The Black Sun Crop Circles

 

 

 

The above crop-formation was the first of two similar circles which have appeared in Wiltshire, Southwest England. As we can see there are twelve 'rays' which move towards the central wheel and which are all Sig-Runes shown the normal way round. The Sig-Runes differ from each other in that the inner part is not the same for each one. Seven of these sections appear to be the same (the long ones), three are smaller, and two are smaller still. This would seem to be a variation of the Black Sun.

 

 

 

 

 

The above appeared on August 8th 2015 at Ox Drove, Bowerchalke in Wiltshire, and is much nearer to the Black Sun of the Wewelsburg Order Castle. However, there are differences which must have an importance. Here I am going to try to analyse these symbols. For the purpose of doing so we shall see the inmost circle as the Inner Sun, with three rings through which the Sig-Runes radiate - the Inner Ring, Second Ring and Outer Ring.

 

The 8th August 2015 can be seen as the 8th of the 8th (88) to which we can add the sum of the digits in 2015 - 8; this gives us the Mystical Number 88 but also the Mystical Number 888. The number 888 in Greek Gematria seems to refer to 'The Krist'.

 

There are 12 Sig-Runes but in this case they are shown as the reverse of the rune, suggesting an inward movement of the 'rays', i.e. implosive. This is exactly as the first version seems to show.

 

However, only 4 of the Sig-Runes go past the Second Ring, reaching the Outer Ring (8 go only as far as the Second Ring). These connect to the 4 wider sections in which are 4 smaller circles (4 + 4 = 8).





 

Looking at the symbolism using enhanced concentration the 'legs' appear to move anti-clockwise (widdershins) and since the 12 Sig-Runes are made up of three counter-clockwise Swastikas this is the 'Swastika of the Return' (return to Thule-Hyperborea).

 

The Outer Ring is broken into 8 sections by the 'balls' and the extended runes; again we encounter the Mystical Number 8 - the Symbol of Infinity.

 

The 4 'balls' or 'circles' on the Second Ring make a square; but if the whole thing was twisted round this would be a Germanic Ing-Rune. But the 'balls', in the position they lay, seem to suggest that the whole inner area 'revolves' inside the Outer Ring. This is further emphasised by the extensions on the 4 Sig-Runes, which do not follow the rune-shape but seem to be 'offset' or to 'refract' within the Second and Outer Ring.

 

Whereas the Wewelsburg Black Sun suggests that it is static, this one suggests a widdershins movement towards the origins.

 

The Wewelsburg Black Sun was based upon the Mystical Number 12 which is linked to many things -

 

• Each day has 24 hours, made up of two 12-hour parts.
• There are 12 months in a year.
• The 'Twelve Tribes'.
• The 12 signs of the zodiac.
• Robin Hood and his 12 Merry Men.

But this version at Ox Drove introduces the Mystical Number 8 (Infinity-Eternity, i.e. outside the Cycles of Time), the Mystical Number 88 (The Avatar), and the Mystical Number 888 (The White Krist). It also introduces the idea of movement in a widdershins direction, added to the movement towards the centre (implosion). It is interesting to note that Nigel Pennick shows that in Greek Gematria the name 'Jesus' adds to 888, and that Nike ('Victory') adds to 88!

Focussing and un-focussing the eyes allows the 'spaces' within the symbol to come into being, in the process producing what seems to be a Hidden Spiral, moving towards the central circle. Here we need to consider that the Mystical Number 12 is almost always seen within the Formula 12 + 1 as in King Arthur and his Twelve Knights of the Round Table, Robin Hood and his Twelve Merry Men, Jesus Christ and his Twelve Disciples etc. (*). We can see in the Black Sun Crop-Circle the idea of the central point (1) plus the Twelve 'Rays', and also perhaps the central point (1) and the Mystical Number 8 (8 + 1 = 9). Here the Mystical Number 9 opposes the Number 6 associated with the six-pointed Star of Zion, itself linked to Saturn (Satan) who is a transmutation of the ancient God of the Golden Age.

 

If the Inner Circle is the Black Sun (Central Sun) then this stands atop the Midnight Mountain (Sacred Mountain - Me-Ru); from this runs the Four Great Rivers (the extended Sig-Runes); around the outer edge is the Circular Ocean (which is why the rays 'refract'); the Outer Ring is the Circular White Mountain Range that encloses the whole.

 

Hidden within the 12 Sig-Runes, emanating from the Central Sun (Black Sun), is the Sign of the Holy Fehm (Vehm). This is the Secret Tribunal that judges, passes sentence, and carries out the sentence in accord with Sacred Laws (in accord with the 'God of the Hanged'). This is the Triple Swastika symbolising the Laws of the Three Norns - the Law of the Rita.

 

 

 

(This is the reverse of the symbolism on the Black Sun crop-circle)



 

Miguel Serrano sees the Black Sun as illuminating the Inner Earth, i.e. within a different dimension or world, ruled by other laws or no laws. Is this symbol a message from the Inner Earth? Indeed, is this a message telling us of the imminent appearance of the Last Avatar? It has to be significant that this symbol appeared here in England in the area of the West Saxons, indeed in the area where lies the ancient Capital of England - Winchester. What is also significant is that Miguel Serrano mentions a new rune, the Venuris Rune - which is an 8-pointed star symbolic of Venus. The emphasis upon the Mystical Number 8 in the crop-circle is thus linked to the new rune.

There is also an interesting link between the Mystical Number 8 and the legends surrounding Frederick the Second and his Castel del Monte. This castle was built around two octagons (8-sided figure) within which are 8 trapezoid rooms (8-8-8). This was the Castle of the Master of the World - a significant title that should be meditated upon. At this castle the Emperor presided over a kind of 'Round Table' of heroic knights, including the Teutonic Knights and the Knights Templar, this becoming known as the 'Secret Pact'. The root oct is related to the idea of 'seeing'. (**)

 

 

 

 

We see here the 'map' of Hyperborea showing the Sacred Mountain at the centre and the Four Great Rivers running outwards into the Circular Ocean. The symbolism is hidden in this latest version of the Black Sun. Note also the four 'circles' which appear as a square in the four corners, just as the four circles of the crop-circle. The Black Sun symbolism in the crop-circle is thus the Black Sun that illuminates Hyperborea. The crop-circle is arranged as three concentric rings, does not this remind us of Plato's description of Atlantis? Is it not then true to say that Plato's description was as much symbolic as factual, and that this symbolism is of Eternal Atlantis or Eternal Hyperborea, and that this symbolism recurs over and over within the Eternal Return? This suggests the manifestation of Hyperborea and the Golden Age of Perfection.

 

 

 

 

 

The above is from an alchemical work called Splendor Solis and is called the 'Rising of the Black Sun'. We can see the symbolism clearly since in the foreground we see death in the form of a couple of dead trees, yet in the background there is life or New Life forming. The Black Sun is seen emerging from the Earth, giving off Golden Rays of Light (Golden Age). But what is most significant is that it seems in this work the Black Sun is not associated with the Nigredo (Black) of alchemy, but with the last stage, Rubedo (Red), which is the Red Vajra of Resurrection according to Miguel Serrano. We can thus see the Black Sun as not only the 'Dark Night of the Soul' and the 'Dissolution', but also a symbol of the 'Resurrection'.

 

 

 

 

 

 

This 'Jain Swastika' appeared here in England in 2016; note the four circles or 'dots' once again! There seems here to be a pattern in which the earlier circles were of many different cultures (but maybe the same roots?) and we are now seeing a subtle change where Indo-European Symbols are arising amidst the others. Also note the circle around this symbol. These messages appear all over the world, but are mainly centred here in England - this has to be significant. The main area is also around Wessex, the ancient heartland of the West Saxons whose banner was the Golden Dragon of Germania.

 

The appearance of these symbols prove beyond doubt that the Esoteric War is directed by the Hidden Masters from a parallel world - the Inner Earth. From this Inner Earth emanates the Will of the Masters (Gods) who direct and guide the Aryan Initiates on this Earth. As I have stated before, I have been a witness to a very similar type of occurrence to that of the formation of a crop-circle, when I witnessed a kind of 'vortex-wind' that flattened grass near to an old stone circle in Gwynedd, North Wales, not far from a larger stone circle called 'Druid's Circle'. The power behind this 'vortex-wind' seemed to be intelligent and I could 'feel' its presence as it happened.

 

What we have in this Black Sun crop-circle is a symbol of the most ancient Hyperborea, but also connected to the later At-al-land in the North-west. Indeed, it fits the description of Plato's Atlantis too, which may have been a description of At-al-land - the 'Atland' of the Oera Linda Book and of Spanuth. It is a symbol of resurrection and thus may be connected to the idea of the Rising of At-al-land, or even to the resurrection of the Avatar. The latter is actually hinted at through the numerical sequences centred around the Mystical Number 88 and the Mystical Number 888. Below is a Runic Talisman with the meaning of the Resurrection of the Spirit 88; it is perhaps now time to reveal its inner meaning -

 

 

 

 

 

• At the bottom is a Germanic Ing-Rune within which are two Wyn-Runes placed back-to-back. Wyn is the 8th Rune and thus we have the Mystical Number 88.
• The two Wyn-Runes each have three staves, these represent 'Spirit' and the 'Spiritual Realms'.
• The central glyph is the Ur-glyphic Irminsul, which represents the Cosmic Axis/Sacred Centre; it is also symbolic of regeneration and 'resurrection'.
• The top symbolism is that of a Peorth-Rune turned onto its back; this is the Sun-Ship or Swan-Ship that floats upon the Ocean of Chaos at the dissolution of the worlds. It is also perhaps the Wafeln of Miguel Serrano. (This is why such Aryan Heroes as Scef and Beowulf appear from over the 'seas'.) The rune is the 'Birth-Rune' being a Beorc-Rune opened up. It represents the Resurrection of the Avatar' or 'Resurrection of the Hero'.
• Inside the Peorth-Rune are again two Wyn-Runes (88) but this time each one has four staves representing materialisation and manifestation into matter (4 = matter).
• The whole thing represents the 'Resurrection of the Avatar'. 

 



 

 

 

The above shows the same type of Magical Talisman but is clearer to see and shows the Irminsul as it is usually drawn. This design was done by German Rune-Magicians some years ago and was passed to me through an Odinic Rune Magician in the South of England. Another Odinic Magician, based in the Scottish Highlands, was given a walking-staff carved with the design, from which the above came from. These two talismans are in fact carved into pieces of oak barrel from an ancient (heathen) festival held in the Scottish Highlands - the Burning of the Clavvie.

 

Another link to the coming Avatar is contained in yet another numerical sequence contained within the complex structure of the formation. There are 12 Sig-Runes, each made up of 3 sections (12 x 3 = 36); add this to the Number 8 and we get 44, half of 88. But 44 itself is a Mystical Number of Importance, since David Lane (Wodensson) mentions in his works that there are 44 letters in the first verse of the 'Bible' (Old Testament) and 44 letters in the last verse (New Testament), adding up to 88. 'Jesus Christ' (or rather the White Krist of Revelation is referred to as 'The First and the Last' and 'The Beginning and the End', as well as the 'offspring of the Morning Star (Venus - see the piece on Quetzalcoatl).

 

The Black Sun crop-circle seems to be so complex in its form and meaning that it hardly seems likely that it has been done by human hands; indeed, it seems to have kicked up such a stir that people were stopped from going onto the fields to see it at the time. It would also seem that when the crop-circle appeared a comment posted about a picture of the formation on Facebook asked for it to be removed and censored - so afraid are our enemies of what is coming! The area around Wiltshire has seen more crop-formations than anywhere else in the world, and it is also an area full of famous ancient sites -

 

• Stonehenge,
• Avebury Stone Circle,
• Silbury Hill,
• Uffington White Horse,
• Wayland's Smithy,
• Barbury Castle,
• As well as numerous other ancient sites, too many to mention.
• 

It would seem obvious that the area around Wiltshire was at one time one of the most sacred sites in these islands; we may conjecture that this applied way back at the time of At-al-land. Every one of these sites has English names even though every one has been associated with a 'Celtic' past. (Note: some of these are in Oxfordshire but this is due to a political border change and were originally in Wiltshire.)

 

Looking through some of the stuff written about this crop-circle I found one which mentioned Quetzalcoatl which was designed to brush off the 'Nazi' connection of the Black Sun. Unfortunately for the writer it did no such thing and emphasised further links to the Mystical Number 88, as well as bringing the planet Venus into the equation - Quetzalcoatl having links to Venus. In fact Quetzalcoatl was another of the archetypes based upon 'He Who Returns'! He was the Feathered Serpent and one of the White Gods of the Americas who was prophesied to return after he left. Indeed, the Spanish Cortes was taken to be the return of the 'White God'.

 

Another post on the subject investigated a link to 17th August which some see as a significant year; here I will show what this can mean to some -

 

• August 17th was said by some sources to be linked to the appearance of Kalki Avatar.
• August 17th was the date of the death of Rudolf Hess in Spandau Prison. I have it on the authority of a late Odinist Magician here in England that he was told by two different sources from Germany that both had clear visions of the Wewelsburg Black Sun at the precise time of Hess's death!

 

Yet another post on a different site mentioned a dream of mountain within an ocean, topped by an eclipsed sun (Black Sun) and a 'lighthouse' that illuminated the scene. This dream is very significant in that it shows an archetypal picture of the Sacred Mountain (Midnight Mountain) topped by the Black Sun; the Sacred Mountain being within a mass of water. (I have to add that the site was not sympathetic towards National Socialism but was clearly open-minded on this subject.) The dream was in 2012! (In regard to this it would seem that the Sun actually moved into the 'Dark Rift' of the Milky Way around this time.)

 

Finally, on the same day, 15th August 2015 (888), there also appeared a 'dove' formation at a place called Hampton Lucy in Warwickshire. The importance of this cannot be over-emphasised since the name 'dove' stems from 'diver' (some still say 'dove' rather than 'dived') and has been an old symbol of the coming of an Avatar! This links directly to the 'Spirit 88' and the numerology of the formation.

 

To sum up, this formation of 8th of the 8th 2015 seems to 'update' the original symbol in the North Tower of the Wewelsburg Order Castle, and in doing so hint at the coming 'resurrection' of the Avatar (and Aryan Leader) who appears riding a White Horse and carrying a Flaming Sword (comet?). This is reinforced by the 'dove' found in another crop-formation on the same date. 2012 was an important date since this was based upon symbolism of the Black Sun when our Sun entered the 'Dark Rift' (womb?) of the Milky Way.

 

Miguel Serrano sees the Black Sun as an ancient Sun that illuminates the Inner Earth and may represent Baldaeg in the Underworld, the Ancient Aryan Sun-God slain by the wiles of Loki. The Hyperborean Blood is the Igneous Fire of the Black Sun that runs in the Blood of the Aryan Folk - Blavatsky's 'Race of Hope'. This is associated with the Sang Real ('Blood Royal') or San Greal ('Holy Grail'), since the Quest for the Holy Grail is a quest for the 'Blood Memory of the Black Sun'.

 

 

 

 (*) In the 12 + 1 idea this numerical value is returned to its original when we see that within the group is 'The Betrayer' - the 'Judas' who represents those who who receive the 'Thirty Pieces of Silver' for betraying their leader. In a sense this represents the White Traitors who betray their own kind, but it can also represent Loki the Joten who is the 'Enemy Within'.

 

(**) The post about the crop-circle mentioned earlier sees this as the Dark Eye of the Soul and when we consider the root of oct and thus eight the numbers used in the formation are certainly significant.

 

There is one last and indeed important point that I would like to share now with you. A recent comment on 'The Mysteries of Ingwe' provoked a short discussion between myself and the author in which it was hinted that the Black Sun could also represent the Great Void in the area of Bootes - the 'Ox-Driver'. On seeing this at the same time as researching this post I cannot but consider this idea as maybe having some importance, since the Black Sun crop-circle appeared at Ox Drove.

 

Just as I thought that I had finished this post I had a conversation with one of my sons and some more stuff came up. Just a thought here. The Black Sun crop-circle had appeared 3 years after the 2012 'Black Sun' and in seeing this as showing movement it occurred to me that the Black Hole (such as at the centre of the Milky Way) can be dormant for many years and also show signs of becoming active again, i.e. showing a movement of energy. Is this perhaps what we are seeing now? I have shown how Bootes is associated with Ingwe and with England, and this may suggest some form of energy-transfer at this time that will awaken the At-al-land Archetype and the Coming of The Hooded Man.

 

 

 

 

Going back to the comments made on this blog it has been suggested that Bootes is here the Edel-Rune (The Hooded Man). I can go with this since The Hooded Man is also Ingwe, or at least the archetype has the same essence. It is also associated with Woden (who, like Vishnu may be the basis of each different Avatar) since he is the Driver of the Waen (Big Dipper here). This is all in the North-West, the area of At-al-land.

 

"The next Buddha will come from the West and from the North and will be the Kalki Avatar of the Hindus, or Kundalini-Avatar who will wear on his finger the metal ring of Genghis Khan (***)...His coming will mark the return of the Golden Age, and will precede the advent of the Radiant Ones...It will be the end of the Kali-Yuga, the casting out of the Joten and the cacodaemons from the governmental centres of the Earth..."

 

Robert Charroux.

 

(***) The ring of Genghis Khan was said to have been a Swastika Ring.

 

 

 





 

 

POST SCRIPT -

1. After further thoughts on this the idea of the Black Sun starting to send out new waves of energy (from either the Black Hole at the centre of the Milky Way, or the Great Void of Bootes, which would 'energise' the Black Sun at the centre of the Inner Earth) the thought of the Prophecy 88 came into my mind -

"When the Ice of the Darkest of Night melts away under the Fire of the Black Sun of the Inner Earth, the poison apple shall fall away, and the Sleeping Goddess shall awaken, throw off her White Wolf Skin and arise renewed by the Golden Apples of the Immortals. When the Moon is under her feet and she is bathed in the Golden Sun, she shall bring forth the Divine Child of Light who will lead the English Folk in their Divine Mission against the Servants of Darkness."

88 words given to me on November 9th 2014. Here we have the energy of the Black Sun melting the 'Ice of the Darkest of Night', and thus awakening the 'Sleeping Goddess' (Idunn - here the Guardian Goddess of the English and of the Land of England).

2. In a previous post about the Hale-Bopp Comet and At-al-land I mentioned that the 33 runes which were passed to me from a fellow Folkish Wodenist may have been the Lost Runes of At-al-land. Looking back at this post in line with what I am saying here there may be something in this. Two Roman historians mention that the earliest shape of England was an 'elongated diamond', i.e. an Ing-Rune. There are no less than 11 of this type of Ing-Rune in this rune-row, and as I stated before the Edel-Rune (AEthel-Rune here) is a Diamond-Ing Rune with an arrow pointing downwards, thus suggesting the sinking of At-al-land. This 'arrow' also appears on 11 runes too. 11 is a multiple of 33 of course.

3. It should also be noted that the Atland or Oldand of the Oera Linda Book is the land occupied by the Frisians or 'Folk of Frya'. We would call these the 'Folk of Freya', but the name 'Frisian' could just as well be 'Folk of Frey', and thus the 'Folk of Ingwe'. The Frisians are close kin to the English, and the 33 runes are the Anglo-Frisian Rune-Row (which brings into doubt the 'running script' of the Oera Linda Book which itself appears to be based upon the Roman Alphabet).

Awakening of The White Dragon

The revival of the White Dragon Banner started back in the mid-1980's through the original White Dragon Kindred. Woden's Folk was formed on April 23rd 1998 and took up the revival of the White Dragon, which soon spread when it was made into a flag by the English Flag Society, who worked separately in reviving the symbolism, although the idea was put into the magazine of The English Companions (using the pseudonym 'Folk-Wolf') so we cannot tell whether it had been taken up from here or not. Whatever the case the White Dragon was revived and spread through Englisc Nationalism.

The symbol spread very quickly, and at one time I did warn that we would be well not to totally discard the English Cross which began to be suggested. This was only because the White Dragon was, and still is, not well known amongst the English people at large, indeed when it is used many see it as a 'Welsh' flag. There have been arguments against its use because there is little historical evidence to show that the English used it as a symbol. This really does not matter at all since it is the symbolism that counts, and this symbolism is relevant to our struggle today.

The White Dragon is the symbol of the struggle against the Red Dragon of Juda-Rome, the 'Great Red Serpent' mentioned in Revelation. The 'Red Serpent' or 'Red Dragon' is symbolic of 'Rome', the 'Treaty of Rome' (The EU), the USA (which sports the Roman Eagle as its symbol of imperialism) and the British State. It is also the Serpent Rouge of the Priory of Zion. The conflict of the Red Dragon and the White Dragon in these islands goes back into the mists of time, and the use of the symbol as a Saxon Symbol (by some Welsh chroniclers) is interesting in that the Saxons came to these islands to counter the growing Judaeo-Christian Church which was taking control here. The later Vikings took up the struggle against the Christianised English, some of whose rulers were backing the growing Frankish Christian Empire - the Vikings came over in their Dragon Ships.

On a section of the Bayeaux Tapestry we see a Golden or White Dragon (wind-sock) on the ground, suggesting that it is the symbol of the defeated English, whereas a Red Dragon flies above it. This is significant, since it shows the Red Dragon triumphant. In 1485 the victory of Henry Tudor (Henry VII), who fought under the Red Rose and Red Dragon, secured the ultimate defeat of the White Dragon (White Boar in this case, since Richard III used the White Boar and the White Rose).

An exceptional book that concerns itself with the Battle of Bosworth is 'The Battle of Bosworth' by Michael Bennett. The front cover illustration is of Henry Tudor recovering the crown at Bosworth, but below this is a White Dragon shown on its back in defeat, together with the sceptre and crown - a White Dragon! True, the dragon shown defeating it is also white, and not red, but the symbolism is still very interesting. I am not suggesting that in either case these were put there deliberately, but since Archetypal Myth works in subtle and hidden ways they may be unconscious workings.

• The White Dragon is the White Sun, which is symbolic of dawn, of the spring (Whitsuntide) and thus of rebirth and renewal.
• The Golden Dragon is symbolic of the Golden Sun, of summer, of growth and of life.
• The Red Dragon is symbolic of the Red Sun, the autumn sun as the sun sets in the West, of the Dying Sun.

Now we see the importance of the White Dragon since this period is one of the rebirth of the English, of the regeneration and renewal of the English Folk-Nation. But this has a specific importance here in these islands - the White Island (Albion) - which I am now going to relate. The Vedas allude to a 'White Island' or 'Island of Splendour' but this is usually taken to be a mythical realm. But we also have the reference to Scef coming to the Island of Scandi, a name also meaning 'Island of Splendour' or 'White Island'. Again, this is taken to be a mythical realm. But looking to the last post about Iggdrasil & The Runes if such a Holy Island exists in another realm or world then it has to have its parallel in this physical world. Thus, we could surmise that Albion is the area in which this mythical realm exists in another dimension. The symbol of Albion was the White Rose, and we can assume also the White Dragon.

In Wodenic Lore the Seven Swords of Wayland are symbolic of the Seven Tribes of Ingwe who have come together in these islands, and who make up the English Folk-Nation. These tribes have come from Northern Germany, Frisia, Sweden, Denmark, and Norway through the 'Anglo-Saxons' and the 'Vikings'. Northern Germany and Scandinavia were populated by the Ingwaeons ('Friends of Ingwe') who have thus united into one nation here in these islands. The Seven Swords of Wayland are a counterpart to the Seven Swords of the Seven Sons of Mimir. These swords are taken up just as Ragnarok approaches. These Germanic Tribes have united under the White Dragon Banner.

The Seven Swords of Wayland are thus an important symbolism, even though they are found in a TV Series (remember that all this is archetypal); the Seventh Sword of Wayland is named 'Albion' and is wielded by The Hooded Man. Albion is an ancient name for England, and since Hengest is one of the Divine Twins, and thus Divine Ancestors of the English, he is the same archetype as Ingwe (and also The Hooded Man). In previous articles I have likened the Seventh Sword of Wayland to the Sword of the Wolsungas, i.e. the 'Broken Sword'. Albion = The White Island = The White Dragon.

The arguments against the authenticity of the White Dragon as an English Symbol are a smoke-screen to divert the attention away from the importance of the Inner Symbolism which works at a subtle level that can be seen throughout history. The revival of the White Dragon came with the revival of an English Consciousness which itself resulted in the rise of a new Englisc Nationalism, which grew stronger and stronger but floundered due to its lack of strong roots. This is a point of importance because for anything to grow strong and healthy it has to have strong roots.

From an Inner Centre - a Mystical Centre - came the orders to certain Aryan Initiates to move their peoples to the Land of Albion. Thus the Seven Tribes of Ingwe came together in these islands in order to prepare for the Final Conflict between the Island Dragons - the White Dragon and the Red Dragon. Today we are witness to the fact that certain people are 'driven' or 'lead' by an Inner Drive to achieve some set purpose (destiny?). And so it would have been in the past. In order to understand thus further we need to get to the roots of the nature of Ingwe.

Ingwe is the Divine Ancestor of the English - the Inglingas ('Sons of Ing') - and he thus ruled over this Germanic Folk way back in the times when the continent of At-al-land existed, prior to its destruction which may have started some 8,000 years ago. Ingwe was a Germanic God (later known as Frey), and his incarnation marks the creation of the English Folk. He was also known as Sceaf/Scef whose legend tells us he was sent to the Island of Scandi ('Island of Splendour' or 'Shining Island'); his legend was also that of Hama/Heimdall. (It should be noted that these are archetypes and thus differ in form and essence.) The White Dragon is thus also symbolic of Ingwe.

At this point I am going to look at the TV Series called The Vikings which is certainly not 'historical' (if there is any such thing since history is often distorted) but which has a certain essence of interest to us here. The usual interpretation of the Vikings coming to England is that they came due to lack of good land to work, or because of something that displaced them from their lands. Well, may be there is some truth in this, but with all events there can be found an 'inner' meaning.

In the series Ragnar Lothbrok is the one who has the 'drive' to lead others to the 'West', to the Land of Albion. But, as clearly shown in the opening scenes, he is guided by the god Odin. It is Odin that guides him to go westwards to these islands, as if guided by an 'Inner Voice'. Yes, the outward drive is aimed at plunder and the acquisition of wealth, which is a 'human drive', but this is certainly not the Will of the Gods. Of course, we do not see this aspect, but as in the historical Viking incursions the target was the Christian Church which here in England supported Charlemagne who was spreading the alien Middle-Eastern religion across Northern Europe with fire and sword. So we can see an 'Inner Drive' that is not obvious to the majority of scholars. It is likely that the same applied to the earlier Saxon incursions and invasions.

The Royal Dynasty of Sweden (the Swedes being very much part of the early Germanic Tribes as shown by the Wuffingas) were the Ynglings, and the early Royal Dynasty of Norway were also Ynglings. So we have here a number of Scandinavian Tribes claiming descent from Ingwe. Admittedly, we cannot link any of these to the White Dragon, but since we do have the link made by Welsh Chroniclers these people certainly knew of the symbol used of the Saxons. In the Mabinogian we have a reference to the Coiled Golden Worm of Germany which refers to the Golden Dragon of the West Saxons. I have already shown that there is an underlying reason in using the White Dragon and not the Golden Dragon.

It is important to recognise that in Wodenic Mythology the Sword of Hengest ('Hunlafing Hildeleoman' - 'Hun-Bequest - Battle-Flame' [*]) passes from the 'Hun' (German) to the English, wielded by Hengest ('Ing-Geist' = 'Spirit of Ing'). The Wyrd of AEtla the Hun passed on to Hengest, and we should recall that AEtla the Hun burst upon the Roman Empire and almost overthrew it. Hengest took up the Wyrd of AEtla when his Germanic Warriors threw themselves against the Christian Welsh (Roman-Britons), aided by the Scots and the Picts.

[*] It is interesting to note that in the Glossary of Beowulf (Wyatt & Chambers - 1914) the term hilde-leoma is translated as 'Flashing Sword' in regard to the piece about the Hunlafing Hildeleoman, which relates directly to the Flaming Sword wielded by the Kalki Avatar. There is also a later mention of hilde-leoman (Beowulf 2583) which is translated as 'Battle-Flame (of the Dragon)'. This seems to be a case of synchronicity kicking into play, since the result can be seen as "The Battle-Flame of the White Dragon".

The White Horse and the White Dragon are interchangeable symbols, both being Solar Symbols. But the horse is also symbolic of the Shaman's Steed which travels between the worlds, just as Sleipnir - the Eight-Legged Steed of Woden - is used for spirit-travel. What we need to recall here is the meaning of 'dragon' which is -

dra - to twist, to turn, to coil,

gon - 'kan' = fire, knowledge, serpent.

The 'dragon' is the 'Coiled Serpent', but it is also the 'Fire-Serpent' or Kundalini, which is the 'Fire of Ingwe' or 'Inga-Fire'. As you can see this is a very complex subject; at each turn it comes back to the Inga-Folk - the English Folk. The Red Dragon is the 'Satanic Dragon' which encircles the world, enslaving the peoples of the world as it does so. The White Dragon represents the opposition to the Red Dragon, it represents the freedom of the Germanic Folk.



Iggdrasil & The Runes

"My final decision is that the universe is just like a tree, with roots upwards. Just as a tree has branches and leaves, so the universe is also composed of planets which are fixed up in the tree like the leaves flowers, fruits etc."

This quotation is from a letter from Srila Prabhapada to Svarupa Damodara dasa on April 27th 1076, quoted from 'Vedic Cosmography and Astronomy' by Richard L. Thompson published in 1989. Here we have an idea, originating in the Vedas, that the cosmos is akin to an inverted tree. If this is right then it is perhaps also right to see Iggdrasil as an inverted tree too. The Tarot Card of The Hanged Man suggests Woden hanging upside-down on the Irminsul.
 

 

 

 

When we consider that The Hanged Man of the Tarot is most likely based upon Woden hanging on Yggdrasil and peering downwards thus gaining the Rune-Staves for his Folk, this fits in perfectly. Indeed, we are thus concerning ourselves with the concept of the Spinal Column (which we refer to as 'Me-Ru') being Iggdrasil which is an inverted tree whose roots reach into the heavens and whose branches reach down to the earth. We can thus see that this is the polar opposite to what we expect in the physical world - we are entering another parallel world here.

 

The sequence of runes would thus be as I have suggested in articles in the past, the runes moving downwards along the spinal column.

 

The 24 segments of the Spinal Column moving downwards - Feoh, Ur, Thorn, Os, Rad, Ken, Gyfu, Wyn, Haegl, Nyd, Is, Ger, Eoh, Peorth, Eolhs, Sigel, Tir, Beorc, Eh, Mann, Lagu, Ing, Daeg, Edel.

 

 

The five fused vertebrae making the Sacrum - Ac, Aesc, Yr, Ior, Ear.

 

 

The four fused vertebrae making the Coccxy - Cweorth, Calc, Stan, Gar.

 

 

The World Tree and the Sacred Mountain are interchangeable symbols, and just as the tree is inverted, so is the mountain. Indeed, this is how Mount Meru/Sumeru is shown in some instances.  

 

When we contemplate the sequence of runes - 24/5/4 - straightway we see that the 24 runes symbolise the 24 vertebrae, whilst the fused vertebrae are represented by the 9 added runes of the Northumbrian Rune-Row, the row which developed here in England. We have thus two distinct sets of runes 'fused' together -

 

Ac-AEsc-Yr-Ior-Ear

 

Cweorth-Calc-Stan-Gar

 

In the first sequence we have the Oak, the Ash, and the Yew tree with Ior as the Serpent and Ear the Eagle (*), thus having links to Yggdrasil, where the Serpent is at the base, and the Eagle in the branches. In the second sequence we have the Four Hallows - Sword, Cup, Stone & Spear - but we also have the hidden runic message "White Stone" (Calc-Stan) at the centre. We should note that the White Stone of Ing has the meaning 'Gift of Ing - Fire' and it is thus interesting to note that in the last sequence we have the Gar-Rune which represents Gungnir - the Gift of Ing. Cweorth is the Flaming Sword wielded by the Last Avatar.

 

(*) Taking Hamasson's ideas on this rune.

 

Iggdrasil can be seen as interchangeable with the Sacred Mountain which lies on the White Island. This can be seen in the map below, which shows the existence of Thule-Hyperborea which stood in the far north before the catastrophe that sank it. The Gar-Rune, as I have suggested before, seems to symbolise the Sacred Mountain and the Four Sacred Rivers branching out from it.

 

 

We have more than one tradition of this Sacred Mountain and the Four Sacred Rivers, including that of the tale about the Garden of Eden. Scholars are always looking for evidence to prove where these four rivers were. However, we must consider that this is an Archetypal Myth and that after the great catastrophe that overcame Thule-Hyperborea legend has it that it was taken into another dimension. J.R.R. Tolkien uses this as the theme for his destruction of Numenor where he infers that the access to this land was lost because - 'All roads are bent', that 'the kings of Men knew that the world was indeed made round'. And again, we find this statement - 'Therefore the loremasters of Men said that a Straight Road must still be, for those that were permitted to use it.'

The statements suggest that at one time the lands were flat (suggesting a 'Flat Earth') but with the sinking of At-al-land (Numenor is named Atalante by Tolkien). the Earth became round. This statement would seem ridiculous, but when reading Vedic Cosmography and Astronomy a clearer view comes to light. I am here going to briefly go through this since it is important in view of the latest argument between those supporting a 'Round Earth' and those supporting a 'Flat Earth'. Indeed, anyone involved in this might well get hold of this book since it synthesises both ideas, showing that both are right (in one sense) and both are wrong (in another sense) - I will explain.

Looking at this legend again I feel that the only way that we can explain away the sinking of Thule-Hyperborea (the first era) and that no remnants can be found is that the whole continent moved into a different dimension. To explain the obvious discrepancies in the Vedas, the outlandish numbers and the enormous height of Mount Meru which cannot exist on this Earth we have to consider that there is another dimension which they exist, separated from this one. This is the reason why the Vedas contain references to a Bhu Mandala and why the Earth is portrayed as being flat in such mandalas.

What we have here is the idea that in ancient time there was a higher state of consciousness open to certain Higher Beings (Rishis or Divine Beings) in which they saw the Earth in a different way than our physical senses see it today. We see the Earth as round (which it is in our consciousness) but they could see it in a higher state of consciousness in which the worlds appeared as flat and in 'layers'. (I am here reminded of the term used in Norse Mythology - Orlog - which can mean Primal Layers.) This is the theme of the book mentioned here, and it reconciles the contradictions in the Vedas.

So when we say that Thule-Hyperborea 'moved into a different dimension' it is the same as saying that human consciousness lost the ability to see it, humans (in the main) being locked into the physical world, unable to gain access to higher states of consciousness and to higher worlds. The 'veils' between these worlds sometimes opened and some people could gain access to them - to the worlds of gods, elves, dwarves, joten etc.

This brings us to another interesting concept from this book; in ancient myths these higher realms were projected onto our three-dimensional level. The only explanation for this is that they can also exist at a three-dimensional level. In easy terms to understand there are locations on Earth where access can be gained to these other dimensions, where higher states of consciousness can access these higher worlds - we know them as 'ancient sites' such as stone circles, cromlechs, barrows and such places as the Long Man of Wilmington and Woden's Barrow in Wiltshire, which are 'gateways' to other worlds. At such places higher realms can run parallel to their three-dimensional spots upon this Earth.

Our own Wodenic Cosmology thus postulates a White Island in the centre of a Circular Ocean in the centre of which is a White Mountain from which run Four Sacred Rivers. The whole mandala makes up a White Tree with the Rainbow Bridge (Seven Chakras) connecting the worlds together. This is our 'Flat Earth' which exists in a higher dimension, and this is accessed only by those allowed to go on the Straight Way.

All of this explains why established scholars cannot find any evidence of much of our mythology and legend, since it does not exist in our dimension, or in our world, but in a parallel dimension or parallel world - what is sometimes called the Inner Earth. The world of matter is obviously corrupted and is dying, in need of a renewal and a destruction to rebirth. Whilst all is corrupted, rotten and decaying, there lies a perfect world as it was in the Golden Age running parallel to our dying world. There Baldaeg the Beautiful awaits his return, this being Odainsacre in Norse Mythology, the place where no evil can enter, and where peace and harmony reign.

Feoh-Ur-Thorn-Os-Rad-Ken-Gyfu-Wyn-Haegl-Nyd-Is-Ger-Eoh-Peorth-Eolhs-Sigel-Tir-Beorc-Mann-Lagu-Ing-Daeg-Edel-Ac-AEsc-Yr-Ior-Ear-Cweorth-Calc-Stan-Gar.

When we get to the Gar-Rune we reach the Sacred Mountain (Mount Su-Me-Ru) which is the Sacred Centre from which the 'otherworld' can be seen by those who are deemed fit to do so. The 33 runes are the only rune-row to take us through the whole of the spinal column (Mount Su-Me-Ru) and the only one to feature the Sacred Mountain at the base (head really, since we are working upside-down). And the formula A-L-U is thus not 'inverted' as such since it is the 'right way up' when we find that the Sacred Tree itself is 'inverted'. All of what we have been doing is now fitting into place with the knowledge that Iggdrasil is the 'Inverted Tree'.

The Sacred Tree features no less than three times in the last AEttir of the Futhork - Ac (Oak), AEsc (Ash) and Yr (Yew) - which cannot be a coincidence (although Yr is really 'Yew-Bow' rather than the actual tree). We also have (as stated before) the World Serpent (Ior) and the World Eagle (Ear) within the same AEttir. Indeed, these all come together in one group which is equivalent to the Sacrum (Sacral Area). Below these is the Coccyx made up of the last four runes - Cweorth, Calc, Stan, Gar - the Four Hallows or Graal Runes.

 

The Sacrum is shaped like an inverted triangle which is very interesting since the symbolism we used for this area is just that - an inverted triangle. The Coccyx is the 'tail-bone' and is shaped like a tail, which suggests that giving 'The Devil' (i.e. Woden portrayed by the Judaeo-Christians as the 'Evil One') a tail may be more symbolism than reality. It is also interesting to note that in the Vedas and other works that follow them the Sacred Mountain is most often seen as being upside-down. If we symbolise the mountain as a triangle the inverted triangle fits nicely.

 

We should also note that the Left-Hand Path (Way of the Hero) uses the technique of a reversal of values, just as postulated by Friedrich Nietzsche. This would seem to explain the widdershins dance of the witches, and the idea that 'Satanists' used the 'Lord's Prayer' but spoken in reverse. All of this suggests that the downward movement of the runes along the spinal column is right, and that Feoh starts at the Crown, and Gar is the last rune at the base, representing the Sacred Mountain.

 

The Yule Tree ('Christmas Tree') has the obvious symbolism of the World Tree on which are the planets and stars (round balls and the lights twinkling) which lie in the branches. Of course, this is all upright, but somewhere I have read (not sure where) that certain shamanic societies used an inverted tree to symbolise the World Tree. If we look at the shape of the tree it is not unlike a triangle with the apex as the upper point. There are two runes which could link to this idea - the Germanic Ing-Rune and the Daeg-Rune (turned sideways).

'Yet once they were, and therefore they still are, in true being and in the whole shape of the world as at first it was devised.'

 

The Simarillion - J.R.R. Tolkien.

 

The above statement suggests that the mythical Golden Age and its structure exist as they have always been, but in another world that can be accessed only by those chosen to do so. To get there the Straight Way has to be taken, rather than taking the curvature of the world as we see it today in our normal state of consciousness. The runes have always been written as straight lines and perhaps this is not just because they were carved in wood and stone, but perhaps reflecting this message to take the Straight Way. Nature builds in curves, and yet we have the Ley-Lines which again run in straight lines. These, we know, connect ancient sites deemed holy to our ancestors, sites that could be areas where two worlds run together, and where doorways to other worlds lie.

 

It cannot be a coincidence that the White Stone of Ing can be found in England, and that within the Futhork can be found the message 'White Stone'. The central rune (Ken) in its alternative version, with the added 'cross' is very similar to the symbolism of The Hanged Man who hangs as a Cross over a Triangle. This is what can be seen on the Stone of Ing. We also have the message Gift of Ing on the stone, which is the meaning of the Gar-Rune, symbolic of the Sacred Centre.

 

In a previous post on this blog I worked upon the idea of the Gar-Rune as the Sacred Mountain; this came about through looking at the top of an Egyptian Pyramid of glass, which showed clearly the Gar-Rune symbolism. We are thus faced with the possibility that the Great Pyramid is the top of what we could see as the Germanic Ing-Rune, with its reflection below it. That is, the Great Pyramid is the 'gateway' to another world. If I am right then maybe the idea of the secrets of Atlantis being hidden below this is right, but maybe these secrets do not lie in the physical world at all. Maybe this is why no-one will find them, since they exist in another world running parallel to ours, but a world that has an 'entrance' for those with the key to enter. This explanation could also help us to understand the symbolism used in certain legends connected to certain sites, such as the 'burial of treasure' (never found) or the burial of a 'Golden Knight' (again never found). Maybe these are the 'keys' to gaining entrance to these realms. If so then we have to look at these legends again with different eyes.

 

The Steed of Woden is Sleipnir who has eight legs, four of which are used to travel in our world, and four to travel in other worlds. I recall distinctly connecting the Hale-Bopp Comet with Sleipnir, which suggests that this may not have been quite as it seems. It did stand in one place for several weeks before it disappeared totally - in the area of the Beorc-Rune in the Northern Skies. I have suggested in a previous post that this may not have been quite 'of this world' and that its being 'sent by Morgana' may hold the key to the mystery of the Great Comet, and also why it appeared around 4,000 years ago at the time of the final sinking of At-al-land.

 

 

 

 

 

This Masonic Symbolism seems to show something whose meaning has been lost to Freemasonry, since it shows -

 

 

• A Comet,
• The 'Horn of Plenty' (the dream told of Capricorn - the Horn of Plenty),
• The Ing-Rune (in the form of the mason's square),
• The letter 'G'. 

The letter 'G' has a meaning unknown to me, but the symbolism seems to suggest a solar meaning, with the 'rays' coming from it. 'G' is the seventh letter, for what that is worth.

Travel between the worlds was known by the ancients, who seem to have been able to do so through the power of altered states of consciousness (as can be done today by some). But travel was also done by the use of the Vimanas which seem to be not unlike our UFO's today. These seem to travel in a way that defies our physical science and consciousness, but which could be explained if they entered and left our world (dimension) and thus used laws not of our world.

In order to understand these different states of consciousness, different worlds or dimensions, the keys to gaining access to these worlds, and that the contradictions between a 'Round Earth' and a 'Flat Earth' can be reconciled through an understanding of different states of consciousness, we have to revive the most ancient Aryan Science and reject the Judaic Science which has locked us into the physical world and lost us access to other worlds. This seems to start with Quantum Science.

Iggdrasil is also the White Tree which symbolises the White Race; it is shaken, battered near to total destruction (as the White Race is today) but it will be renewed after Ragnarok. It is the Fires of Black Surt that will destroy the worlds, but these fires also renew the worlds. Black Surt is the destroyer just as Sankarsana destroys the Three Worlds in Indian Lore, the latter also coming from the South. Sankarsana is also the 'king of eternal bliss', so we should not see Surt as an 'evil' being. Indeed there is a link between the Cweorth-Rune and Surt, since an alternative name for the rune is 'Tris' which is SIRT backwards. Cweorth is the Flaming Sword which is the weapon of Kalki and of Surt.

We need to consider the alternative symbolism to the World Tree and that is the World Mill. This can be seen as three concentric circles or 'millwheels' turning around a central axis. The force behind this turning process is Waendal or Mundilfore. Thus the Three Worlds of Asgard-Midgard-Hel turn around a Central Axis (Cosmic Pillar). In the Vedas we have the symbolism of the 'Churning of the Milky Ocean' where we find a tortoise, a central churn, and a serpent being pulled in opposite directions by the Devas (Gods) and Asuras (Demons). This can also be found in the Maya Codex Tro-Cortesianus from the Mayan era. The 'churn' would be linked to the quern and thus to the Cweorth-Rune. Indeed, this rune is the Fire-Twirl.

The movement of the World Mill would thus be akin to the Nyd-Rune where the Need-Fire is produced by a forward-backward movement, a movement suggesting the conflict of opposites which sustains the movement itself. This movement, it must be noted, creates fire by friction. This is the realm of Agni (Inga) who we see being our Hama/Heimdall, the Son of Waendal or Mundilfore. His 'father' is the Turner of the Mill-Wheel, and he sends his 'Son' down to us as an Avatar. Hama is a projection of Waendal. (Waendal is. of course, the Long Man of Wilmington and is also the Guardian of the Gateway to the Gods).

The Hagal-Rune (Snowflake) can be seen as the four directions that radiate from a Central Axis (an upright stave). This can also be seen as a mandala of the Flat Earth (four directions) with the Pole Star at the top (North) and the South Star at the base (South). Thus the rune is one of wholeness and of the heildom.

The Nyd-Rune is symbolic of the Sword in the Oak-Tree, the Sword plunged there by Woden and taken out by Sigmund the Wolsunga. The tree thus represents the Cosmos, from which this Sacred Sword is removed. It can only be taken out by a 'Son of Woden', and when his time has come it is Woden that breaks the Sword with the Spear Gungnir. This Sword is then re-forged by Sigurd the Wolsunga who slays the Dragon that guards the Gold Hoard (this has various levels of meaning, not least that he slays those who guard the 'Gold Hoard' for real).

The Primal Time or 'First Time' is the key to understanding the concept of the Iggdrasil Mandala and the Sinking of Thule-Hyperborea. This is referred to in Norse Mythology as Ar Var Alda - The Primal Time or Old Time. The key to this is the revival of an Aryan Science based upon the concept of Implosive Science as postulated by Miguel Serrano. This is symbolised by the Black Sun whose rays move inwards towards the Sacred Centre. The Sig-Runes are reversed because it is symbolic of this inward-movement.

 

 

 

The above crop-formation shows the Black Sun with the Lightning-Flashes being as the normal Sig-Rune. At the centre is a 12-spoked wheel. The later 'Black Sun Crop-formation' appeared as the normal Black Sun, but with some subtle changes (not the subject of this post). The Black Sun is the source of the Universal Energy, the Vril or Odic Force, or whatever name we wish to call it. This may well be the Dark Energy or Dark Matter mentioned by scientists, although this may also be something different, the subject of future research.

 

After the sinking of Thule-Hyperborea and then At-al-land, certain Aryan Adepts travelled across the world teaching the remnants of the catastrophes the Old Sciences which were being lost. We see these in the Shemsu Heru or 'Followers of Horus' in Egypt, the Seven Rishis of India, and maybe even the Seven Sons of Mimir in Norse Mythology, who arise prior to Ragnarok at the End-Time. These were the White Gods who travelled to different areas teaching the remnants of the various races an advanced science, which has come down to us only as 'myth' and 'legend'.

 

Our task today is to preserve the Ancient Wisdom through a knowledge of Iggdrasil (Cosmic Lore) and through the Ancient Runes, discovered by Woden as he hung upon the Wolf-Tree. Woden is the High God, hence the reason we find that he sacrificed 'himself to himself'. He hung upon the Cosmic Tree (Cosmos) in order to gain the knowledge of the runes, which could only be done in a higher state of consciousness - hence the Shamanic Rite.

 

As a matter of interest, and one needing further research and meditation, the Yr-Rune in its Anglo-Frisian form contains the following secrets -

 

• The Ur-Rune which suggests the realm of the Primal Time.
• The ur-glyphic Irminsul whose form is the WAN-WIL-WEH of the Milky Way, our galaxy.

This rune thus suggests the primal form of our galaxy - the Ur-Type. It is also the Yew-Bow or Yew-Tree where the source of the Yew-Bow stems. The Yew is an evergreen tree with needles, something applied to Iggdrasil as the 'Needle-Ash'. The Eoh-Rune or Ehwaz-Rune is itself the Yew-Tree, but its name stems from the Life-Force or Universal Force.

 

The next rune - Ior - is seen as the Midgard Serpent (Iormungand) who bites his own tail, suggesting the Centripetal Force which pulls inwards towards the centre. The glyph is an upright stave with an X-Cross, but unlike the Hagal Snowflake the X-Cross is higher up the stave. It suggests a 'windmill' as we know them today. Indeed, we can see how the symbolism remains even with drastic changes in the world, for the 'windmill' of yesterday has just the same shape as the 'wind-turbine' of today's modern technology. We may well see the following symbolism in the Ior-Rune (Serpent) and the Ear-Rune (Eagle) -

 

• As Iormungand the serpent biting its tail represents the centripetal force of attraction, contraction and implosion.
• As Ear the eagle represents the centrifugal force of repulsion, expansion and explosion.

We have thus these two conflicting and opposite forces working around the Cosmic Tree (Ac-AEsc-Yr). The root-sounds for these would be in-wards and out-wards. We are thus faced with the suggestion as to why the area of the body at the base of the spinal column, the area known as the sacrum, is thus 'sacral' or 'sacred'. The whole area seems to symbolise the World Tree (Iggdrasil) in miniature, at the base of the spine. Using the Three Horns Meditation this area is linked to the Ur-Rune. The three Sacred Trees must thus represent three different facets of the World Tree, Iggdrasil, and I would suggest some ideas here -

 

The Oak - strength, durability, toughness, virility (the acorn is a 'phallic' symbol, and also the 'seed of creation').

 

The Ash - uprightness, steadfast since even when cut down it regenerates and 'coppices' itself easily, it reproduces abundantly, somewhat like a 'weed' through the keys being sent miles by the winds.

 

The Yew - as an evergreen tree it is 'eternal', indeed its name and the Eoh-Rune are linked to the idea of 'eternity' and 'everlasting'. Some species actually regenerate from inside as the outer tree dies, it is thus associated with Eternal Life or Immortality.

 

(We are here faced with the possibility that here lies hidden a three-stage Initiation Rite based upon these Three Sacred Trees, moving from the Oak, through the Ash, to the Yew, and thus to Immortality (the Yew being thus the 'Tree of Life'). The key to this is the transformation from the Serpent (Ior) to the Eagle (Ear). The Three Sacred Trees would also represent the means by which the Woden Initiate would change his/her life through emulating these positive traits in his/her life. The Oak would also be Thunor (Thor) and the Ash would be Woden, the Yew Tree would thus synthesise the two gods and their traits. We may guess that the Oak is Thunor, the Ash is Woden, and the synthesis is Wid-Ar as the Yew-Tree.)

 

In regard to the last four Graal Runes this would be the subject of a future post, but since the sequence Cweorth-Calc-Stan-Gar is centred around the Calc-Stan runes which suggest 'White Stone', then we are faced with the idea that somewhere here is a link to the White Stone of Ing. It is also likely that both the names Ing and Igg are the same, and that Iggdrasil is the 'Steed of Ing' who is an ancient form of Woden - the 'Terrible One'.

 

 

 

 

 

The Gift of Ing is the DNA Code as shown in the form of the Ing-Rune, and thus Ingwe is the god we must invoke to alter that DNA Code to advance our evolution towards the God-Man. The Gift of Ing is Fire - the Inga-Fire - and the Fires of Surt are the Fires of Bliss that will change the worlds, that will cleanse the worlds and create a renewal of Nature. Ignatus Natura Renovatus Integra - 'Nature renews whole by Fire' - INRI. 

 

If I am right here then the last Nine Sacred Runes are indeed the Key to the Mysteries of the Coming Man - the God-Man. These are an Initiation Rite designed to change mankind through a knowledge of the Holy Graal and through a knowledge of the Cosmic Tree. This involves an awakening of the Aryan Gene symbolised by the Gar-Rune (G-Ar or the 'Gift of Ar'). The symbolism throughout this last section is -

 

The Three Sacred Trees - Oak-Ash-Yew.

 

The Serpent at the base of the Tree.

 

The Eagle at the top of the Tree.

 

The Four Hallows or Graal-Runes - Sword-Cup-Stone-Spear.

 

It must be remembered that the Four Hallows are remembered in Irish Myth as the four sacred objects of the Tuatha de Danaan. These were brought from another world and did not originate here on Earth. The secret of these objects lies in the White Stone whence 'him that overcometh' will eat of the fruit of the 'Tree of Life' (immortality). The transformation will be achieved through the awakening of the Inga-Fire - 'Gift of Ing'.

 



Note: I feel that it is important to recognise that certain areas of our land are situated in such a position that the same area also exists at a higher dimensional level. This infers that access can be gained at these areas, access to certain areas within these other worlds.