‘simpleton’, ‘stupid’ and ‘like unto a dumb animal’. The ‘like unto a dumb animal’ may be a clever hint at an association with the dog, since we find a dog baying at the heels of The Fool in the Tarot Cards, and this is card number 0. The father of Amlodhi is Orwandil (Earendel) whose name may mean ‘Arrow-Wandel’ according to Giorgio de Santillana and Hertha von Dechend (‘Hamlet’s Mill’), so he is (like Kai Khusrau) an archer. This seems to ring true when we consider another archer and hero named William Tell, for the name ‘Tell’ stems from ‘Tol’ meaning ‘fool’ or ‘simpleton’. There are accounts of a ‘Hamlet’s Mill’ in Norse Mythology and the Nine Giant maidens turn the ‘Island Mill’. It is clear that, like Mundelfore (Wændel) and Hama (Heimdall), Hamlet (‘The Fool’) is linked to the World Mill and to the Precession of the Equinoxes.

‘Evil is never attacked frontally even when convention would require it. It is made to defeat itself.’

The tale of Kullerva from Finland, and the tale of Krishna in India are both related to the same theme. We find an interesting part of the tale of Kullervo, for he is found measuring the depths of the sea, which links him to both Hama and Sceaf –

  •      Hama has a sword called Head which is the mjotudr (‘measurer’). The World Tree, Iggdrasil, is called mjotvidr (‘Measure-Tree’).


  •      Sceaf, in a later tale, has his boat used to measure a boundary.


One of the names of Heimdall is Hallinshid which means ‘bent’, ‘bowed’, or ‘slanted stick’ which refers to the world-axis which is ‘slanted’ 23 ⅓ degrees off its true axis. He is also associated with the name ‘Vindler’ which comes from vindill, from vinda which means ‘twist, turn, wind’. Again, we return to the theme of the World-Turner called Wændel, and his son Hama-Heimdall. In Tibetan Lore the name associated with this same idea is chakravartin which means ‘Turner of the Wheel’, and the Last Avatar (Kalki Avatar of the Hindus) is named Rudra Kalkin. This will be seen to be of importance.

Saxo Grammaticus mentions a Gervendili who is Ger-Wændel (‘Spear-Wændel’) which could relate to the hill-figure of the Long Man; Or-Wændel is ‘Arrow-Wændel’ and could be related to the Herne Giant. The root of Earendel could also be *ear which can mean either the ‘earth’ or be related to ‘water’ (ON aurr – ‘humidity’). In ‘Hamlet’s Mill’ this idea is related to Sirius, which can be seen as a Morning Star and which is the ‘dog-star’, noting the ‘dog’ at the heels of The Fool. Going back to the coat-of-arms of the Wandel Family the jester-figure holding a club could be seen as the Herne Giant, and if so then it represents Orion the Hunter in the skies, which has Canis Major beneath it, and the Dog-Star – Sirius.

There is in fact an interesting point here that concerns astronomy, for at the ‘toe’ of Orion (Rigel) flows Eridanus, and maybe, just maybe, this could be the ‘lake’ into which Loki plunges with the Brisingamen Necklace – in fact the old Germanic name for Sirius was ‘Loki’s Brand’, perhaps referring to the Brisingamen Necklace? This was, like the Hvarena, kept by a goddess, in this case the goddess Freya. Rigel (‘toe’ or ‘foot’) is the ‘source of Eridanus, and this may well be ‘Orvandil’s Toe’ placed there by Thunor in Norse Mythology.

Ø  It has been said that Eridanus links the land of the living with the land of the dead. The name Eridanus comes from Eridu which means ‘confluence of the rivers’.
Ø  Auriga in the North links the land of the living with the region of the Gods; alpha Auriga is Capella the Goat, where comes the Amrita (Ambrosia) and the Nectar, the source of inspiration.

We need now to study the name ‘Herne’ which becomes ‘Cerne’ the root of Cernunnos – the ‘Horned One’. There may well be some grounds to link the name ‘Herne’ to Kronus/Kronos/Chronos through the following thread –

KRONOS – KRON – HRON – HERON – HERNE

Kronos means ‘time’ and the constellation of Orion the Hunter is a marker of time, so we could look to the figure of Herne the Hunter as a ‘God of Time’. Indeed, since the Wild Hunter-God is Woden, the two are obviously linked. Here I am going to go a step further and suggest another thread that will be of interest –

KALI – KARI – HARI

Hari is a title of Woden and also of Vishnu (Hari = ‘The Blond One’); Kali is the Dark Goddess of Time in India, and Kari is a God/Goddess whose name means ‘time’. If Herne is associated with Kronos then we have a legend of his being asleep on an island in the North-West until it is time for him to be reborn as a boy-child once more, for Kronos-Saturn is the Ruler of the Golden Age. He is indeed the ‘Once and Future King’ of mythology.

Both of the above ideas are possible since in the name Kronos the hard ‘k’ or ‘c’ in words such as ‘corn’ (‘Cornwall’ and ‘Cernunnos’) become ‘horn’ in the Germanic dialect, so ‘Cron’ becomes ‘Hron’. The same applies to ‘Kali’ which means ‘time’, of which the Germanic equivalent is ‘Kari’, the ‘l’ changing to ‘r; the name ‘Kari’ also means ‘time’. It is thus perhaps not strange to relate that Kalki and Kali are linked, and that the wife of the third incarnation of Helgi is named Kara, an equivalent of Kari. This leads to yet another interesting series of letter-changes –

KALKI – HALKI – HALGI – HELGI

The name ‘Helgi’ means The Hallowed One but the root-names *kal/*hal also mean ‘hidden’ or ‘concealed’, so this would give us The Hidden One. Helgi would thus seem to be the Germanic equivalent of the Hindu Kalki Avatar and the Tibetan Rudra Kalkin. We need now to look more closely into the hero named Helgi Hundingsbane. The Mysteries of Helgi were revealed to me during the spring of 1997 when I underwent a profound mystical experience and a Shamanic Initiation – linked to the appearance of the Hale-Bopp Comet. The Sun-Initiation was overlooked by Wyrd (‘Morgana’) whilst I was guided by the Great Initiator – Woden in the form of Wændel.

‘One evil only the Wulfing threatened,
The maiden eke who the ætheling bore:
…Croaked a raven hoarsely, on high tree sitting –
Hunger gnawed him – “I know something”.’

We need now to consider what ‘evil’ the ‘ætheling’ threatened to his mother, why the raven croaked as ‘hunger gnawed him’ and what he knew when he uttered ‘I know something’. These words only make sense if we consider Helgi Hundingsbane as an Avatar who incarnated upon Earth for a purpose, just like we have seen in the figures of Hama and Sceaf. Here I feel that it is necessary to use ‘guesswork’ once more, just as we did when considering the idea that Sceaf appeared at the end of the Golden Age, at this particular point in Time.

Using ‘guesswork’ once more it seems possible that Helgi Hundingsbane was an Avatar who appeared at the end of another world-age, and a different part of the Cycle of the Ages, and that this time was at the end of a period of peace. The life of Helgi Hundingsbane was nothing but battle and slaughter, and this should give us the clue we need to solve the mysteries of the words of the raven

  •     The ‘evil’ that Helgi threatened his mother with was that he was born with a wyrd, and that was to break the Peace of Frodi and to wage war and to bring bloodshed to the Earth. Anyone who understood this wyrd of a son would feel that it was ‘evil’, though we, of course, know differently, for it was necessary.

  •       Hunger gnawed the raven simply because he lived in an era of peace, and there were no battlefields to feed from; the raven is a bird of the battlefield.

  •       The raven ‘knew something’, and that was that his hunger would be slated with the    coming of war and slaughter, and it was Helgi Hundingsbane who would bring that      into being.


Helgi Hundingbane is an archetypal hero who appears as an avatar at the start of a new world-age, and in this case (most likely) the Iron Age, Warg Age or Kali Yuga. He is ‘Helgi the Hound-Slayer’ which brings into question his links to Wid-Ar as the slayer of the Fenris-Wolf. When I received the Mysteries of Helgi I came to realise that certain individuals live the life of a myth and that this myth is played at many times during the Cycle of the Ages – this is the secret of Nietzsche’s Eternal Return. The secret is not concerned as such with ‘reincarnation’ but with a constant ‘resurrection’ and a ‘return’ of the same archetype at different times and during different eras within the Cycle of the Ages.

Why can certain people can ‘see into’ certain old texts, and can bring to light some of the secrets contained within them, whereas others take them literally and miss the whole point of them? It would appear that certain ancient texts were written specifically for Initiates of the Tradition who would – in their own era – be able to interpret the hidden meanings contained within them. This is not something that is learned, but something that is already contained within the DNA of that certain individual. This is ‘nature’ rather than ‘nurture’, and cannot be undone! It is these people who can read between the lines (as they say) rather than seeing them like others do. This is why ‘occult’ texts are always written in some form of ‘code’ unknown to the masses. This is not for the sake of ‘elitism’ and some would have it, but to preserve the Mysteries from those who would distort or destroy them – and with them our Aryan Folk!

In many of the ‘Mummer’s Plays’ and such old dramas re-enacted around the Yuletide period of the year The Fool is often slain during these rites. At the same time he is ‘resurrected’ once more at the end. I am going to suggest that the ‘Yuletide’ period of the Great Year was the period 1933-1945 ruled over by the Joker, an aspect of The Fool that represents an Agent of Chaos that seeks creation but at the same time creates destruction. We are in the darkest period of the year when the Ride of the Wild Hunt takes place, but at the same time the Seeds of a New Creation are sown. The Fool (The Joker) is ‘slain’ at the Yuletide, but is resurrected at the springtime – the New Dawn!




This could, of course, be related to the legend that the ‘Christ’ died on ‘Good Friday’ and was ‘resurrected’ on Easter Sunday. It must be remembered that Easter originally fell on the Spring Even-night. There can be no other reason for this, for the time of the ‘death’ of the Old Sun is on the Winter Sunwend, and his ‘rebirth’ is three days later on ‘Christmas Day’, December 25th. The rebirth of the Sun takes place at this time of year, so the ‘resurrection’ taking place on ‘Easter Sunday’ has to be of The Fool (The Joker) who is slain at the Yuletide. The period 1933-1945 covers the rise of National Socialism in Germany which went through six years of peace, and six years of total war, until its final destruction in 1945. This was the ‘Yuletide’ of the Great Year, but since then time has begun to speed up and is now headed for the New Dawn and the Resurrection of The Fool.




The Fool (The Joker) arose in the Fatherland (Germany), and the Resurrection of The Fool will take place in the Land of the Son (England or Ing-Land). The ‘Sword of Ætla’ (The Hun-Bequest) passes from the ‘Father’ (‘The Hun’ – Germany) to the ‘Son’ (England), as we can see in the Saga of Beowulf –

Ða wæs winter scacen,
Fæger foldan bearm…
Swa he ne forwyrnd woroldræden,
Þonne him Hunlafing Hildeleoman,
Billa selest, on bearm dyde;
Þaes wæn mid Eotenum ecge cuðe…

The was winter gone,
The bosom of the Earth beautiful…
So he did not hinder the way of the world
When Hunlaf’s son placed Battle-Flame,
The best of swords, in his lap;
Its edges were well known to the Jutes.

The above is the usual translation of the piece in Old English, but the meaning rendered has much to be desired, for it can have another meaning which transforms the whole thing and makes it understandable in the light of today’s world.

Then was winter gone,
The bosom of the Earth beautiful…
So he did not hinder world-ruler
When him Hunlafing Hildeleoman,
The best of swords, on bosom did;
Its edges were well known to the Joten.

The winter is gone – it is spring and a New Dawn. The Wyrd of ‘World-Ruler’ is not hindered, just as Kai Khusrau was the ‘Monarch of the World’ and, like this piece, associated with the spring and the Spring Equinox. The sword Hunlafing (‘Hun-Bequest’) Hildeleoman (‘Battle-Flame’) – the Sword of Ætla the Hun – was placed upon his bosom, i.e. he (Hengest) received the Wyrd of Ætla as the ‘World-Ruler’. The time around dawn was associated with the Divine Twins, and here we have Hengest appearing at this time to take upon himself the Wyrd of Ætla.

The Sword of the Hun (Germans) passes to Hengest of the Engel-Kin (English) – is this not the meaning of this in the context of world events today. The Sword has passed from the ‘Fatherland’ (Germany) to the ‘Land of the Son’ (England).


Two symbols were given with this dream, which I had whilst living in Horam in East Sussex, and the date – October 31st 1993 – is extremely significant, since it is All Hallow’s Eve (‘Halloween’). The symbols were that of –

  •      The Sword – this would be the sword Albion, the Seventh Sword of Wayland. 

  •      The Cross-Bow – this is the weapon of William Tell, but it is also symbolic of the Saxon Irminsul, since the shape is very like an Irminsul.


This tells us that The Hooded Man is a Sword-Hero and a Bow-Hero which fits very well with what we have said so far about The Fool. Indeed, in one episode of the Robin of Sherwood series Robin is likened to The Fool of the Tarot Pack. Indeed, the symbol used of Albion is the White Rose and a White Rose appears on the tarot card The Fool and also on woodcuts of Irmin – there would seem to be a link here. Irmin has a sword as his weapon, and the famous German Hero – Herman – is the incarnation of this archetype. In one version of the Robin Hood Tales he is bled by a prioress until he is blind and thus his tale links not only to Woden but to Orion who suffers the same fate.

The Bow-God in Norse Mythology is Wali, Son of Woden, and the brother of Wid-Ar; Wali is also an Avenging God. He is, in fact, associated with February 14th which was turned into ‘St. Valentine’s Day’ by the Christian Church. His ‘arrows’ are the Sun’s Rays which pierce the Darkness of Winter which is why he appears at this particular time of the year – he is the ‘Slayer of Darkness’. He is, perhaps, the first stage in the battle against the Dark Forces, and he appears at a time when the Light is ascending and the Sun’s power getting stronger. There is also another figure who wields a bow, and that is the brother of Weland the Smith – Ægil the Archer. The tale of Ægil is the same as that of William Tell, and we have seen how the name ‘Tell’ means ‘fool’ or simpleton’.

If the name ‘Orwandil’ does mean ‘Arrow Wandil’ then it is quite likely that Ægil and Orwandil are perhaps the same archetype. There is one legend that tells of Ægil defending his home, which may hint at a link to a Folk-Hero who defends his homeland. We have this made clear in the legends of Robin Hood (England) and William Tell (Switzerland), both figures stemming from a Germanic source. It is thus not strange to relate that in one version of the William Tell saga there would seem to be links to the Frisians, and since the Frisians make up a section of the English this may be the reason why both have such similar legends – though they could have developed separately, of course.

April Fools Day falls on April 1st, but there is the possibility that this (like Easter) was moved by the Christian Church, for one reason or another. This day was not always celebrated on April 1st, so it may originally have been on the Summer Even-night, March 21st. The Fool is most obviously associated with the spring and with Resurrection, and this date seems to be the most likely since it is the time when the Power of Light and the Power of Darkness are exactly in balance. This would account for the balance held within The Hooded Man.

We have a very good picture of the archetype of The Joker in the figure of the same name that featured in the film The Dark Knight. In the film The Joker does actually mention that he is an ‘Agent of Chaos’, and we can see clearly how his only aim is to wantonly destroy. Whether we see this as ‘evil’ or not will depend upon our own outlook on the situation. Is it really ‘evil’ to destroy a rotten and degenerate society such as the one we live in today?

We can see in the photo that the colours of The Joker are Red-White-Black which is the colours of the Norns and of Eternal Germania. What is noteworthy about this film is that it takes the Dark Knight (a dark power and ‘outlaw’) to defeat The Joker. The ‘Batman’ idea comes from a children’s book originally and the theme is obviously mythical in the sense that it is a confrontation between Good and Evil. It would seem that the authors of such works get their ideas from the ‘Blood Memory’, but we have to be wary of this, for things are not always as they seem. There are some points that we need to consider here –

     The idea may be ‘archetypal’ or ‘mythical’ but the theme of any given story may have been altered to suit the ideology of the writer. What was originally a myth about the battle against a Dark Force can be changed to make the Dark Force the good guy. This can be clearly seen in the ‘Harry Potter’ series which was intended as an attack upon National Socialism. Here the ‘bad guy’ is Voldemort (‘Vol-de-mort’, a name that clearly suggests the ‘Spirit of the Dead’) whose ideals centre round ‘pure blood’ and whose followers are all played by white actors. The ‘good guy’ – Harry Potter – is the hero of the multi-racial pupils of Hogworts. The writer and film director obviously knew this and worked it into the books and films. We can thus see that either side of a struggle can use the same archetype for their own ends.

     In the ‘Batman’ series the name of the town that is the centre of the battle between Good and Evil is Gotham City – ‘Got-Ham’ meaning ‘God-Home’ or ‘Good-Home’ by extension. This cannot be an accident, but we can see in the portrayal that the theme of a multi-racial city is there in the films, even if not in the original stories. Here we would have a case of using an original story for propaganda purposes, not an unusual thing today.

      Whatever the case with the use of the film, the actor that played The Joker played a superb role in the film. Not long after the film was finished he died! It would appear that, having taken on the role of the archetype – a role of total destruction – he himself was destroyed by it!

***** It is noteworthy that 'The Joker' is here seen as an Agent of Chaos but only the 'Dark Knight' can combat and defeat this force since he works outside the law even though he is supported by those who stick to their true principles. In this respect we could meditate upon the Northern Myths where the Gods and Joten sometimes mingle and overlap in their roles - is this necessary in view of the need for the gods to eventually face and overthrow the Forces of Chaos. As I stated before, in the Mystical Experience and Wodenic Initiation that I undertook in the spring of 1997, under the guidance of Woden, the figure that was guiding me was somewhat like a 'Cosmic Trickster' or 'Cosmic Fool' who was also an 'Agent of Chaos' and throughout the experience the world was altered and nothing was in the ordinary. This figure is the Leader of the Mannerbund and the Leader of the Wild Army and he will lead his forces against the Dark Joten, the Forces of Chaos and Darkness, and against the 'White Traitors' who have  betrayed their Folk, their Ancestors and the Gods themselves! This is the god Woden and - THE GUILTY SHALL TREMBLE! 

In a sense we could relate the archetype of a destructive force to that of Shiva the Destroyer who, in Hindu Lore, is the god whose Dance of Destruction destroys the worlds by fire. This is the method used by The Joker in the film. Shiva was originally Rudra, whose role was so similar to Woden as the Wild Huntsman that the two seem to stem from the same original source. The role of Shiva, as well as the Wild Hunter, is to destroy the old in order to recreate upon its ashes of destruction.

There is also reason to believe that these mysteries are also connected to the Divine Twins, since these seem themselves to be connected to the pre-dawn period (darkness) and with the dawn period (light), and thus partake of the Light & Darkness. Indeed there may be a link with Venus here.




The die-cast from Sweden shows the One-Eyed Hunter-God, Woden, but it also shows him as what appears to be a more ancient rendering of a form of “Jester” figure - a Horned God but with a round face and Lunar Horns as well as the Solar-Horns that top the helmet. He is obviously leader of the Ulfhednar - the Wolf-Warriors.

The mystical experience (and initiation into the Mysteries of HelgiH) that I underwent in 1997 when the Hale-Bopp Comet came closest to the Earth and the Sun, held a mystery that I could not fathom at the time - that the figure of The Joker or The Fool was the ruling force over the Cosmos at the time. This experience ended on April 1st when I ended up looking up at the Long Man of Wilmington at exactly 12.00 noon. It became clear to me that the Long Man was Woden as the April Fool.

It also became clear to me what the god-force we know as Woden really is - The Initiator. He is the God of Initiation, just as the die-cast shows when he leads his Wolf-Warriors in the Initiation-Dance. In the last issue of the Sword of Wayland I showed how The Joker is “resurrected” as The Fool, and that the period ruled by The Joker is the Yuletide of the cycle, whilst the arising anew (“resurrection”) of The Fool takes place at the Dawn-Time or Spring-Time of the cycle.

In order to understand this it must be noted that the Yule period was from 1939-1945 which included 6 years of total war. This period can be seen as the conflict between Yahweh and Wotan, and the god Yahweh was the winner who inflicted his vengefulness on his enemies, just as he can be seen to have done throughout the Old Testament. This is the reason why we all need to reflect upon this crucial period of history, and to revise the established ideas on this era.

The Myth of Hamlet is the key to understanding the next part of the cycle, for the Seeds of Rebirth were sown in the Twilight of the Gods when the gods were defeated by the Slave-God. Hamlet’s father is slain by his brother, i.e. the uncle of Hamlet. Hamlet plays the part of The Fool in order to deceive the uncle as he plots his revenge for his father’s murder. This is the theme of the Myth of Hamlet. Woden is slain by the Fenris Wolf who is the offspring of Loki the Trickster. Loki is the blood-brother of Woden, and thus (effectively) his brother. Woden is slain by his brother. This is the defeat of “The Father” and of “The Fatherland”.

The Myth of Hamlet did not end there, of course, for the Resurrection of The Fool takes place here in England - the Land of the Son! The Fool is the “Son of Woden” i.e. Wid-Ar, who is the Avenging God, and who is the Woodland Warrior, known to us as The Hooded Man. That is why the Initiates of Woden were reborn here in the Land of Ing - the Land of the Son - in order to continue the next part of the Eternal Struggle against the Forces of Darkness and Matter. This is the sole reason why anything but the creation of a new Folk-Religion based, not upon the outworn archetype of the Hanged God, but upon the archetype of the Crowned and Avenging Son, will fail us in our struggle. The sole purpose of Woden’s Folk at this time is to create this new Folk-Religion and build a New Order upon it.

The new god-force of the new age is Wid-Ar the Silent; for at this time he is the Silent God or the Hidden God - hooded and cloaked in the Darkness of Night. Like Horus the Avenger, his finger is held to his lips, symbolising his vow of silence so as not to give the game away to his uncle. For his uncle has become overconfident in his plot to gain world domination, and he sees not the danger that he thinks he has quelled for good!

Strangely enough the legend of Wid-Ar tells that we should save all of the souls of the shoes made in order that he can put his foot into the Wolf’s Jaws to release the Spirit of Woden, who is then “resurrected” in the figure of his son - again, the Resurrection of The Fool. Is it not, therefore, significant that the Wolf-Warrior in the die-cast points his spear at the sole of the foot of Woden?

Far too many Odinists see Ragnarok as being in the far distant future, thus giving them an “out”” of doing anything effective in the here and now. The World War II era was the Twilight of the Gods (Götterdamerung) when the gods waned and the Powers of Chaos & Darkness gained almost total control of the world. During this period a New Spark was kindled in the Sun, and today the Light of Freedom has been kindled anew, awaiting the Last Battle and the New Dawn.

The people of England will wake up, but not until the Wild Hunt rides once more, which means a catastrophic future for us all. This is not mean to scaremonger, but to warn everyone that there is little time left until the year 2012, and thus little time left to prepare ourselves. The riots of 2011 were an awakening call, but the great problem is that the masses react to such a situation by trying to ignore it, and thus it passes away. This is not the case, for this is just the start!

The figure of Aragorn in Lord of the Rings is obviously based upon that of Sigurd the Dragon-Slayer, for both wield the Broken Sword that was re-forged by the Elves. But Sigurd is slain at the end of his epic tale, whereas Aragorn goes on to become the Healing King. Tolkien did not merely change this in the Lord of the Rings, for he altered the Legend of Sigurd to fit in with this new idea. In The Legend of Sigurd and Gudrun we find that Sigurd is slain, yet his slaying is merely part of his wyrd to be reborn anew as the World’s Chosen.
Richard Wagner altered the epic tale of Siegfried in order to fit it with his own ideals; his changes completely altered much of the mythology. Tolkien’s retains most of the original theme, yet reworks the ending in order to fit with the idea of Sigurd as a future hero-figure and world-redeemer.I have mentioned before how this hero-figure or avatar is seen to arise out of the Great Deep which here symbolizes the Waters of Chaos. It is in this Age of Chaos that the Last Avatar will arise – the World’s Chosen.

The theme of the Legend of Sigurd the Wolsung is that Woden sires this Man-God in order to redeem the gods at Ragnarok. Sigurd is Woden-born and it is he, and his Wolsunga Line, that are to redeem the gods at the Final battle. The Legend of Helgi is also worked around the same theme – hence why we use the title HelgiH for the Last Avatar. Helgi is The Hidden One at this time, but is The Hallowed One chosen by the gods to redeem them at Ragnarok. This is perhaps the reason why the Helgi Lays were linked with the famous Wolsunga Tribe at some later date

The Dragon-Slayer image is linked to Thunor, the god who slays the Midgard Serpent. We can find a trace of this idea in the Greek legend of Perseus. Perseus, as a baby, is cast into the sea (The Great Deep), he is found and then sets out on a series of adventures ending in his slaying a sea-serpent or sea-monster. He does so with a magical sword given to him by Zeus.

In the Sword of Xanten Siegfried is cast adrift on a river (the Great Deep once more) before being found and brought up by a blacksmith. Indeed, if I am right in suggesting that the ancient Merovingian Frankish Kings were of the Wolsunga Line, then the same theme runs through their legends. The wife of their founder was raped by a “sea-monster” and thus it would seem that this royal line was linked to the Great Deep.

I have also linked the Merovingian Legend to that of Romulus and Remus, the founders of Rome. The god Mars sent a wolf to alarm Silvia, a Vestal Virgin, so that he could overpower her in a cave. He ravished her in the cave, his true shape being hidden through a solar eclipse – that of a sea-beast! Romulus and Remus were associated with the wolf, as were the Merovingian Franks, and also the Wolsungas.

The underlying theme of all this is that the World Chosen will arise out of the Great Deep – the Age of Chaos. This World Chosen is the ‘Resurrection of The Fool’.

If in day of doom
One deathless stands,
Who death hast tasted
And dies no more,
The Serpent-Slayer,
Seed of Woden,
Then all shall not end, nor Earth perish…
…for one they waited,
the World’s Chosen…




The Tarot Card named The Fool shows a young fellow walking towards the edge of a cliff, with a dog at his heels, holding in his hand a White Rose. He wears brightly coloured clothing (like the motley garb of the Harlequin and carries a staff with a bag. This is a picture of spring, with the Sun shining brightly, and he seems to move along without care, even though there is danger ahead for him. The dog at his heels suggests a link to Sirius – The Dog-Star – and Orion whose ‘heel’ the dog bays at, though this is only a suggestion. The card is numbered O which suggests The Void, and this card comes at the beginning and the end